Frasi di William Saroyan
William Saroyan
Data di nascita: 31. Agosto 1908
Data di morte: 18. Maggio 1981
William Saroyan è stato uno scrittore e drammaturgo statunitense.
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scrittoreFrasi William Saroyan
„Posso amare un onesto idiota, ma non posso amare un genio disonesto.“
— William Saroyan
Me stesso sulla terra; 1998, p. 41
„[... ] un uomo non comincia a vivere se non comincia a morire.“
— William Saroyan
Il mondo e il teatro; 1998, p. 107
„Leggere fa l'uomo completo, scrivere lo fa preciso […].“
— William Saroyan
Settantamila assiri; 1998, p. 21
„Se un uomo grande e grosso vi dice qualche impertinenza e voi sapete di non poterlo stendere a terra con un solo colpo, bene, rispondetegli civilmente e in nove casi su dieci quello se ne andrà per i fatti suoi e lascerà voi ai vostri. Ricordatevelo sempre. Ma non sempre, si capisce, il trucco funziona. Ogni regola ha le sue eccezioni. Pat Hogan, il telegrafista, fu un'eccezione.“
— William Saroyan
Avviso a chi vuol lavorare nelle pompe funebri; 1998, p. 206
„La cosa più importante in una ragazza è l'odore che fa.“
— William Saroyan
Avviso a chi vuol lavorare nelle pompe funebri; 1998, p. 203
„Io non so per quale ragione quel meraviglioso desiderio e altri del genere si manifestano pur sempre in una vita nuova, mentre l'esperienza ha dimostrato da un pezzo la futilità loro e il loro pericolo, ma è certo che continuano a manifestarsi per una ragione o un'altra, e ho quasi idea che siano universali, ed eterni, inevitabili di ogni vita che si forma, poi lentamente o rapidamente messi via, secondo i casi, in quanto non ad altro conducono che a dolore, dolore, o alla morte, e mai alla grandezza che pur svegliano dentro e che chiedono, vogliono, forse perché, nella natura delle cose, noi siamo, dopotutto, piccoli e deboli, e troppo facilmente ci adattiamo alla terra, accettiamo le limitazioni della mortalità.“
— William Saroyan
Al calar del sole; 1998, pp. 162-163
„Then swiftly, neatly, with the grace of the young man on the trapeze, he was gone from his body.
For an eternal moment he was still all things at once: the bird, the fish, the rodent, the reptile, and man.“
— William Saroyan
Context: Then swiftly, neatly, with the grace of the young man on the trapeze, he was gone from his body.
For an eternal moment he was still all things at once: the bird, the fish, the rodent, the reptile, and man. An ocean of print undulated endlessly and darkly before him. The city burned. The herded crowd rioted. The earth circled away, and knowing that he did so, he turned his lost face to the empty sky and became dreamless, unalive, perfect.
"The Daring Young Man on the Flying Trapeze"
„When you laugh, laugh like hell. And when you get angry, get good and angry. Try to be alive. You will be dead soon enough.“
— William Saroyan
Context: The most solid advice for a writer is this, I think: Try to learn to breathe deeply, really to taste food when you eat, and when you sleep really to sleep. Try as much as possible to be wholly alive with all your might, and when you laugh, laugh like hell. And when you get angry, get good and angry. Try to be alive. You will be dead soon enough.
Preface
„Jesus never said anything about absurdity, and he never indicated for one flash of time that he was aware of the preposterousness of his theory about himself.“
— William Saroyan
Context: Jesus never said anything about absurdity, and he never indicated for one flash of time that he was aware of the preposterousness of his theory about himself. And he didn't even try to make the theory understandable in terms of the reality and experience of the rest of us. For if everybody else is also not what Jesus said he was, what good is what he said?
„Don't bother me, I said. I'm the night manager of this office and when I tell you something it's final.“
— William Saroyan
Context: When, at the age of eighteen, I was the manager of the Postal Telegraph office at 21 Taylor Street in San Francisco, I remember having been asked by the clerk there, a man named Clifford, who the hell I thought I was. And I remember replying very simply and earnestly somewhat as follows: If you have ever heard of George Bernard Shaw, if you have ever read his plays or prefaces, you will know what I mean when I tell you that I am that man by another name.
Who is he? I remember the clerk asking.
George Bernard Shaw, I replied, is the tonic of the Christian peoples of the world. He is health, wisdom, and comedy, and that's what I am too.
How do you figure? The clerk said.
Don't bother me, I said. I'm the night manager of this office and when I tell you something it's final.
„One day, back there in the good old days when I was nine and the world was full of every kind of magnificence, and life was still a delightful and mysterious dream, my cousin Mourad, who was considered crazy by everybody who knew him except me, came to my house at four in the morning and woke me up by tapping on the window of my room.“
— William Saroyan
Context: One day, back there in the good old days when I was nine and the world was full of every kind of magnificence, and life was still a delightful and mysterious dream, my cousin Mourad, who was considered crazy by everybody who knew him except me, came to my house at four in the morning and woke me up by tapping on the window of my room.
"Aram," he said.
I jumped out of bed and looked out the window.
I couldn't believe what I saw.
It wasn't morning yet, but it was summer and with daybreak not many minutes around the corner of the world it was light enough for me to know I wasn't dreaming.
My cousin Mourad was sitting on a beautiful white horse.
"The Summer of the Beautiful White Horse".
„I have been fascinated by it all, grateful for it all, grateful for the sheer majesty of the existence of ideas, stories, fables, and paper and ink and print and books to hold them all together for a man to take aside and examine alone. But the man I liked most and the man who seemed to remind me of myself — of what I really was and would surely become — was George Bernard Shaw.“
— William Saroyan
Context: I have read books about the behavior of mobs — The Mob by Le Bon, if I remember rightly, was one — about the crime in children, and the genius in them, about the greatest bodies of things, and about the littlest of them. I have been fascinated by it all, grateful for it all, grateful for the sheer majesty of the existence of ideas, stories, fables, and paper and ink and print and books to hold them all together for a man to take aside and examine alone. But the man I liked most and the man who seemed to remind me of myself — of what I really was and would surely become — was George Bernard Shaw.
„He paints for the blind, and we are the blind, and he lets us see for sure what we saw long ago but weren't sure we saw.“
— William Saroyan
Context: He paints for the blind, and we are the blind, and he lets us see for sure what we saw long ago but weren't sure we saw. He paints for the dead, to remind us that — great good God, think of it — we're alive, and on our way to weather, from the sea to the hot interior, to watermelon there, a bird at night chasing a child past flowering cactus, a building on fire, barking dogs, and guitar-players not playing at eight o'clock, every picture saying, "Did you live, man? Were you alive back there for a little while? Good for you, good for you, and wasn't it hot, though? Wasn't it great when it was hot, though?"
On painter Rufino Tamayo.
