Neil Gaiman: Frasi in inglese (pagina 3)

“The world is always ending, for someone.”

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Neil Gaiman libro Signal to Noise

Signal to Noise (1992)

“Travers's Mary Poppins was a natural phenomena, ancient as mountain ranges, on first-name terms with the primal powers of the universe, adored and respected by everything that saw the world as it was. And she was a mystery. … philosophically, I suspect now, the universe of Mary Poppins underpins all my writing …”

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Neil Gaiman

In his Foreword to Myth, Symbol, and Meaning in Mary Poppins: The Governess as Provocateur (2007) by Giorgia Grilli, p. xiii

“The names are the first things to go, after the breath has gone, and the beating of the heart. We keep our memories longer than our names.”

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Neil Gaiman libro Coraline

Coraline (2002)

“You get ideas from daydreaming. You get ideas from being bored. You get ideas all the time. The only difference between writers and other people is we notice when we're doing it.”

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Neil Gaiman

" Where do you get your ideas? http://www.neilgaiman.com/p/Cool_Stuff/Essays/Essays_By_Neil/Where_do_you_get_your_ideas%3F" (1997)

“"So computers are tools of the devil?" thought Newt. He had no problem believing it. Computers had to be the tools of somebody, and all he knew for certain was that it definitely wasn't him.”

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Neil Gaiman libro Good Omens

Neil Gaiman and Terry Pratchett, Good Omens (1990) -->

“Chesterton was important — as important to me in his way as C. S. Lewis had been.
You see, while I loved Tolkien and while I wished to have written his book, I had no desire at all to write like him. Tolkien’s words and sentences seemed like natural things, like rock formations or waterfalls, and wanting to write like Tolkien would have been, for me, like wanting to blossom like a cherry tree or climb a tree like a squirrel or rain like a thunderstorm. Chesterton was the complete opposite. I was always aware, reading Chesterton, that there was someone writing this who rejoiced in words, who deployed them on the page as an artist deploys his paints upon his palette. Behind every Chesterton sentence there was someone painting with words, and it seemed to me that at the end of any particularly good sentence or any perfectly-put paradox, you could hear the author, somewhere behind the scenes, giggling with delight.”

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Neil Gaiman

"Mythcon 35 Guest of Honor Speech", in Mythprint (October 2004) http://www.mythsoc.org.nyud.net:8090/mythcon/35/speech/

“The little folk dare anything", said his friend. "And they talk a lot of nonsense. But they talks an awful lot of sense, as well. You listen to 'em at your peril, and you ignore 'em at your peril, too.”

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Neil Gaiman libro Stardust

Stardust (1999)

“My grandpa sells condoms to sailors, He punctures the tips with a pin, My grandma does back-street abortions, My god how the money rolls in.”

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Neil Gaiman libro Fragile Things

From the Monarch in the Glenn
Fragile Things (2006)

“If they think you're a hero, they're wrong. After you die, you don't get to be Beowulf or Perseus or Rama any more. Whole different set of rules. Chess, not checkers. Go, not chess. You understand?”

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Neil Gaiman libro Fragile Things

From the Monarch in the Glenn
Fragile Things (2006)

“Off to bed. If squirrels take over in the night, I, for one, welcome our new bushy-tailed scampering overlords, & I know where the nuts are.”

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Neil Gaiman

Neil Gaiman's Twitter stream http://twitter.com/neilhimself, Tweet ID # 2189298072 (16 June 2009) http://twitter.com/neilhimself/status/2189298072

“We wrote the first draft in about nine weeks. Nine weeks of gloriously long phone calls, in which we would read each other what we'd written, and try to make the other one laugh. We'd plot, delightedly, and then hurry off the phone, determined to get to the next good bit before the other one could. We'd rewrite each other, footnote each other's pages, sometimes even footnote each other's footnotes.”

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Neil Gaiman

Good Omens: How Neil Gaiman and Terry Pratchett wrote a book (2014)

“Bod said, "I want to see life. I want to hold it in my hands. I want to leave a footprint on the sand of a desert island. I want to play football with people. I want," he said, and then he paused, and thought. "I want everything."”

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Neil Gaiman libro Il figlio del cimitero

Origine: The Graveyard Book (2008), Ch. 8

“I wrote the first 5,000 words of William the Antichrist. It had a demon named Crawleigh. He drove a Citroen 2CV, and was ineffectual. Proper demons like Hastur and Ligur loathed him. It had a baby swap. I sent it to a few friends for feedback. Then my graphic novel Sandman happened, and it was almost a year later that the phone rang.
"It's Terry," said Terry. "'Ere. That thing you sent me. Are you doing anything with it?"
"Not really."
"Well, I think I know what happens next. Do you want to sell it to me? Or write it together?"
"Write it together," I said, because I was not stupid, and because that was the nearest I was ever going to get to Michaelangelo phoning to ask if I wanted to paint a ceiling with him.”

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Neil Gaiman

Good Omens: How Neil Gaiman and Terry Pratchett wrote a book (2014)

“… the beast made the noise of a cat being shampooed, a lonely wail of horror and outrage, of shame and defeat.”

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Neil Gaiman libro I ragazzi di Anansi

Origine: Anansi Boys (2005), Ch. 13

“Nothing will remain of the armies of the living and of the dead, of the dreams of the gods and the bravery of their warriors, nothing but ash.
Soon after, the swollen ocean will swallow the ashes as it washes across all the land, and everything living will be forgotten under the sunless sky.
That is how the worlds will end, in ash and flood, in darkness and in ice. That is the final destiny of the gods.”

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Neil Gaiman

Origine: Norse Mythology (2017), Chapter 16, “Ragnarok: The Final Destiny of the Gods” (p. 279)

“The best thing about writing fiction is that moment where the story catches fire and comes to life on the page, and suddenly it all makes sense and you know what it's about and why you're doing it and what these people are saying and doing, and you get to feel like both the creator and the audience. Everything is suddenly both obvious and surprising ("but of course that's why he was doing that, and that means that…") and it's magic and wonderful and strange.”

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Neil Gaiman

Neil Gaiman's Journal (15 October 2007)

“When I was very young, somebody — maybe it was a squirrel, they talk so much, or a magpie, or maybe a fishie — told me that Pan owned all this forest. Well, not owned owned. Not like he would sell the forest to someone else, or put a wall all around it … It's not hard to own something. Or everything. You just have to know that it's yours, and then be willing to let it go.”

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Neil Gaiman libro Stardust

Stardust (1999)

“There was reality and there was reality; and some things were more real than others.”

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Neil Gaiman libro I ragazzi di Anansi

Origine: Anansi Boys (2005), Ch. 9

“Libraries really are the gates to the future. So it is unfortunate that, round the world, we observe local authorities seizing the opportunity to close libraries as an easy way to save money, without realising that they are stealing from the future to pay for today. They are closing the gates that should be open.”

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Neil Gaiman

Why our future depends on libraries, reading and daydreaming (2013)

“I am grim of mind and wrathful of spirit and I have no desire to be nice to anyone.”

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Neil Gaiman

Origine: Norse Mythology (2017), Chapter 13, “Hymir and Thor’s Fishing Expedition” (p. 216)