„People say of such-and-such a painter that he has great command of his brush. Might it not be more correct to say that he is controlled of his brush? Merely for the satisfaction of his vanity, to paint brilliantly and display skill with the brush, he has sacrificed the nobler considerations of naturalness and truth – and thus achieved sorry fame as a brilliant technician.“

Quote from his writings Thoughts on Art, Caspar David Friedrich; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 32
undated

Caspar David Friedrich photo
Caspar David Friedrich3
pittore tedesco 1774 - 1840

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„[Pricasso] has achieved a good likeness and I can't imagine how he painted it without brushes or conventional equipment.“

—  Pricasso Australian painter 1949

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„The painter paints his brushes black
Through the canvas runs a crack
Portrait of the pain never answers back.“

—  Phil Ochs American protest singer and songwriter 1940 - 1976

"The Flower Lady" http://web.cecs.pdx.edu/~trent/ochs/lyrics/flower-lady.html
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„[Frank] Stella is not interested in expression or sensitivity. He is interested in the necessity of painting... His stripes are the paths of brush on canvas. These path leads only into painting.“

—  Carl Andre American artist 1935

quote c. 1959, in 'Preface to Stripe Painting', by Carl Andre, in Sixteen Americans ed. Miller, p. 76
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„The famous nude artist, Pricasso, who uses his member to paint, was kept busy swishing his "brush" over the canvas. He was quite a drawcard - and many a male observer whipped out his cellphone to take a picture.“

—  Pricasso Australian painter 1949

[Daily News staff, Daily News, South Africa, Sexpo's popularity profitable for entrepreneurial granny, 6 February 2009, 5, Independent Online]
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„Now men and their... um... equipment can sometimes falter under pressure so imagine the stress that artist Pricasso and his 'man thing' brush were under, when he came on stage to paint the one and only Carlotta.“

—  Pricasso Australian painter 1949

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Jopie Huisman photo

„I used to paint some things a few times, but I stopped, because I didn't get an answer. If the work has nothing to say to somebody else, I quit. I am not an idiot who is talking to himself and gazing at the tip of his brush. Painting you do together.“

—  Jopie Huisman Dutch painter 1922 - 2000

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Voorheen heb ik ook wel eens wat geschilderd, maar omdat ik toen geen antwoord kreeg, ben ik ermee gestopt. Als het een ander niets te zeggen heeft, stop ik ermee. Ik ben geen idioot die in zichzelf zit te praten en naar de punt van het penseel zit te staren. Schilderen doe je met elkaar.
p. 57

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„Everything that is painted directly and on the spot always has strength, a power, and a vivacity of touch one cannot recover in the studio... Three strokes of the brush in front of nature are worth more than two days of work at the easel“

—  Eugène Boudin French painter 1824 - 1898

in the studio
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undated quotes

Maria Montessori photo

„There exists, then, the "spirit" of the scientist, a thing far above his mere "mechanical skill," and the scientist is at the height of his achievement when the spirit has triumphed over the mechanism. When he has reached this point, science will receive from him not only new revelations of nature, but philosophic syntheses of pure thought.“

—  Maria Montessori Italian pedagogue, philosopher and physician 1870 - 1952

Ch. 1 : A Critical Consideration of the New Pedagogy in its Relation to Modern Science, p. 8.
Contesto: We give the name scientist to the type of man who has felt experiment to be a means guiding him to search out the deep truth of life, to lift a veil from its fascinating secrets, and who, in this pursuit, has felt arising within him a love for the mysteries of nature, so passionate as to annihilate the thought of himself. The scientist is not the clever manipulator of instruments, he is the worshipper of nature and he bears the external symbols of his passion as does the follower of some religious order. To this body of real scientists belong those who, forgetting, like the Trappists of the Middle Ages, the world about them, live only in the laboratory, careless often in matters of food and dress because they no longer think of themselves; those who, through years of unwearied use of the microscope, become blind; those who in their scientific ardour inoculate themselves with tuberculosis germs; those who handle the excrement of cholera patients in their eagerness to learn the vehicle through which the diseases are transmitted; and those who, knowing that a certain chemical preparation may be an explosive, still persist in testing their theories at the risk of their lives. This is the spirit of the men of science, to whom nature freely reveals her secrets, crowning their labours with the glory of discovery.
There exists, then, the "spirit" of the scientist, a thing far above his mere "mechanical skill," and the scientist is at the height of his achievement when the spirit has triumphed over the mechanism. When he has reached this point, science will receive from him not only new revelations of nature, but philosophic syntheses of pure thought.

„Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Etiam egestas wisi a erat. Morbi imperdiet, mauris ac auctor dictum.“

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