Frasi di Norman Mailer (169 frasi, pagina 5)

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Norman Mailer frasi celebri

“Mi resi conto, allora, che l'unico vero collaudo della forza – del tono muscolare, per così dire – della sanità mentale è la capacità di sostenere l'urto di un interrogativo dietro l'altro senza che vi sia neanche l'ombra di una risposta.”

Norman Mailer

da I duri non ballano

“I fatti, signore, non sono niente senza le loro sfumature.”

Norman Mailer

da testimone al Chicago Conspiracy Trial, 1970
Origine: Citato in Charles Shaar Murray, Jimi Hendrix: una chitarra per il secolo (Grosstown Traffic: Jim Hendrix and post-war pop), traduzione di Massimo Cotto, Giangiacomo Feltrinelli Editore, Milano, 1992. ISBN 88-07-07025-1

“Una democrazia moderna è una tirannia dai confini indefiniti; si scopre quando ci si può spingere in là solo procedendo su di una linea retta finché si viene bloccati.”

Norman Mailer

da The Presidential Papers, 1964

“concept among apicultural cognoscenti;”

Norman Mailer libro The Castle in the Forest

The Castle in the Forest

Norman Mailer: Frasi in inglese

“There's a subterranean impetus towards pornography so powerful that half the business world is juiced by the sort of half sex that one finds in advertisements.”

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Norman Mailer

"Petty Notes on Some Sex in America" first published in Playboy magazine (1961 - 1962)
Cannibals and Christians (1966)

“One gets the impression that people come to Los Angeles in order to divorce themselves from the past, here to live or try to live in the rootless pleasure world of an adult child.”

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Norman Mailer

Superman Comes to the Supermarket (1960)

“The White Protestant's ultimate sympathy must be with science, factology, and committee rather than with sex, birth, heat, flesh, creation, the sweet and the funky; they must vote, manipulate, control, and direct, these Protestants who are the center of power in our land, they must go for what they believe is reason when it is only the Square logic of the past.”

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Norman Mailer libro Advertisements for Myself

Advertisements for Myself (1959)

“I hate everything which is not in myself.”

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Norman Mailer libro The Naked and the Dead

Sgt. Sam Croft, in Pt. 1, Ch. 5
The Naked and the Dead (1948)

“The twentieth century may yet be seen as that era when civilized man and underprivileged man were melted together into mass man.”

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Norman Mailer

Superman Comes to the Supermarket (1960)

“The manuscript lay like a dust-rag on his desk, and Eitel found, as he had found before, that the difficulty of art was that it forced a man back on his life, and each time the task was more difficult and distasteful.”

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Norman Mailer libro Barbary Shore

Origine: Barbary Shore (1951), Ch. 14

“The final purpose of art is to intensify, even, if necessary, to exacerbate, the moral consciousness of people.”

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Norman Mailer

"Hip, Hell, and the Navigator" in Western Review No. 23 (Winter 1959); republished in Conversations with Norman Mailer (1988) edited by J. Michael Lennon.

“The function of socialism is to raise suffering to a higher level.”

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Norman Mailer

As quoted in Peter's Quotations : Ideas for Our Time (1977) by Laurence J. Peter

“Hip is the sophistication of the wise primitive in a giant jungle.”

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Norman Mailer libro Advertisements for Myself

"The White Negro", first published in Dissent (Summer 1957)
Advertisements for Myself (1959)

“The need of the city is to accelerate growth; the pride of the small town is to retard it.”

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Norman Mailer

Superman Comes to the Supermarket (1960)

“There was never a revolution to equal it, and never a city more glorious than Petrograd, and for all that period of my life I lived another and braved the ice of winter and the summer flies in Vyborg while across my adopted country of the past, winds of the revolution blew their flame, and all of us suffered hunger while we drank at the wine of equality.”

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Norman Mailer libro Barbary Shore

Michael Lovett, in Ch. 14
Barbary Shore (1951)

“Revolutions are the periods of history when individuals count most.”

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Norman Mailer libro Barbary Shore

McLeod, in Ch. 29
Barbary Shore (1951)

“Decade after decade, artists came to paint the light of Provincetown, and comparisons were made to the lagoons of Venice and the marshes of Holland, but then the summer ended and most of the painters left, and the long dingy undergarment of the gray New England winter, gray as the spirit of my mood, came down to visit.”

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Norman Mailer

Timothy Madden, in Tough Guys Don't Dance (1984), Ch. 1

“For years Pershing Square has been one of the three or four places in America famous to homosexuals, famous not for its posh, the chic is round-heeled here, but because it is one of the avatars of good old masturbatory sex, dirty with the crusted sugars of smut, dirty rooming houses around the corner where the score is made, dirty book and photograph stores down the street.”

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Norman Mailer

Superman Comes to the Supermarket (1960)

“Eleanor Roosevelt, fine, precise, hand-worked like ivory. Her voice was almost attractive … One had the impression of a lady who was finally becoming a woman, which is to say that she was just a little bitchy about it all; nice bitchy, charming, it had a touch of art to it, but it made one wonder if she were not now satisfying the last passion of them all, which was to become physically attractive, for she was better-looking than she had ever been.”

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Norman Mailer

Superman Comes to the Supermarket (1960)

“I met Jack Kennedy in November, 1946 … We went out on a double date and it turned out to be a fair evening for me. I seduced a girl who would have been bored by a diamond as big as the Ritz.”

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Norman Mailer libro An American Dream

Stephen Rojack, in Ch. 1
An American Dream (1965)

“With the pride of an artist, you must blow against the walls of every power that exists, the small trumpet of your defiance.”

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Norman Mailer

As quoted in The Eternal Adam and the New World Garden (1968) by David W. Noble, p. 204

“One can indeed be restored, by an exceptional demonstration of love.”

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Norman Mailer

Superman Comes to the Supermarket (1960)

“There is probably no sensitive heterosexual alive who is not preoccupied with his latent homosexuality.”

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Norman Mailer libro Advertisements for Myself

"The Homosexual Villain"; this has also been widely misquoted as: "There is probably no heterosexual alive who is not preoccupied with his latent homosexuality."
Advertisements for Myself (1959)