George Steiner: Frasi in inglese (pagina 2)

George Steiner era scrittore e saggista francese. Frasi in inglese.
George Steiner: 167   frasi 15   Mi piace

“The immense majority of human biographies are a gray transit between domestic spasm and oblivion.”

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George Steiner

"In a Post-Culture".
In Bluebeard's Castle (1971)

“Cheap music, childish images, the vulgate in language, in its crassest sense, can penetrate to the deeps of our necessities and dreams. It can assert irrevocable tenure there. The opening bars, the hammer-beat accelerando of Edith Piaf's Je ne regrette rien — the text is infantile, the tune stentorian, and the politics which enlisted the song unattractive — tempt every nerve in me, touch the bone with a cold burn and draw me into God knows what infidelities to reason, each time I hear the song, and hear it, uncalled for, recurrent inside me.”

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George Steiner

Origine: Real Presences (1989), III: Presences, Ch. 4 (p. 183).

“Verse no longer stands at the centre of communicative discourse. It is no longer, as it was from Homer to Milton, the natural repository of knowledge and traditional sentiment. It no longer gives to society its main record of past grandeur or its natural setting for prophecy, as it did in Virgil and Dante. Verse has grown private. It is a special language which the individual poet insinuates, by force of personal genius, into the awareness of his contemporaries, persuading to learn and perhaps hand on his own uses of words. Poetry has become essentially lyric — that is to say, it is the poetry of private vision rather than of public or of national occasion.”

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George Steiner

Origine: The Death of Tragedy (1961), Ch. IX (p. 309).

“When the modern scholar cites from a classic text, the quotation seems to burn a hole in his own drab page.”

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George Steiner

Origine: The Death of Tragedy (1961), Ch. IX: (p. 314).

“We cannot turn back. We cannot choose the dreams of unknowing. We shall, I expect, open the last door in the castle, even if it leads, perhaps because it leads, on to realities which are beyond the reach of human comprehension and control. And we shall do so with that desolate clairvoyance, so marvellously rendered in Bartok's music, because opening doors is the tragic merit of our identity.”

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George Steiner

"Tomorrow"
In Bluebeard's Castle (1971)

“Fantasizing about action out there in the 'real' world, spinning dreams abut the secret centrality, about the occult importance of the labours in which he has interred his existence — labours that the vast majority of his fellow men would deem wholly marginal and socially wasteful if they knew of them at all — the pure scholar, the master of catalogues, can sup on hatred. At the ordinary level, he will exorcize his spleen in the ad-hominem nastiness of a book review, in the arsenic of a footnote. He will vent his resentments in the soft betrayals of an ambiguous recommendation or examination report and in the scorpion's round of a committee on tenure. The violence stays formal. Not, one supposes, in Professor Blunt.”

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George Steiner

"The Cleric of Treason"
George Steiner: A Reader (1984)

“A sentence always means more. Even a single word, within the weave of incommensurable connotation, can, and usually does.”

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George Steiner

Origine: Real Presences (1989), II: The Broken Contract, Ch. 4 (p. 82).

“For it is a plain fact that, most certainly in the West, the writings, works of art, musical compositions which are of central reference, comport that which is "grave and constant" (Joyce's epithets) in the mystery of our condition.”

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George Steiner

Origine: Real Presences (1989), III: Presences, Ch. 6 (p. 224).

“Men are accomplices to that which leaves them indifferent.”

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George Steiner

"A Kind of Survivor".
Language and Silence: Essays 1958-1966 (1967)

“But I would like to think for a moment about a man who in the morning teaches his students that a false attribution of a Watteau drawing or an inaccurate transcription of a fourteenth-century epigraph is a sin against the spirit and in the afternoon or evening transmits to the agents of Soviet intelligence classified, perhaps vital information given to him in sworn trust by his countrymen and intimate colleagues. What are the sources of such scission? How does the spirit mask itself?”

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George Steiner

"The Cleric of Treason," The New Yorker (1980-12-08).
George Steiner: A Reader (1984)

“Talk can neither be verified nor falsified in any rigorous sense. This is an open secret which hermeneutics and aesthetics, from Aristotle to Croce, have laboured to exorcise or to conceal from themselves and their clients. This ontological, which is to say both primordial and essential axiom (or platitude) of ineradicable undecidability needs, none the less, to be closely argued.”

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George Steiner

Origine: Real Presences (1989), II: The Broken Contract, Ch. 2 (p. 61).

“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men's genius.”

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George Steiner

"Humane Literacy".
Language and Silence: Essays 1958-1966 (1967)

“When he looks back, the critic sees a eunuch's shadow. Who would be a critic if he could be a writer? Who would hammer out the subtlest insight into Dostoevsky if he could weld an inch of the Karamazovs, or argue the poise of Lawrence if he could shape the free gust of life in The Rainbow?”

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George Steiner

"Humane Literacy" (1963).
Language and Silence: Essays 1958-1966 (1967)

“Women began their inner emancipation by their access to literature, by access to the world through books; an access they could not have socially or politically, or of course economically, in the world at large.”

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George Steiner

Do Books Matter? (ed. Brian Baumfield), ISBN 0705700143, p. 19
Do Books Matter?

“The Oresteia, King Lear, Dostoevsky's The Devils no less than the art of Giotto or the Passions of Bach, inquire into, dramatize, the relations of man and woman to the existence of the gods or of God.”

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George Steiner

Origine: Real Presences (1989), III: Presences, Ch. 6 (p. 225).

“Literary criticism should arise out of a debt of love. In a manner evident and yet mysterious, the poem or the drama or the novel seizes upon our imaginings. We are not the same when we put down the work as we were when we took it up. To borrow an image from another domain: he who has truly apprehended a painting by Cézanne will thereafter see an apple or a chair as he had not seen them before. Great works of art pass through us like storm-winds, flinging open the doors of perception, pressing upon the architecture of our beliefs with their transforming powers. We seek to record their impact, to put our shaken house in its new order. Through some primary instinct of communion we seek to convey to others the quality and force of our experience. We would persuade them to lay themselves open to it. In this attempt at persuasion originate the truest insights criticism can afford.”

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George Steiner

Origine: Tolstoy or Dostoevsky (1960), Ch. 1.

“I am and remain a Marxist. Because otherwise I could not be a proofreader… If California triumphs, there will be no need of proofreaders. Machines will do it better. Or all texts will be audiovisual, with self-correctors built in. Night after night after night, Carlo, I work till my brain aches. So as to get it absolutely right… Getting it right. The holiness of it. The self-respect. Gran Dio, Carlo, you must see what I'm driving at. Utopia simply means getting it right! Communism means taking the errata out of history. Out of man. Reading proofs.”

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George Steiner

Chapter VIII http://www.nytimes.com/1993/04/01/books/books-of-the-times-tales-of-connections-internal-and-external.html
Proofs (1992)

“That is to say that every single book will be magnetized, will be ordered under complicated mathematical clusters, by related subjects, and semantic markers. You will state your questions, or the subject you are interested in, and the computer will find the books for you. Instataneous retrieval brings with it enormous changes in our relation to the history of a subject, because there is a cut-off point in all these systems beond which the previous books are no longer relevant. They have been adequately subsumed in the later ones. You have a completely different way of organsing knowledge—an immensely efficient and in many ways powerfully logical way, but which blocks the essential motion of the hand reaching along a shelf and stumbling on what it did not know was there. When these great knowledge and data-banks, as they are called, are operative there will come a whole change in the way the human mind and eye live with books.”

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George Steiner

Do Books Matter? (ed. Brian Baumfield), ISBN 0705700143, p. 28.
Do Books Matter?

“Tragedy springs from outrage; it protests at the conditions of life. It carries in it the possibilities of disorder, for all tragic poets have something of the rebelliousness of Antigone. Goethe, on the contrary, loathed disorder. He once said that he preferred injustice, signifying by that cruel assertion not his support for reactionary political ideals, but his conviction that injustice is temporary and reparable whereas disorder destroys the very possibilities of human progress. Again, this is an anti-tragic view; in tragedy it is the individual instance of injustice that infirms the general pretence of order. One Hamlet is enough to convict a state of rottenness.”

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George Steiner

Origine: The Death of Tragedy (1961), Ch. V (p. 167).

“In the United States dramatically, here fortunately much less so, the book store as we have known it is dying. In the United States it is now largely an emporium, featuring music, records, Christmas cards, a large range fo semi-cultural and kitsch products with books fighting for their actual spatial lives. In some of the great university towns such as New Haven, or Princeton, within the past decade, the last good book stores have had to close, and what we have now are text book emporia which are not book stores, but store-houses bracketed according to set reading lists: in other words—where there is none of the genius of waste which a great book store has, where you cannot find what you are not looking for, which is the very essence of a book store.”

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George Steiner

Do Books Matter? (ed. Brian Baumfield), ISBN 0705700143, p. 27.
Do Books Matter?