Edward Morgan Forster: Frasi in inglese (pagina 7)

“Love felt and returned, love which our bodies exact and our hearts have transfigured, love which is the most real thing that we shall ever meet, reappeared now as the world's enemy, and she must stifle it.”

“We are not concerned with the very poor. They are unthinkable, and only to be approached by the statistician or the poet.”

“If Miss Honeychurch ever takes to live as she plays, it will be very exciting--both for us and for her.”

“The Valkyries are symbols not only of courage but of intelligence; they represent the human spirit snatching its opportunity while the going is good, and one of them even finds time to love. Bruennhilde's last song hymns the recurrence of love, and since it is the privilege of art to exaggerate she goes even further, and proclaims the love which is eternally triumphant, and feeds upon freedom and lives.”

“Why can't we be friends now?' said the other, holding him affectionately. 'It's what I want. It's what you want.' But the horses didn't want it — they swerved apart: the earth didn't want it, sending up rocks through which riders must pass single file; the temple, the tank, the jail, the palace, the birds, the carrion, the Guest House, that came into view as they emerged from the gap and saw Mau beneath: they didn't want it, they said in their hundred voices 'No, not yet,' and the sky said 'No, not there.”

“I grudged her nothing except my company. But it has gone further, like the degradation of rural England: this afternoon (Sunday in April) all the young men had women with them in far-flung cameradeie. If women ever wanted to be by themselves all would be well. But I don't believe they ever want to be, except for reasons of advertisement, and their instinct is never to let men be by themselves. This, I begin to see, is sex-war, and D. H. L. has seen it, in spite of a durable marriage, and is far more on the facts than Bernard Shaw and his Life Force.”

“My difficulty with working class writers is that they don't make the working class come alive—Leslie Halward is an exception, but as you imply he is not very important. They give me information and they give their comrades gratification, but that's all; gloom, indignation, aspiration in plenty, and plenty of stains on the tablecloth and coal-dust in the mine—but no living beings to experience them.”

“But that was only the beginning of her mortification. Harold had proved her wrong. He had seen that she was a shifty, shallow hypocrite. She had not dared to be alone with him since her exposure. She had never looked at him and had hardly spoken. He seemed cheerful, but what was he thinking? He would never forgive her.”

“There is fascism, leading only into the blackness which it has chosen as its symbol, into smartness and yapping out of orders, and self-righteous brutality, into social as well as international war. It means change without hope. Our immediate duty — in that tinkering which is the only useful form of action in our leaky old tub — our immediate duty is to stop it.”

“I enjoy French poetry as well as French prose, and I believe that this land must have some cultural connection with the European continent, and that she is best connected through her spiritual complement across the Straits of Dover.”

“Self-pity? I see no moral objections to it, the smell drives people away, but that's a practical objection, and occasionally an advantage.”

“Laughing at mankind is rather weary rot, I think. We shall never meet with anyone nicer. Nature, whom I used to be keen on, is too unfair. She evokes plenty of high & exhausting feelings, and offers nothing in return.”

“To make us feel small in the right way is a function of art; men can only make us feel small in the wrong way.”

“She began to speak, but waited a moment for the maid to clear away the tea. In the waning light her room seemed gentle and grey, and there hung about it an odour (I do not write ‘the odour’) of Roman Catholicism, which is assuredly among the gracious things of the world. It was the room of a woman who had found time to be good to herself as well as to others; who had brought forth fruit, spiritual and temporal; who had borne a mysterious tragedy not only with patience but actually with joy.”

“[…] it is now only in letters I write what I feel: not in literature any more, and I seldom say it, because I keep trying to be amusing.”

““There are moments when I feel Howards End peculiarly our own." "All the same, London's creeping." She pointed over the meadow--over eight or nine meadows, but at the end of them was a red rust. "You see that in Surrey and even Hampshire now," she continued. "I can see it from the Purbeck Downs. And London is only part of something else, I'm afraid. Life's going to be melted down, all over the world." Margaret knew that her sister spoke truly. Howards End, Oniton, the Purbeck Downs, the Oderberge, were all survivals, and the melting-pot was being prepared for them. Logically, they had no right to be alive. One's hope was in the weakness of logic. Were they possibly the earth beating time?”

“Love is a great force in private life; it is indeed the greatest of all things; but love in public affairs does not work.”

“No disease of the imagination is so difficult to cure, as that which is complicated with the dread of guilt: fancy and conscience then act interchangeably upon us, and so often shift their places, that the illusions of one are not distinguished from the dictates of the other.”

“As for my politics, you will have guessed that I am not a Fascist — Fascism does evil that evil may come. And I am not a Communist, though perhaps I might be one if I was a younger and braver man, for in Communism I see hope. It does many things which I think evil, but I know that it intends good. I am actually what my age and my upbringing have made me — a bourgeois who adheres to the British constitution, adheres to it rather than supports it, and the fact that this isn't dignified doesn't worry me. I do care about the past. I do care about the preservation and extension of freedom.”