Frasi di Jeff Koons (14 frasi) | Citazioni e frasi celebri

Jeff Koons: 14 frasi 1 Mi piace

Jeff Koons frasi celebri

“La mia arte non ha a che fare con il lusso, con il consumismo o con il materialismo, come sostengono in molti, ma con l'intensità. Gli oggetti senza l'uomo non sono nulla. Io mostro la magnificenza dell'energia, le sue eccitanti possibilità. L'arte ha portato trascendenza nella mia vita, ha espanso i miei parametri, e voglio espandere i parametri dello spettatore, trasmettere cosa significa sentirsi vivi. Per essere un artista devi essere generoso.”

Jeff Koons

“Wall Street ha rafforzato il mio amore per l'arte. Moralmente, amo avere il controllo del mio prodotto e amo il fatto che puoi essere ancorato nel tuo proprio essere.”

Jeff Koons

“Oltretutto l'arte è un microcosmo, nel quale puoi avere un dialogo con tutte le discipline del mondo: l'economia, la teologia, la filosofia, la sociologia, tutto in un unico gesto.”

Jeff Koons

“Il lavoro artistico è il gesto, l'idea. Creo le immagini delle mie opere al computer e i miei assistenti le realizzano al mio posto. Vengono create delle mappe molto elaborate e preparati i colori in modo che non debbano prendere nessuna decisione: sono la mia estensione. Ma non è una factory: produciamo solo 10 quadri e 8 sculture circa ogni anno, cerco di mantenere un livello di qualità molto alto.”

Jeff Koons

Origine: Dall'intervista di Assia Baudi di Selve, Io che vivo ad alta quotazione, Io Donna, 10 aprile 2010.

“Non ho mai avuto problemi con il fatto che un'opera d'arte possa avere un valore molto alto: è una forma di protezione. Se qualcuno investe una cifra del genere ci sono più possibilità che l'oggetto venga ben preservato.”

Jeff Koons

Jeff Koons: Frasi in inglese

“The basic story line (in my new work) is about art leaving the realm of the artist, when the artist loses control of the work. It’s defined basically by two ends. One would be Louis XIV — that if you put art in the hands of an aristocracy or monarch, art will become reflective of ego and decorative — and on the other end of the scale would be Bob Hope — that if you give art to the masses, art will become reflective of mass ego and also decorative.”

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Jeff Koons

Constance Lewellen interview, 1986

“My work will use everything that it can to communicate. It will use any trick; it'll do anything — absolutely anything — to communicate and to win the viewer over. Even the most unsophisticated people are not threatened by it; they aren't threatened that this is something they have no understanding of. They can look at it and they can participate with it. And also somebody who has been very highly educated in art and deals with more esoteric areas can also view it and find that the work is open as far as being something that wants to add more to our culture. The work wants to meet the needs of' the people. It tries to bring down all the barriers that block people From their culture. that shield and hide them. It tells them to embrace the moment instead of always feeling that they're being indulged by things that they do not participate in. It tells them to believe in something and to eject their will. The idea of St. John and baptism right now is that there are greater things to come. And it's about embracing guilt and shame and moving forward instead of letting this negative society always thwart us — always a more negative society, always more negative.”

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Jeff Koons

Partly cited in: Linda Weintraub, Arthur Coleman Danto, Thomas McEvilley. Art on the edge and over: searching for art's meaning in contemporary society, 1970s-1990s. Art Insights, Inc., 1996. p. 201; And cited in Kristine Stiles, ‎Peter Howard Selz (1996). Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings. p. 381
"From Full Phantom Five," 1988

“I try to be a truthful artist and I try to show a level of courage. I enjoy that. I’m a messenger.”

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Jeff Koons

Jeff Koons in: Ottman, K. (1988) "Jeff Koons," Journal of Contemporary Art–Online 1(1): 18–23; cited in: Galman, Sally AC. "The truthful messenger: visual methods and representation in qualitative research in education." qualitative research 9.2 (2009): 197-217.
1980s

“Abstraction and luxury are the guard dogs of the upper class. The upper class wants people to have ambition and gumption because, if you do, you will participate and you'll move through society into a different class structure.”

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Jeff Koons

"From Full Phantom Five," 1988

“Art to me is a humanitarian act, and I believe that there is a responsibility that art should somehow be able to affect mankind, to make the word a better place”

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Jeff Koons

this is not a cliche!
Constance Lewellen interview, 1986

“I'm trying to go through moral crisis myself to the highest degree that I can, to remove moral crisis from the visual vocabulary of the viewer, so that when somebody sees my work, the only thing that they see is the Sacred Heart of Jesus”

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Jeff Koons

Jeff Koons, ‎San Francisco Museum of Modern Art, ‎Walker Art Center (1992). Jeff Koons. p. 103
1990s and later

“I’ve always enjoyed feeling a connection to the avant-garde, such as Dada and surrealism and pop art. The only thing the artist can do is be honest with themselves and make the art they want to make. That’s what I’ve always done.”

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Jeff Koons

Jeff Koons in: Graeme Green. " 60 SECONDS: Jeff Koons http://metro.co.uk/2007/07/18/60-seconds-jeff-koons-532798/#ixzz3bThr2XKI," at metro.co.uk, 2007/07/18
1990s and later