Frasi di Claude Debussy

Claude Debussy photo
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Claude Debussy

Data di nascita: 22. Agosto 1862
Data di morte: 25. Marzo 1918
Altri nomi:Claude A. Debussy, Claude Achille Debussy

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Claude-Achille Debussy è stato un pianista e compositore francese. È considerato e celebrato in patria e nel mondo come uno dei più importanti compositori francesi, nonché uno dei massimi protagonisti del simbolismo musicale. Debussy, come il Mila ci conferma, viene anche identificato nell' "impressionismo musicale", anche se lo stesso compositore ne nega l'appartenenza nonostante le chiare influenze simboliste di Verlaine e Mallarmé.

Rudolph Réti ha dichiarato che l'impresa di Debussy fu la sintesi della "tonalità melodica" a base monofonica con le armonie, sebbene diverse da quelle della "tonalità armonica".

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Frasi Claude Debussy

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„Music is a mysterious mathematical process whose elements are part of Infinity. … There is nothing more musical than a sunset.“

—  Claude Debussy
Context: Music is a mysterious mathematical process whose elements are part of Infinity. … There is nothing more musical than a sunset. He who feels what he sees will find no more beautiful example of development in all that book which, alas, musicians read but too little — the book of Nature. As quoted in The Harvard Biographical Dictionary of Music (1996) by Don Michael Randel

„To feel the supreme and moving beauty of the spectacle to which Nature invites her ephemeral guests! … that is what I call prayer.“

—  Claude Debussy
Context: I do not practise religion in accordance with the sacred rites. I have made mysterious Nature my religion. I do not believe that a man is any nearer to God for being clad in priestly garments, nor that one place in a town is better adapted to meditation than another. When I gaze at a sunset sky and spend hours contemplating its marvelous ever-changing beauty, an extraordinary emotion overwhelms me. Nature in all its vastness is truthfully reflected in my sincere though feeble soul. Around me are the trees stretching up their branches to the skies, the perfumed flowers gladdening the meadow, the gentle grass-carpetted earth, … and my hands unconsciously assume an attitude of adoration. … To feel the supreme and moving beauty of the spectacle to which Nature invites her ephemeral guests! … that is what I call prayer. As quoted in Claude Debussy: His Life and Works (1933) by Léon Vallas, p. 225 Variant translation: Before the passing sky, in long hours of contemplation of its magnificent and ever-changing beauty, I am seized by an incomparable emotion. The whole expanse of nature is reflected in my own sincere and feeble soul. Around me the branches of trees reach out toward the firmament, here are sweet-scented flowers smiling in the meadow, here the soft earth is carpeted with sweet herbs. … Nature invites its ephemeral and trembling travelers to experience these wonderful and disturbing spectacles — that is what I call prayer. As quoted in The Life of the Creative Spirit (2001) by H. Charles Romesburg, p. 240

„I do not practise religion in accordance with the sacred rites. I have made mysterious Nature my religion.“

—  Claude Debussy
Context: I do not practise religion in accordance with the sacred rites. I have made mysterious Nature my religion. I do not believe that a man is any nearer to God for being clad in priestly garments, nor that one place in a town is better adapted to meditation than another. When I gaze at a sunset sky and spend hours contemplating its marvelous ever-changing beauty, an extraordinary emotion overwhelms me. Nature in all its vastness is truthfully reflected in my sincere though feeble soul. Around me are the trees stretching up their branches to the skies, the perfumed flowers gladdening the meadow, the gentle grass-carpetted earth, … and my hands unconsciously assume an attitude of adoration. … To feel the supreme and moving beauty of the spectacle to which Nature invites her ephemeral guests! … that is what I call prayer. As quoted in Claude Debussy: His Life and Works (1933) by Léon Vallas, p. 225 Variant translation: Before the passing sky, in long hours of contemplation of its magnificent and ever-changing beauty, I am seized by an incomparable emotion. The whole expanse of nature is reflected in my own sincere and feeble soul. Around me the branches of trees reach out toward the firmament, here are sweet-scented flowers smiling in the meadow, here the soft earth is carpeted with sweet herbs. … Nature invites its ephemeral and trembling travelers to experience these wonderful and disturbing spectacles — that is what I call prayer. As quoted in The Life of the Creative Spirit (2001) by H. Charles Romesburg, p. 240

„There is no theory. You have only to listen. Pleasure is the law. I love music passionately. And because l love it, I try to free it from barren traditions that stifle it.“

—  Claude Debussy
Context: There is no theory. You have only to listen. Pleasure is the law. I love music passionately. And because l love it, I try to free it from barren traditions that stifle it. It is a free art gushing forth — an open-air art, boundless as the elements, the wind, the sky, the sea. It must never be shut in and become an academic art. Quoted in An Encyclopedia of Quotations About Music (1981) by Nat Shapiro, p. 268 Unsourced variant: There is no theory. You have only to listen. Fantasy is the law.

„I want no purely musical developments which are not called for inevitably by the text. In opera there is always too much singing. Music should be as swift and mobile as the words themselves.“

—  Claude Debussy
Context: Music would take over at the point at which words become powerless, with the one and only object of expressing that which nothing but music could express. For this, I need a text by a poet who, resorting to discreet suggestion rather than full statement, will enable me to graft my dream upon his dream — who will give me plain human beings in a setting belonging to no particular period or country. … Then I do not wish my music to drown the words, nor to delay the course of the action. I want no purely musical developments which are not called for inevitably by the text. In opera there is always too much singing. Music should be as swift and mobile as the words themselves. As quoted in Debussy (1989) by Paul Holmes, p. 36

„I confess that I am no longer thinking in musical terms, or at least not much, even though I believe with all my heart that Music remains for all time the finest means of expression we have.“

—  Claude Debussy
Context: I confess that I am no longer thinking in musical terms, or at least not much, even though I believe with all my heart that Music remains for all time the finest means of expression we have. It’s just that I find the actual pieces — whether they’re old or modern, which is in any case merely a matter of dates — so totally poverty-stricken, manifesting an inability to see beyond the work-table. They smell of the lamp, not of the sun. And then, overshadowing everything, there’s the desire to amaze one’s colleagues with arresting harmonies, quite unnecessary for the most part. In short, these days especially, music is devoid of emotional impact. I feel that, without descending to the level of the gossip column or the novel, it should be possible to solve the problem somehow. There’s no need either for music to make people think! … It would be enough if music could make people listen, despite themselves and despite their petty mundane troubles, and never mind if they’re incapable of expressing anything resembling an opinion. It would be enough if they could no longer recognize their own grey, dull faces, if they felt that for a moment they had been dreaming of an imaginary country, that’s to say, one that can’t be found on the map. Letter to Paul Dukas (1901)

„Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Etiam egestas wisi a erat. Morbi imperdiet, mauris ac auctor dictum.“

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