Joseph Conrad: Frasi in inglese (pagina 5)

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“The scrupulous and the just, the noble, humane, and devoted natures; the unselfish and the intelligent may begin a movement — but it passes away from them. They are not the leaders of a revolution. They are its victims.”

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Joseph Conrad libro Under Western Eyes

Pt. II, ch. 3
Under Western Eyes (1911)

“"God for men — religions for women," he muttered sometimes.”

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Joseph Conrad libro Nostromo

Part First: The Silver of the Mine, Ch. 4
Nostromo (1904)

“Action is consolatory. It is the enemy of thought and the friend of flattering illusions.”

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Joseph Conrad libro Nostromo

Part First: The Silver of the Mine, Ch. 6
Nostromo (1904)

“An artist is a man of action, whether he creates a personality, invents an expedient, or finds the issue of a complicated situation.”

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Joseph Conrad libro The Mirror of the Sea

Origine: The Mirror of the Sea (1906), Ch. 9

“One must have lived on such diet to discover what ghastly trouble the necessity of swallowing one's food become.”

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Joseph Conrad libro An Outpost of Progress

Tales of Unrest http://www.gutenberg.org/files/1202/1202-h/1202-h.htm. An Outpost of Progress (1902)

“She strode like a grenadier, was strong and upright like an obelisk, had a beautiful face, a candid brow, pure eyes, and not a thought of her own in her head.”

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Joseph Conrad libro The Return

Tales of Unrest http://www.gutenberg.org/files/1202/1202-h/1202-h.htm. The Return (1902)

“He remembered that she was pretty, and, more, that she had a special grace in the intimacy of life. She had the secret of individuality which excites — and escapes.”

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Joseph Conrad libro Victory

Victory: An Island Tale, part III, Ch. 4

“This stretch of the Thames from London Bridge to the Albert Docks is to other watersides of river ports what a virgin forest would be to a garden. It is a thing grown up, not made. It recalls a jungle by the confused, varied, and impenetrable aspect of the buildings that line the shore, not according to a planned purpose, but as if sprung up by accident from scattered seeds. Like the matted growth of bushes and creepers veiling the silent depths of an unexplored wilderness, they hide the depths of London’s infinitely varied, vigorous, seething life. In other river ports it is not so. They lie open to their stream, with quays like broad clearings, with streets like avenues cut through thick timber for the convenience of trade… But London, the oldest and greatest of river ports, does not possess as much as a hundred yards of open quays upon its river front. Dark and impenetrable at night, like the face of a forest, is the London waterside. It is the waterside of watersides, where only one aspect of the world’s life can be seen, and only one kind of men toils on the edge of the stream. The lightless walls seem to spring from the very mud upon which the stranded barges lie; and the narrow lanes coming down to the foreshore resemble the paths of smashed bushes and crumbled earth where big game comes to drink on the banks of tropical streams.Behind the growth of the London waterside the docks of London spread out unsuspected, smooth, and placid, lost amongst the buildings like dark lagoons hidden in a thick forest. They lie concealed in the intricate growth of houses with a few stalks of mastheads here and there overtopping the roof of some four-story warehouse.”

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Joseph Conrad libro The Mirror of the Sea

London Bridge to the Royal Albert Dock
The Mirror of the Sea (1906), On the River Thames, Ch. 16

“For the great mass of mankind the only saving grace that is needed is steady fidelity to what is nearest to hand and heart in the short moment of each human effort.”

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Joseph Conrad

Notes on Life and Letters (1921), Part II,, "Tradition"

“It is to be remarked that a good many people are born curiously unfitted for the fate awaiting them on this earth.”

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Joseph Conrad libro Chance

Chance (1913), part I, Ch. 6

“The imbecile bourgeoisie of this country make themselves the accomplices of the very people whose aim is to drive them out of their houses to starve in ditches. And they have the political power still, if they only had the sense to use it for their preservation.”

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Joseph Conrad libro L'agente segreto

Origine: The Secret Agent (1907), Ch. 2

“Reality, as usual, beats fiction out of sight.”

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Joseph Conrad

Letter (September 1915), published in The Collected Letters of Joseph Conrad, edited by Frederick R. Karl and Laurence Davies, Vol. 5, p. 509 ISBN 0521323894

“Then, on the slight turn of the Lower Hope Reach, clusters of factory chimneys come distinctly into view, tall and slender above the squat ranges of cement works in Grays and Greenhithe. Smoking quietly at the top against the great blaze of a magnificent sunset, they give an industrial character to the scene, speak of work, manufactures, and trade, as palm-groves on the coral strands of distant islands speak of the luxuriant grace, beauty and vigour of tropical nature. The houses of Gravesend crowd upon the shore with an effect of confusion as if they had tumbled down haphazard from the top of the hill at the back. The flatness of the Kentish shore ends there. A fleet of steam-tugs lies at anchor in front of the various piers. A conspicuous church spire, the first seen distinctly coming from the sea, has a thoughtful grace, the serenity of a fine form above the chaotic disorder of men’s houses. But on the other side, on the flat Essex side, a shapeless and desolate red edifice, a vast pile of bricks with many windows and a slate roof more inaccessible than an Alpine slope, towers over the bend in monstrous ugliness, the tallest, heaviest building for miles around, a thing like an hotel, like a mansion of flats (all to let), exiled into these fields out of a street in West Kensington. Just round the corner, as it were, on a pier defined with stone blocks and wooden piles, a white mast, slender like a stalk of straw and crossed by a yard like a knitting-needle, flying the signals of flag and balloon, watches over a set of heavy dock-gates. Mast-heads and funnel-tops of ships peep above the ranges of corrugated iron roofs. This is the entrance to Tilbury Dock, the most recent of all London docks, the nearest to the sea.”

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Joseph Conrad libro The Mirror of the Sea

Hope Point to Tilbury / Gravesend
The Mirror of the Sea (1906), On the River Thames, Ch. 16

“Faith is a myth and beliefs shift like mists on the shore; thoughts vanish; words, once pronounced, die; and the memory of yesterday is as shadowy as the hope of to-morrow….
In this world – as I have known it – we are made to suffer without the shadow of a reason, of a cause or of guilt….
There is no morality, no knowledge and no hope; there is only the consciousness of ourselves which drives us about a world that… is always but a vain and fleeting appearance….
A moment, a twinkling of an eye and nothing remains – but a clod of mud, of cold mud, of dead mud cast into black space, rolling around an extinguished sun. Nothing. Neither thought, nor sound, nor soul. Nothing.”

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Joseph Conrad

Letter to Robert Bontine Cunninghame Graham, quoted in Joseph Conrad: A Biography (1991) by Jeffrey Meyers, p. 166

“Protection is the first necessity of opulence and luxury.”

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Joseph Conrad libro L'agente segreto

Origine: The Secret Agent (1907), Ch. 2

“There is no credulity so eager and blind as the credulity of covetousness, which, in its universal extent, measures the moral misery and the intellectual destitution of mankind.”

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Joseph Conrad libro Nostromo

Part Third: The Lighthouse, Ch. 9
Nostromo (1904)

“The truth was that he died from solitude, the enemy known but to few on this Earth, and whom only the simplest of us are fit to withstand. The brilliant Costaguanaro of the boulevards had died from solitude and want of faith in himself and others.”

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Joseph Conrad libro Nostromo

Part Third: The Lighthouse, Ch. 10
Nostromo (1904)

“One wonders that there can be found a man courageous enough to occupy the post. It is a matter of meditation. Having given it a few minutes I come to the conclusion in the serenity of my heart and the peace of my conscience that he must be either an extreme megalomaniac or an utterly unconscious being.”

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Joseph Conrad

"The Censor of Plays" (1907)