Ernest Hemingway: Frasi in inglese (pagina 21)

Ernest Hemingway era scrittore e giornalista statunitense. Frasi in inglese.
Ernest Hemingway: 645   frasi 335   Mi piace

“We in America should see that no man is ever given, no matter how gradually or how noble and excellent the man, the power to put this country into a war which is now being prepared and brought closer each day with all the pre-meditation of a long planned murder. For when you give power to an executive you do not know who will be filling that position when the time of crisis comes.”

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Ernest Hemingway

Notes on the Next War (1935)

“Now a writer can make himself a nice career while he is alive by espousing a political cause, working for it, making a profession of believing in it, and if it wins he will be very well placed. All politics is a matter of working hard without reward, or with a living wage for a time, in the hope of booty later. A man can be a Fascist or a Communist and if his outfit gets in he can get to be an ambassador or have a million copies of his books printed by the Government or any of the other rewards the boys dream about.”

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Ernest Hemingway

A Letter from Cuba (1934)

“When you have shot one bird flying you have shot all birds flying. They are all different and they fly in different ways but the sensation is the same and the last one is as good as the first.”

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Ernest Hemingway libro Fathers and Sons

Nick Adams of "Fathers and Sons" in Winner Take Nothing (1932)

“Miss Mary, having been a journalist, had splendid powers of invention. I had never heard her tell a story in the same way twice and always had the feeling she was remolding it for the later editions.”

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Ernest Hemingway libro True at First Light

Origine: True at First Light (1999), Ch. 12

“The dead do not need to rise. They are a part of the earth now and the earth can never be conquered. For the earth endureth forever…Those who have entered it honorably, and no man ever entered earth more honorably than those who died in Spain, already have achieved immortality.”

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Ernest Hemingway

"On the American Dead in Spain", New Masses (February 14, 1939)

“It is very hard to write this way, beginning things backward, and the author hopes the reader will realize this and not grudge this little word of explanation. I know I would be very glad to read anything the reader ever wrote, and I hope the reader will make the same sort of allowances. If any of the readers would care to send me anything they ever wrote, for criticism or advice, I am always at the Café du Dôme any afternoon, talking about Art with Harold Stearns and Sinclair Lewis, and the reader can bring his stuff along with him, or he can send it to me care of my bank, if I have a bank.”

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Ernest Hemingway libro The Torrents of Spring

Part 2, Ch. 5
Harold Stearns was a once-well-known New York writer and intellectual whom Hemingway knew when they were both living in Paris.
The Torrents of Spring (1926)

“Scott took LITERATURE so solemnly. He never understood that it was just writing as well as you can and finishing what you start.”

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Ernest Hemingway

Letter to Arthur Mizener (12 May 1950); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker

“Bullfighting is the only art in which the artist is in danger of death and in which the degree of brilliance in the performance is left to the fighter's honor.”

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Ernest Hemingway libro Death in the Afternoon

Origine: Death in the Afternoon (1932), Ch. 9

“I didn't marry her family.'
'Of course not. But you always do. Dead or alive.”

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Ernest Hemingway libro The Garden of Eden

David and Colonel John Boyle in Ch. 7
The Garden of Eden (1986)

“A bullfighter can never see the work of art that he is making. He has no chance to correct it as a painter or writer has. He cannot hear it as a musician can. He can only feel it and hear the crowd's reaction to it. When he feels it and knows that it is great it takes hold of him so that nothing else in the world matters. All the time that he is making his work of art he knows that he must keep within the limits of his skill and his knowledge of the animal. Those matadors are called cold who visibly show that they are thinking of this. Antonio was not cold and the public belonged to him now. He looked up at them and let them know, modestly but not humbly, that he knew it and as he circled the ring with the ear in his hand he looked at the different segments of Bilbao, a city that he loved, as they stood up as he passed and was happy that he owned them.”

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Ernest Hemingway

Origine: The Dangerous Summer (1985), Ch. 13

“Some people show evil as a great racehorse shows breeding. They have the dignity of a hard chancre.”

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Ernest Hemingway libro Festa mobile

Origine: A Moveable Feast (1964), Ch. 12

“But don't try to find an untroublesome woman. She will dull out on you. What makes a woman good in bed makes it impossible for her to live alone.”

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Ernest Hemingway

Pt. 2, Ch. 7
Papa Hemingway (1966)

“Cowardice, as distinguished from panic, is almost always simply a lack of ability to suspend the functioning of the imagination.”

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Ernest Hemingway

Introduction to Men at War (1942)

“Only one marriage I regret. I remember after I got that marriage license I went across from the license bureau to a bar for a drink. The bartender said, "What will you have, sir?"”

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Ernest Hemingway

And I said, "A glass of hemlock."
Pt. 2, Ch. 5
Papa Hemingway (1966)

“They started two hours before daylight, and at first, it was not necessary to break the ice across the canal as other boats had gone on ahead. In each boat, in the darkness, so you could not see, but only hear him, the poler stood in the stern, with his long oar. The shooter sat on a shooting stool fastened to the top of a box that contained his lunch and shells, and the shooter's two, or more, guns were propped against the load of wooden decoys. Somewhere, in each boat, there was a sack with one or two live mallard hens, or a hen and a drake, and in each boat there was a dog who shifted and shivered uneasily at the sound of the wings of the ducks that passed overhead in the darkness.”

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Ernest Hemingway libro Di là dal fiume e tra gli alberi

Origine: Across the River and into the Trees (1950), Ch. 1 (the opening paragraph of the novel)

“We have fought this war and won it. Now let us not be sanctimonious; nor hypocritical; nor vengeful; nor stupid. Let us make our enemies incapable of ever making war again, let us re-educate them, let us learn to live in peace and justice with all countries and all peoples in this world. To do this we must educate and re-educate. But first we must educate ourselves.”

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Ernest Hemingway

Introduction to Treasury of the Free World (1946)

“It’s his sense of self-preservation.’ ‘The great Italian sense.’ ‘The greatest Italian sense.”

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Ernest Hemingway libro Che Ti Dice La Patria?

"Che ti dice la Patria?" in Men Without Women (1927)

“I have noticed that doctors who fail in the practice of medicine have a tendency to seek one another's company and aid in consultation. A doctor who cannot take out your appendix properly will recommend you to a doctor who will be unable to remove your tonsils with success.”

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Ernest Hemingway libro Addio alle armi

Origine: A Farewell to Arms (1929), Ch. 15

“That is all there is to the story. Catherine died and you will die and I will die and that is all I can promise you.”

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Ernest Hemingway libro Addio alle armi

One of the alternative endings to the novel, published in A Farewell to Arms The Special Edition.
A Farewell to Arms (1929)

“To me a heaven would be a big bull ring with me holding two barrera seats and a trout stream outside that no one else was allowed to fish in and two lovely houses in the town; one where I would have my wife and children and be monogamous and love them truly and well and the other where I would have my nine beautiful mistresses on 9 different floors and one house would be fitted up with special copies of the Dial printed on soft tissue and kept in the toilets on every floor and in the other house we would use the American Mercury and the New Republic.”

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Ernest Hemingway

Letter to F. Scott Fitzgerald (1 July 1925); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker