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Frasi di Michael Chabon
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Michael Chabon è uno scrittore, saggista, fumettista e sceneggiatore statunitense, vincitore del premio Pulitzer per la narrativa nel 2001.

La sua opera è caratterizzata da un linguaggio complesso e ricercato, con un frequente utilizzo di metafore ed immagini ricorrenti legate a tematiche quali la nostalgia, il divorzio, la paternità e l'identità ebraica. I suoi romanzi e racconti ricorrono spesso a motivi e modalità narrative tipiche della letteratura di genere e condividono talvolta la presenza degli stessi personaggi, spesso gay, bisessuali ed ebrei. A partire dalla fine degli anni novanta, Chabon si è dedicato, oltre alla narrativa letteraria, anche alla stesura di fumetti e sceneggiature cinematografiche.

Nel 2012 ha vinto il Premio Fernanda Pivano.

✵ 24. Maggio 1963   •   Altri nomi مایکل شیبن
Michael Chabon photo
Michael Chabon: 99   frasi 0   Mi piace

Michael Chabon frasi celebri

“Nel 1939, il giornale a fumetti americano, come i castori e gli scarafaggi della preistoria, era più grande e, voluminoso com'era, più ricco dei suoi moderni discendenti. Aspirava alle dimensioni di una rivista e allo spessore di un pulp, offrendo sessantaquattro pagine (compresa la copertina) di sgargiante abbondanza al prezzo ideale di una monetina da dieci cent. Mentre la qualità delle illustrazioni all'interno era, nel migliore dei casi, esecrabile, le copertine aspiravano alla qualità e all'impostazione grafica di una rivista in carta patinata e alla popolarità del pulp. Le copertine dei giornali a fumetti, in quei primi tempi, erano come il manifesto di un film che faceva sognare, immagini che per due secondi accendevano nella mente una scintilla e poi andavano perdendo il loro splendore fino a spegnersi del tutto prima ancora che venisse aperto il fascicolo di carta scadente. Spesso non erano semplicemente disegnate a inchiostro e colorate, ma dipinte da persone che avevano un nome nell'ambiente, qualificati artigiani dell'illustrazione, che sapevano creare ragazze dalle natiche procaci, avvinte in catene; sinuosi, perfetti giaguari; corpi maschili muscolosi, impeccabili, i cui piedi sembravano veramente sostenerne il peso.”

Michael Chabon libro Le fantastiche avventure di Kavalier e Clay

The Amazing Adventures of Kavalier & Clay

“vile inventiveness. In”

Michael Chabon libro Moonglow: A Novel

Moonglow

“Le facce dei bambini erano stupite, esitanti. Il lento, triste, oscuro sottomarino che trasportava il carico delle loro vite, era improvvisamente emerso in superficie. Nel loro sangue ora circolava disordinatamente l'azoto della meraviglia. Nessuno rideva o sorrideva, ma si sa che quando si divertono davvero, i bambini sono sempre seri.”

Michael Chabon libro Le fantastiche avventure di Kavalier e Clay

The Amazing Adventures of Kavalier & Clay

Michael Chabon: Frasi in inglese

“Miracles prove nothing except to those whose faith is bought very cheap, sir.”

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Michael Chabon

Origine: The Yiddish Policemen’s Union (2007), Chapter 16

“[A]dventures befall the unadventurous as readily, if not as frequently, as the bold. Adventures are a logical and reliable result—and have been since at least the time of Odysseus—of the fatal act of leaving one's home, or trying to return to it again. All adventures happen in that damned and magical space, wherever it may be found or chanced upon, which least resembles one's home. As soon as you have crossed your doorstep or the county line, into that place where the structures, laws, and conventions of your upbringing no longer apply, where the support and approval (but also the disapproval and repression) of your family and neighbors are not to be had: then you have entered into adventure, a place of sorrow, marvels, and regret.”

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Michael Chabon libro Gentlemen of the Road

Afterword
Gentlemen of the Road (2007)

“When Berkeley does not feel like some kind of vast exercise in collective dystopia—a kind of left-wing Plymouth Plantation in which a man may be pilloried for over-illuminating his house at Christmastime—then paradoxically it often feels like a place filled with people incapable of feeling or acting in concert with each other.”

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Michael Chabon

The Mysteries of Berkeley (March 2002)

“I would give a good deal of money, blood, books or years to be able to watch as Amanda, in a picture hat, looked back from the vantage of a long and productive career to reject her first published efforts as uneven or only halfway there or, worst of all, as promising, or to see her condescend to them, cuddle them almost, as mature writers sometimes do with their early books, the way we give our old stuffed pony or elephant, with its one missing shirt-button eye, a fond squeeze before returning it to the hatbox in the attic.At bottom of this kind of behavior on the part of old, established writers is the undeniable way in which our young selves, and the books that issued from them, invariably seem to reproach us: with the fading of our fire, the diminishment of our porousness to the world and the people in it, the compromises made, the friendships abandoned, the opportunities squandered, the loss of velocity on our fastball.”

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Michael Chabon

The New York Times Magazine http://wonderwhenyoullmissme.com/chabon.html (December 28th, 2003)
About Amanda Davis, who died at the age of 32 in a plane crash

“It is in the nature of a teenager to want to destroy. The destructive impulse is universal among children of all ages, rises to a peak of vividness, ingenuity and fascination in adolescence, and thereafter never entirely goes away. Violence and hatred, and the fear of our own inability to control them in ourselves, are a fundamental part of our birthright, along with altruism, creativity, tenderness, pity and love. It therefore requires an immense act of hypocrisy to stigmatize our young adults and teenagers as agents of deviance and disorder. It requires a policy of dishonesty about and blindness to our own histories, as a species, as a nation, and as individuals who were troubled as teenagers, and who will always be troubled, by the same dark impulses. It also requires that favorite tool of the hypocritical, dishonest and fearful: the suppression of constitutional rights.”

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Michael Chabon

Solitude and the Fortresses of Youth http://www.nytimes.com/2004/04/13/opinion/13CHAB.html?ex=1397188800&en=e08e585ef55c305e&ei=5007&partner=USERLAND, New York Times (April 13, 2004)

““Are you mocking the concept?”
“Not necessary,” Berko says. “The concept mocks itself.””

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Michael Chabon

Origine: The Yiddish Policemen’s Union (2007), Chapter 9

“The whiskey tasted like bear steaks and river mud and the flesh of an oak tree. I had another swallow because it tasted so good.”

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Michael Chabon libro Wonder Boys

Wonder Boys (1995)

“A friendship across sectarian lines is not a common phenomenon, in his experience. In the past, it has struck him that, apart from homosexuals, only chess players have found a reliable way to bridge, intensely but without fatal violence, the gulf that separates any given pair of men.”

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Michael Chabon

Origine: The Yiddish Policemen’s Union (2007), Chapter 10

“He knows, of course, that a criminal organization like the Verbover ring can’t flourish without the ready services of bagman and secret lobbyists, without regular applications of grease and body English to the works of government.”

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Michael Chabon

Origine: The Yiddish Policemen’s Union (2007), Chapter 12

“I have staked my career—my life itself—on the things I could see, on the stories I could credit, and on the eventual vindication, when the book was closed, of the reasonable and skeptical approach. In the face of twenty-five years of bloodshed, mayhem, criminality, and the universal human pastime of ruination, I have clung fiercely to Occam’s razor, seeking always to keep my solutions unadorned and free of conjecture, and never to resort to conspiracy or any kind of prosecutorial woolgathering. My mother, whenever she was confronted by calamity or personal sorrow, invoked cosmic emanations, invisible empires, ancient prophecies, and intrigues; it has been the business of my life to reject such folderol and seek the simpler explanation. But we were fools, she and I, arrant blockheads, each of us blind to or heedless of the readiest explanation: that the world is an ungettable joke, and our human need to explain its wonders and horrors, our appalling genius for devising such explanations, is nothing more than the rim shot that accompanies the punch line.”

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Michael Chabon

The God of Dark Laughter https://www.newyorker.com/magazine/2001/04/09/the-god-of-dark-laughter, The New Yorker (April 9, 2001)

“Pity those—adventurers, adolescents, authors of young adult fiction—who make their way in the borderland between worlds. It is at worst an invisible and at best an inhospitable place. Build your literary house on the borderlands, as the English writer Philip Pullman has done, and you may find that your work is recommended by booksellers, as a stopgap between installments of Harry Potter, to children who cannot (one hopes) fully appreciate it, and to adults, disdainful or baffled, who 'don't read fantasy.' Yet all mystery resides there, in the margins, between life and death, childhood and adulthood, Newtonian and quantum, 'serious' and 'genre' literature. And it is from the confrontation with mystery that the truest stories have always drawn their power.”

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Michael Chabon

Dust & Daemons, The New York Review of Books (March 25, 2004)

“Her style was plain and poetic as rain on a daisy--she was particularly gifted at the description of empty land and horses. She lived in the basement of my house for a hundred dollars a month, and I was desperately in love with her.”

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Michael Chabon libro Wonder Boys

Wonder Boys (1995)

“The imagination of teenagers is often -- I'm tempted to say always -- the only sure capital they possess apart from the love of their parents, which is a force far beyond their capacity to comprehend or control.During my own adolescence, my imagination, the kingdom inside my own skull, was my sole source of refuge, my fortress of solitude, at times my prison. Like all teenagers, I provisioned my garrison with art: books, movies, music, comic books, television, role-playing games. Given their nature as human creations, as artifacts and devices of human nature, some of the provisions I consumed were bound to be of a dark, violent, even bloody and horrifying nature; otherwise I would not have cared for them.”

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Michael Chabon

Nanny Nation http://www.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2004/04/15/EDG8D64JFR1.DTL, San Francisco Chronicle (April 15, 2004)

“"To me, Clark Kent in a phone booth and Houdini in a packing crate, they were one and the same thing," he would learnedly expound at WonderCon or Angoulême or to the editor of The Comics Journal. "You weren't the same person when you came out as when you went in."”

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Michael Chabon libro Le fantastiche avventure di Kavalier e Clay

Part I, ch. 1
The Amazing Adventures of Kavalier & Clay (2000)

“Her ankles were wobbling in her tall black pumps, and I saw that it could not be an easy thing to be a drunken transvestite.”

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Michael Chabon libro Wonder Boys

Wonder Boys (1995)

“When I first set my sights on becoming a writer at age eleven or so, I wanted to be a fantasy and science fiction writer. That was my preferred reading material and that's what I thought I was going to write. That's always been there. You can even see little hints of it in Mysteries of Pittsburgh and Wonderboys.”

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Michael Chabon

Interview with Metro Weekly, March 12, 2002

“Childhood, at its best, is a perpetual adventure, in the truest sense of that overtaxed word: a setting forth into trackless lands that might have come to existence the instant before you first laid eyes on them.”

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Michael Chabon

Maps and Legends http://exchanges.state.gov/forum/vols/vol42/no2/p35.htm, Architectural Digest (April 2001)

“I found myself going over a particular troublesome scene in the novel, for the one thousand and seventy-third time, in the manner of a lunatic ape in a cage at the zoo, running his fingers back and forth along the iron bars of his home.”

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Michael Chabon libro Wonder Boys

Wonder Boys (1995)

“He doesn’t know how one proceeds under the circumstances, except with the certainty, pressed to the heart like a keepsake of love, that in the end nothing really matters.”

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Michael Chabon

Origine: The Yiddish Policemen’s Union (2007), Chapter 23

“A Messiah who actually arrives is no good to anybody. A hope fulfilled is already half a disappointment.”

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Michael Chabon

Origine: The Yiddish Policemen’s Union (2007), Chapter 39

“Over the years I'd surrendered many vices, among them whiskey, cigarettes, and the various non-Newtonian drugs, but marijuana and I remained steadfast companions. I had one fragrant ounce of Humboldt County, California, in a Ziploc bag in the glove compartment of my car.”

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Michael Chabon libro Wonder Boys

Wonder Boys (1995)

“He’s too superstitious not to see this as a bad omen, but when you're a pessimist, all omens are bad.”

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Michael Chabon

Origine: The Yiddish Policemen’s Union (2007), Chapter 23

“One knew, of course, that it was not the red cape any more than it was the boots, the tights, the trunks, or the trademark “S” that gave Superman the ability to fly. That ability derived from the effects of the rays of our yellow sun on Superman’s alien anatomy, which had evolved under the red sun of Krypton. And yet you had only to tie a towel around your shoulders to feel the strange vibratory pulse of flight stirring in the red sun of your heart.”

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Michael Chabon

Secret Skin http://www.newyorker.com/reporting/2008/03/10/080310fa_fact_chabon (March 10, 2008)

“It took Marvel Comics years to begin to put together any worthwhile superheroines. The first crop was, to a gal, embarrassingly disappointing. They had all the measly powers that fifties and sixties male chauvinism could contrive to bestow on a superwoman.”

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Michael Chabon

A Woman of Valor, Alure (May 2004)

“The young men listen dutifully, for the most part, and from time to time some of them even take the trouble to go over to the college library, and dig up one or another of his novels, and crouch there, among the stacks, flipping impatiently through the pages, looking for parts that sound true.”

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Michael Chabon libro Wonder Boys

Wonder Boys (1995)

“[Comics] were viewed as the literary equivalent of bubblegum cards, meant to be poked into the spokes of a young mind where they would produce a satisfying—but entirely bogus—rumble of pleasure.”

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Michael Chabon

Greasy Kids’ Stuff

“The rest of Sitka’s homicides are so-called crimes of passion, which is a shorthand way of expressing the mathematical product of alcohol and firearms.”

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Michael Chabon

Origine: The Yiddish Policemen’s Union (2007), Chapter 1

“The daily sight of her is going to be a torment, like God torturing Moses with a glimpse of Zion from the top of Mount Pisgah every single day of his life.”

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Michael Chabon

Origine: The Yiddish Policemen’s Union (2007), Chapter 9

“We don't want teenagers to write violent poems, horrifying stories, explicit lyrics and rhymes; they're ugly, in precisely the way that we are ugly, and out of protectiveness and hypocrisy, even out of pity and love and tenderness, we try to force young people to be innocent of everything but the effects of that ugliness.So we censor the art they consume and produce, and prosecute and suspend and expel them, and when, once in a great while, a teenager reaches for an easy gun and shoots somebody or himself, we tell ourselves that if we had only censored his journals and curtailed his music and video games, that awful burst of final ugliness could surely have been prevented. As if art caused the ugliness, when of course all it can ever do is reflect and, perhaps, attempt to explain it.Let teenagers languish, therefore, in their sense of isolation, without outlet or nourishment, bereft of the only thing that makes it all bearable: knowing that somebody else has felt the way that you feel, has faced it, run from it, rued it, lamented it and transformed it into art; has been there, and returned, and lived, for the only good reason we have: to tell the tale.How confident we shall be, once we have done this, of never encountering the ugliness again! How happy our children will be, and how brave, and how safe!”

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Michael Chabon

Nanny Nation

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