Frasi di John Cage

“Ora non ho più bisogno di un pianoforte: ho la 6th Avenue con tutti i suoi suoni.”

“Non riesco a capire perché la gente ha paura di nuove idee. Io ho paura delle vecchie idee.
Não consigo entender porque as pessoas têm medo das novas ideias. Eu tenho medo das velhas ideias.”

“Gli scacchi non erano altro che un pretesto per stare con lui.”

“I suoni se ne stanno nella musica per rendersi conto del silenzio che li separa.”

“La mia opera è intesa come dimostrazione della vita.”

“Per me il significato essenziale del silenzio è la rinuncia a qualsiasi intenzione.”

“Sviluppare un orecchio solo per i suoni musicali è come crearsi un ego. Si inizia a rifiutare i suoni che non sono musicali e ci si taglia fuori da gran parte delle esperienze.”

“Ogni qualcosa è un eco del nulla.”

“The first question I ask myself when something doesn't seem to be beautiful is why do I think it's not beautiful. And very shortly you discover that there is no reason.”

“If something is boring after two minutes, try it for four. If still boring, then eight. Then sixteen. Then thirty-two. Eventually one discovers that it is not boring at all.”

“Get yourself out of whatever cage you find yourself in.”

“I can't understand why people are frightened of new ideas. I'm frightened of the old ones.”

“In the dark, all cats are black.”

“I am trying to be unfamiliar with what I'm doing.”

“Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to it, we find it fascinating. The sound of a truck at fifty miles per hour. Static between the stations. Rain. We want to capture and control these sounds, to use them not as sound effects but as musical instruments. Every film studio has a library of "sound effects" recorded on film. With a film phonograph it is now possible to control the amplitude and frequency of any one of these sounds and to give to it rhythms within or beyond the reach of the imagination. Given four film phonographs, we can compose and perform a quartet for explosive motor, wind, heartbeat, and landslide.”

“If you develop an ear for sounds that are musical it is like developing an ego. You begin to refuse sounds that are not musical and that way cut yourself off from a good deal of experience.”

“I have nothing to say/ and I am saying it/ and that is poetry/ as I need it.”

“As far as consistency of thought goes, I prefer inconsistency.”

“The world is teeming; anything can happen.”

“There is poetry as soon as we realize that we possess nothing.”

“Which is more musical, a truck passing by a factory or a truck passing by a music school?
Are the people inside the school musical and the ones outside unmusical?”

“All great art is a form of complaint”

“There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot.”

“The emotions - love, mirth, the heroic, wonder, tranquility, fear, anger, sorrow, disgust - are in the audience.”

“Everything we do is music.”

“It is not irritating to be where one is. It is only irritating to think one would like to be somewhere else.”

“College: two hundred people reading the same book. An obvious mistake. Two hundred people can read two hundred books.”

“There is one term of the problem which you are not taking into account: precisely, the world. The real. You say: the real, the world as it is. But it is not, it becomes! It moves, it changes! It doesn’t wait for us to change... It is more mobile than you can imagine. You are getting closer to this reality when you say as it 'presents itself'; that means that it is not there, existing as an object. The world, the real is not an object. It is a process.”

“Until I die there will be sounds. And they will continue following my death. One need not fear about the future of music.”

“I remember loving sound before I ever took a music lesson. And so we make our lives by what we love.”

“When I hear what we call music, it seems to me that someone is talking. And talking about his feelings, or about his ideas of relationships. But when I hear traffic, the sound of traffic — here on Sixth Avenue, for instance — I don't have the feeling that anyone is talking. I have the feeling that sound is acting. And I love the activity of sound... I don't need sound to talk to me.”

“I imagine that as contemporary music goes on changing in the way that I'm changing it what will be done is to more and more completely liberate sounds from abstract ideas about them and more and more exactly to let them be physically uniquely themselves. This means for me: knowing more and more not what I think a sound is but what it actually is in all of its acoustical details and then letting this sound exist, itself, changing in a changing sonorous environment.”

“A finished work is exactly that, requires resurrection.”

“I believe that the use of noise to make music will continue and increase until we reach a music produced through the use of electrical instruments which will make available for musical purposes any and all sounds that can be heard. Photoelectric, film and mechanical mediums for the synthetic production of music will be explored.”

“…WHEREAS, IN THE PAST, THE POINT OF DISAGREEMENT HAS BEEN BETWEEN DISSONANCE AND CONSONANCE, IT WILL BE, IN THE IMMEDIATE FUTURE, BETWEEN NOISE AND SO-CALLED MUSICAL SOUNDS.
THE PRESENT METHODS OF WRITING MUSIC, PRINCIPALLY THOSE WHICH EMPLOY HARMONY AND ITS REFERENCE TO PARTICULAR STEPS IN THE FIELD OF SOUND, WILL BE INADEQUATE FOR THE COMPOSER, WHO WILL BE FACED WITH THE ENTIRE FIELD OF SOUND.”

“A sound does not view itself as thought, as ought, as needing another sound for its elucidation, as etc.; it has not time for any consideration--it is occupied with the performance of its characteristics: before it has died away it must have made perfectly exact its frequency, its loudness, its length, its overtone structure, the precise morphology of these and of itself.”

“Value judgments are destructive to our proper business, which is curiosity and awareness.”