Frank Lloyd Wright:
105
frasi
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Frank Lloyd Wright frasi celebri
“Un esperto è un uomo che ha smesso di pensare. Perché dovrebbe pensare? Lui è un esperto!”
Origine: Citato in Focus N.108, pag. 204
dall'editoriale intitolato Wake up, Wisconsin pubblicato in Capital Times del 22 settembre 1952.
Origine: Citato in Gianfranco Morra, Specchio dei tempi. Antologia interdisciplinare, Editrice La Scuola, 1981.
Frank Lloyd Wright: Frasi in inglese
“No house should ever be on a hill or on anything. It should be of the hill. Belonging to it.”
Frank Lloyd Wright: An Autobiography (1932) page 168
Contesto: No house should ever be on a hill or on anything. It should be of the hill. Belonging to it. Hill and house should live together each the happier for the other.
“Study nature, love nature, stay close to nature. It will never fail you.”
As quoted in The Wright Style (1992) by Carla Lind, p. 3
“I believe in God, only I spell it "Nature."”
As quoted in Quote magazine (14 August 1966)
Origine: Truth Against the World: Frank Lloyd Wright Speaks for an Organic Architecture
“The thing always happens that you really believe in; and the belief in a thing makes it happen.”
As quoted in My Favorite Quotations (1990) by Norman Vincent Peale
“Tip the world over on its side and everything loose will land in Los Angeles.”
(2021 rev. ed.), this quote was attributed to Wright in Art Spiegelman and Bob Schneider, Whole Grains: Book of Quotations (1973), but a similar quote was credited to Will Rogers in The Washington Post on May 17, 1964: "Tilt this country on end and everything loose will slide into Los Angeles."
Origine: https://www.google.com/books/edition/The_New_Yale_Book_of_Quotations/FtU4EAAAQBAJ?hl=en&gbpv=1&pg=PA906&printsec=frontcover New Yale Book of Quotations
“The present is the ever moving shadow that divides yesterday from tomorrow. In that lies hope.”
Closing words, “Night is but a Shadow Cast by the Sun”
The Living City (1958)
Lecture to the Chicago chapter of the Daughters of the American Revolution (1904); later published as "The Art and Craft of the Machine" in On Architecture: Selected Writings (1894-1940) (1941) <!-- Duell, Sloan, & Pearce publishers -->
Contesto: If you would see how interwoven it is in the warp and woof of civilization … go at night-fall to the top of one of the down-town steel giants and you may see how in the image of material man, at once his glory and his menace, is this thing we call a city. There beneath you is the monster, stretching acre upon acre into the far distance. High over head hangs the stagnant pall of its fetid breath, reddened with light from myriad eyes endlessly, everywhere blinking. Thousands of acres of cellular tissue, the city’s flesh outspreads layer upon layer, enmeshed by an intricate network of veins and arteries radiating into the gloom, and in them, with muffled, persistent roar, circulating as the blood circulates in your veins, is the almost ceaseless beat of the activity to whose necessities it all conforms. The poisonous waste is drawn from the system of this gigantic creature by infinitely ramifying, thread-like ducts, gathering at their sensitive terminals matter destructive of its life, hurrying it to millions of small intestines to be collected in turn by larger, flowing to the great sewers, on to the drainage canal, and finally to the ocean.
Quote from an interview on the NBC television program, Wisdom- A Conversation with Frank Lloyd Wright (1953)
Contesto: I'm no teacher. Never wanted to teach and don't believe in teaching an art. Science yes, business of course.. but an art cannot be taught. You can only inculcate it, you can be an exemplar, you can create an atmosphere in which it can grow. Well I suppose I, being an exemplar, could be called a teacher, in spite of myself. So go ahead, call me a teacher.
Lecture to the Chicago Women’s Aid (1918); later published as "Chicago Culture" in On Architecture: Selected Writings (1894-1940) (1941)
Contesto: It is where life is fundamental and free that men develop the vision needed to reveal the human soul in the blossoms it puts forth. … In a great workshop like Chicago this creative power germinates, even though the brutality and selfish preoccupation of the place drive it elsewhere for bread. Men of this type have loved Chicago, have worked for her, and believed in her. The hardest thing they have to bear is her shame. These men could live and work here when to live and work in New York would stifle their genius and fill their purse.... New York still believes that art should be imported; brought over in ships; and is a quite contented market place. So while New York has reproduced much and produced nothing, Chicago’s achievements in architecture have gained world-wide recognition as a distinctively American architecture.
“The physician can bury his mistakes, but the architect can only advise his clients to plant vines.”
New York Times Magazine (4 October 1953) Sometimes paraphrased: "A doctor can bury his mistakes, but the architect can only advise his clients to plant vines."
Quoted in A Living Architecture : Frank Lloyd Wright and Taliesin Architects (2000) by John Rattenbury
Contesto: Human beings can be beautiful. If they are not beautiful it is entirely their own fault. It is what they do to themselves that makes them ugly. The longer I live the more beautiful life becomes. If you foolishly ignore beauty, you will soon find yourself without it. Your life will be impoverished. But if you invest in beauty, it will remain with you all the days of your life.
As quoted in The World's Best Thoughts on Life & Living (1981) compiled by Eugene Raudsepp; also quoted in The Michigan Daily http://www.pub.umich.edu/daily/1998/nov/11-10-98/arts/arts2.html (10 November 1998)
“There is nothing more uncommon than common sense.”
Anonymous saying, dating back at least to its citation in Natural Theology (1836) by Thomas Chalmers, Bk. II, Ch. III : On the Strength of the Evidences for a God in the Phenomena of Visible and External Nature, § 15, where the author states: "It has been said that there is nothing more uncommon than common sense."; it has since become misattributed to particular people, including Frank Lloyd Wright.
Misattributed
