“One can begin a picture and carry it through and stop it and do nothing about the title at all.”
Origine: Posthumous quotes, Abstract Expressionist Painting in America, (1983), p. 147
William Baziotes:
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frasi
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William Baziotes: Frasi in inglese
Fifteen Americans, Exhibition catalogue, Museum of Modern Art, 1952 p. 12
1950s
I Cannot Evolve Any Concrete Theory, William Baziotes, in Possibilities, Vol. I, no. 1, New York, winter 1947-48, p. 2
William Baziotes is referring in this quote to Surrealist automatism originally a surrealist art concept
1940s
as cited in Abstract Expressionism Creators and Critics, ed. Clifford Ross, Abrams Publishers New York 1990, p. 221: Remark in the 'Artists' Session' at Studio 35, 1950.
1950s
Origine: 1950s, Artists' Session at Studio 35, (1950), p. 213
Quote from Baziotes' text for the symposium 'The Creative process', Art Digest Vol. 28, no 8, 15; January 1954, p. 33
Baziotes is referring here to the many art-debates and exchanges between the New York Abstract Expressionist artists
1950s
in a letter to Alfred H. Barr, Jr. 6 November, 1955; as quoted in Abstract Expressionism, Barbara Hess, Taschen, Köln, 2006, p. 34
Baziotes' quote is referring to his painting 'Pompeii', Baziotes painted in 1955
1950s
Origine: 1950s, Artists' Session at Studio 35, (1950), p. 217
from Baziote's text for a symposium in 1954; as quoted in William Baziotes – paintings and drawings, ed. Michael Preble, Peggy Guggenheim Collection, Venice, 2004, p. 18
1950s
a poetry line on his painting, in: 'Tiger's Eye', Baziotes, Vol. I, no. 5, Westport, Connecticut, October 1948, p. 35
1940s
his remark in 1957
as cited in Abstract Expressionism, Barbara Hess, Taschen, Köln, 2006, p. 34
1950s
I Cannot Evolve Any Concrete Theory, William Baziotes, in Possibilities, Vol. I, no. 1, New York, winter 1947-48, p. 2
1940s
Origine: 1950s, Artists' Session at Studio 35, (1950), p. 219
Origine: Posthumous quotes, Abstract Expressionist Painting in America, (1983), p. 135 : original source: 'Willem de Kooning', in 'Moma Bulletin' pp. 6,7
from his letter to Alfred H. Barr, Jr. 6 November, 1955; as cited in the text of 'The Baziotes Memorial Exhibition' and its accompanying catalogue by Lawrence Alloway; Solomon R. Guggenheim Museum 1965, p. 11
1950s
The Artist and His Mirror, W. Baziotes, in Right Angle Vol. III, no. 2, Washington DC, June 1949
1940s
Modern Art U.S.A., R. Blesh, New York, Alfred A. Knopf, 1956, pp. 268-69
1950s
Origine: 1950s, Artists' Session at Studio 35, (1950), p. 216
Quote from An interview with William Baziotes, eds. P. Franks and M. White, Perspective no. 2, Hunter College New York (1956-57), pp. 27, 29-30
1950s
“One hundred artists introduce us to one hundred worlds.”
Origine: Posthumous quotes, Abstract Expressionist Painting in America, (1983), p. 136 : in Artists Club, January 8, 1952
from the catalog of the traveling exhibition 'Nature in Abstraction', Whitney Museum of modern Art, 1958, p. 61
1950s
“The eye seems to be responding to something living.”
Modern Artists in America, Robert Motherwell et al. eds., First series, New York 1952, p. 100
1950s
