Alain de Botton: Frasi in inglese (pagina 7)

Alain de Botton è scrittore svizzero. Frasi in inglese.
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“We don't exist unless there is someone who can see us existing, what we say has no meaning until someone can understand, while to be surrounded by friends is constantly to have our identity confirmed; their knowledge and care for us have the power to pull us from our numbness. In small comments, many of them teasing, they reveal they know our foibles and except them and so, in turn, accept that we have a place in the world.”

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Alain de Botton libro The Consolations of Philosophy

Origine: The Consolations of Philosophy (2000), Chapter II, Consolation For Not having Enough Money, p. 57

“Why, then, if expensive things cannot bring us remarkable joy, are we so powerfully drawn to them?”

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Alain de Botton libro The Consolations of Philosophy

Origine: The Consolations of Philosophy (2000), Chapter II, Consolation For Not having Enough Money, p. 65.

“In an essay entitled ‘The Poet’, published in 1844, the American writer Ralph Waldo Emerson lamented the narrow definition of beauty subscribed to by his peers, who tended to reserve the term exclusively for the bucolic landscapes and unspoilt pastoral scenes celebrated in the works of well-known artists and poets of the past. Emerson himself, however, writing at the dawn of the industrial age, observing with interest the proliferation of railways, warehouses, canals and factories, wished to make room for the possibility of alternative forms of beauty. He contrasted the nostalgic devotees of old-fashioned poetry with those whom he judged to be true contemporary poetic spirits, deserving of the title less by virtue of anything they had actually written than for their willingness to approach the world without prejudice or partiality. The former camp, he averred, ‘see the factory-village and the railway, and fancy that the beauty of the landscape is broken up by these, for they are not yet consecrated in their reading. But the true poet sees them fall within the great order of nature not less than the beehive or the spider’s geometrical web.”

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Alain de Botton

Origine: The Pleasures and Sorrows of Work (2009), p. 216.

“Arguments are like eels: however logical, they may slip from the minds weak grasp unless fixed there by imagery and style.”

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Alain de Botton libro The Consolations of Philosophy

Origine: The Consolations of Philosophy (2000), Chapter III, Consolation For Frustration, p. 92.

“The pre-scientific age, whatever its deficiencies, had at least offered its members the peace of mind that follows from knowing all man-made achievements to be nothing next to the grandeur of the universe. We, more blessed in our gadgetry but less humble in our outlook, have been left … having no more compelling repository of veneration than our brilliant, precise, blinkered and morally troubling fellow human beings.”

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Alain de Botton

Origine: The Pleasures and Sorrows of Work (2009), p. 168.

“The real issue is not whether baking biscuits is meaningful, but the extent to which the activity can seem to be so after it has been continuously stretched and subdivided across five thousand lives.”

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Alain de Botton

Origine: The Pleasures and Sorrows of Work (2009), p. 80.

“Deciding to avoid other people does not necessarily equate with having no desire whatsoever for company; it may simply reflect a dissatisfaction with what—or who—is available. Cynics are, in the end, only idealists with awkwardly high standards. In Chamfort’s words, “It is sometimes said of a man who lives alone that he does not like society. This is like saying of a man he does not like going for walks because he is not fond of walking at night in the forêt de Bondy.””

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Alain de Botton libro Status Anxiety

Origine: Status Anxiety (2004), p. 119.

“Rage is caused by a conviction, almost comic in its optimistic origins (however tragic in its effects), that a given frustration has not been written into the contract of life.”

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Alain de Botton libro The Consolations of Philosophy

Origine: The Consolations of Philosophy (2000), Chapter III, Consolation For Frustration, p. 84.

“Most of us stand poised at the edge of brilliance, haunted by the knowledge of our proximity, yet still demonstrably on the wrong side of the line, our dealings with reality undermined by a range of minor yet critical psychological flaws (a little too much optimism, an unprocessed rebelliousness, a fatal impatience or sentimentality). We are like an exquisite high-speed aircraft which for lack of a tiny part is left stranded beside the runway, rendered slower than a tractor or bicycle.”

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Origine: The Pleasures and Sorrows of Work (2009), p. 127.

“An understandable hunger for … potential clients tempts many [career counseling therapists] to overpromise, like creative writing teachers who, out of greed or sentimentality, sometimes imply that all of their students could one day produce worthwhile literature, rather than frankly acknowledging the troubling truth, anathema to a democratic society, that the great writer, like the contented worker, remains an erratic and anomalous event, … immune to the methods of factory farming.”

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Alain de Botton

Origine: The Pleasures and Sorrows of Work (2009), pp. 126-127.

“Alcohol-inspired fights … are a reminder of the price we pay for our daily submission at the altars of prudence and order.”

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Origine: The Pleasures and Sorrows of Work (2009), pp. 45-46.

“Life is near-death experience.”

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Alain de Botton

As quoted in de Botton's School of Life lecture, 'On Pessimism' https://www.youtube.com/watch?v=Aw1oLtuJOXQ,
[transcript] https://docs.google.com/document/d/1BcpQlEBiGT6sYmMY8wz0F1rqoWjfC6J-40vhHQZFxxY/edit?pli=1

“Responsible for wrapping the iron fist of authority in its velvet glove is Jane Axtell, head of the accountancy firm’s Human Resources department.”

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Alain de Botton

Origine: The Pleasures and Sorrows of Work (2009), p. 244.

“Our bodies hold our minds hostage to their whims and rhythms.”

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Alain de Botton libro The Consolations of Philosophy

Origine: The Consolations of Philosophy (2000), Chapter IV, Consolation For Inadequacy, p. 122.

“I passed by a corner office in which an employee was typing up a document relating to brand performance. … Something about her brought to mind a painting by Edward Hopper which I had seen several years before at the Museum of Modern Art in Manhattan. In New York Movie (1939), an usherette stands by the stairwell of an ornate pre-war theatre. Whereas the audience is sunk in semidarkness, she is bathed in a rich pool of yellow light. As often in Hopper’s work, her expression suggests that her thoughts have carried her elsewhere. She is beautiful and young, with carefully curled blond hair, and there are a touching fragility and an anxiety about her which elicit both care and desire. Despite her lowly job, she is the painting’s guardian of integrity and intelligence, the Cinderella of the cinema. Hopper seems to be delivering a subtle commentary on, and indictment of, the medium itself, implying that a technological invention associated with communal excitement has paradoxically succeeded in curtailing our concern for others. The painting’s power hangs on the juxtaposition of two ideas: first, that the woman is more interesting that the film, and second, that she is being ignored because of the film. In their haste to take their seats, the members of the audience have omitted to notice that they have in their midst a heroine more sympathetic and compelling than any character Hollywood could offer up. It is left to the painter, working in a quieter, more observant idiom, to rescue what the film has encouraged its viewers not to see.”

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Alain de Botton

Origine: The Pleasures and Sorrows of Work (2009), pp. 83-84.

“The unremitting division of labour resulted in admirable levels of productivity. The company’s success appeared to bear out the principles of efficiency laid down at the turn of the twentieth century by the Italian economist Vilfredo Pareto, who theorized that a society would grow wealthy to the extent that its members forfeited general knowledge in favour of fostering individual ability in narrowly constricted fields. In an ideal Paretan economy, jobs would be ever more finely subdivided to allow for the accumulation of complex skills, which would then be traded among workers. … But however great the economic advantages of segmenting the elements of an afternoon’s work into a range of forty-year-long careers, there was reason to wonder about the unintended side effects of doing so. In particular, one felt tempted to ask … how meaningful the lives might feel as a result.”

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Alain de Botton

The Pleasures and Sorrows of Work (2009)

“It wasn't only fanatics and drunkards who began conversations with strangers in public.”

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Alain de Botton libro The Consolations of Philosophy

Origine: The Consolations of Philosophy (2000), Chapter I, Consolations For Unpopularity, p. 16.

“Symons … remarked that the most common and unhelpful illusion plaguing those who came to see him was the idea that they ought somehow, in the normal course of events, to have intuited—long before they had finished their degrees, started families, bought houses and risen to the top of law firms—what they should properly be doing with their lives. They were tormented by a residual notion of having through some error or stupidity on their part missed out on their true calling.”

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Alain de Botton

Origine: The Pleasures and Sorrows of Work (2009), p. 113.

“True respectability stems not from the will of the majority but from proper reasoning.”

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Alain de Botton libro The Consolations of Philosophy

Origine: The Consolations of Philosophy (2000), Chapter I, Consolations For Unpopularity, p. 33.

“I … thought about societies where exceptional fortunes are built up in industries with very little connection to out sincere and significant needs, industries where it is difficult to escape from the disparity between a seriousness of means and a triviality of ends.”

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p 102-103.
The Pleasures and Sorrows of Work (2009)