Frasi di Murasaki Shikibu (29 frasi) | Citazioni e frasi celebri

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Murasaki Shikibu

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Murasaki Shikibu frasi celebri

“Alla corte di un imperatore (che visse non importa quando) tra le molte gentildonne di Camera e Guardaroba, ce n'era una che, sebbene non fosse di altissimo grado, godeva molto più favore di tutte le altre.”

Murasaki Shikibu libro Genji monogatari

Murasaki Shikibu, Storia di Genji, il principe splendente. Romanzo giapponese dell'XI secolo, traduzione di Adriana Motti, Giulio Einaudi Editore, Torino, 2008

“Durante il regno di un certo Sovrano, non so bene quale, tra le numerose Spose Imperiali e dame di Corte ve n'era una che, seppure di rango non molto elevato, più di ogni altra godeva del favore di Sua Maestà. Le dame di alto rango, convinte com'erano di dover essere le prescelte, la guardavano dall'alto in basso e ne erano gelose. Quelle di uno stesso grado o di uno inferiore a maggior ragione si sentivano offese. Sera e mattina la sua presenza a Corte non faceva che esporla alla malevolenza delle altre e, forse per via del rancore che si riversava su di lei, ella si ammalò e in preda alla malinconia si ritirò più volte presso la famiglia di origine, ma il Sovrano, sempre più sollecito, seguitava a prendersi cura di lei senza prestare ascolto alle critiche di coloro che gli stavano attorno e suscitando chiacchiere a non finire. Dignitari e nobili dei più alti ranghi, coinvolti loro malgrado, mostravano il loro scontento distogliendo lo sguardo e mormorando che era un'infatuazione tale da turbare la vista e che nel regno dei Tang, per simili circostanze, il paese era caduto in preda a disordini e tumulti. Col passare del tempo, mentre anche nel resto del mondo la vicenda seminava malcontento e preoccupazione al punto che si citava l'esempio di Yang Guifei, non le erano state risparmiate umiliazioni, ma ella era riuscita a partecipare alla vita di Corte, confidando nell'affetto senza limiti che Sua Maestà le riservava. Il padre, che era stato Gran Consigliere, era morto, e la madre, appartenente a un'antica famiglia di tutto rispetto, convinta che la figlia non dovesse essere inferiore alle altre dame che grazie all'appoggio paterno avevano a Corte grande successo, le aveva fornito tutto quanto era indispensabile per ogni occasione ufficiale; pur tuttavia, essendo ella priva di un solido appoggio, in caso di bisogno non aveva nessuno sui cui fare affidamento ed era più sola e sperduta che mai.”

Murasaki Shikibu

Murasaki Shikibu, La storia di Genji, a cura di Maria Teresa Orsi, Giulio Einaudi Editore, Torino, 2012, ISBN 978-88-06-14690-0

“[…] non mi sembra meglio preoccuparsi troppo del lignaggio o della bellezza e purché una donna non sia intrattabile, ma possieda un carattere tranquillo e accomodante, la si potrà considerare il nostro punto di riferimento. Se poi a queste doti accompagna qualche talento o qualità particolare potremo esserne soddisfatti e qualora qualcosa in lei non ci convincesse pienamente, non sarebbe il caso di avere troppe pretese. Infatti, se il suo temperamento è affidabile e generoso, ella ne ricaverà un fascino esteriore del tutto naturale.”

Murasaki Shikibu

2012, p. 27
La storia di Genji

“Quando si comincia ad avere sospetti su di una persona che in quel momento ci è cara, che si apprezza per fascino e bellezza, la cosa può essere spiacevole. Se tuttavia ci si mostra disposti a considerare con generosità il suo comportamento, senza far nulla di cui ci si possa rimproverare, è probabile che l'altra si corregga, anche se in realtà non è sempre detto che ciò avvenga.”

Murasaki Shikibu

2012, p. 28
La storia di Genji

“Passiamo ora alla calligrafia: colui che, privo di una solida base, lascia correre qua e là il pennello con una certa ostentazione può in un primo momento dare l'impressione di possedere talento e originalità, mentre viceversa la sapiente scrittura di chi padroneggia l'arte del pennello può non rivelare a prima vista alcun pregio particolare, ma basta metterla a confronto con l'altra e subito se ne potrà riconoscere il valore autentico. Se ciò che ho detto vale per argomenti così leggeri, a maggior ragione, quando si tratti del cuore umano, penso che non ci si debba fidare di sentimenti superficiali e ostenati sul momento.”

Murasaki Shikibu

2012, pp. 29-30
La storia di Genji

Murasaki Shikibu: Frasi in inglese

“Real things in the darkness seem no realer than dreams.”

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Murasaki Shikibu libro Genji monogatari

Origine: Tale of Genji, The Tale of Genji, trans. Arthur Waley, Ch. 1: Kiritsubo

“The world know it not; but you, Autumn, I confess it: your wind at night-fall stabs deep into my heart”

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Murasaki Shikibu libro Genji monogatari

Origine: The Tale of Genji

“Autumn is no time to lie alone”

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Murasaki Shikibu libro Genji monogatari

The Tale of Genji

“The sadness of things.”

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Murasaki Shikibu libro Genji monogatari

Passim. Cf. Lacrimae rerum.
Variant translations:
The pathos of things.
A sensitivity to things.
The sorrow of human existence.
Tale of Genji

“No art or learning is to be pursued halfheartedly," His Highness replied, "…and any art worth learning will certainly reward more or less generously the effort made to study it.”

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Murasaki Shikibu libro Genji monogatari

Origine: Tale of Genji, Ch. 17: Eawase (trans. Royall Tyler)
Origine: The Tale of Genji

“Ceaseless as the interminable voices of the bell-cricket, all night till dawn my tears flow.”

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Murasaki Shikibu libro Genji monogatari

Origine: Tale of Genji, The Tale of Genji, trans. Arthur Waley, Ch. 1

“Sei Shōnagon is a smug and horrible person. She acts so smart and is always writing in true [Chinese] characters, but if you look closely, you can find lots of mistakes. People who try that hard to be different from everyone else always end up falling behind, with trouble waiting in their future; and people who are that affected act all mono no aware and attend all the interesting events even when they're lonely and bored, so that in the end the affectation stops being an act. How exactly are things going to end well for a person like that?”

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Murasaki Shikibu libro The Diary of Lady Murasaki

source http://no-sword.jp/blog/2010/03/iced_cream.html
The Diary of Lady Murasaki

“I have never thought there was much to be said in favor of dragging on long after all one's friends were dead.”

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Murasaki Shikibu libro Genji monogatari

Origine: Tale of Genji, The Tale of Genji, trans. Arthur Waley, Ch. 29: The Royal Visit

“It is in general the unexplored that attracts us.”

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Murasaki Shikibu libro Genji monogatari

Origine: Tale of Genji, The Tale of Genji, trans. Arthur Waley, Ch. 9: Aoi

“There are as many sorts of women as there are women.”

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Murasaki Shikibu libro Genji monogatari

Origine: The Tale of Genji

“Seeing the water birds on the lake increase in number day by day, I thought to myself how nice it would be if it snowed before we got back to the Palace—the garden would look so beautiful; and then, two days later, while I was away on a short visit, lo and behold, it did snow. As I watched the rather drab scene at home, I felt both depressed and confused. For some years now I had existed from day to day in listless fashion, taking note of the flowers, the birds in song, the way the skies change from season to season, the moon, the frost and snow, doing little more than registering the passage of time. How would it all turn out? The thought of my continuing loneliness was unbearable, and yet I had managed to exchange sympathetic letters with those of like mind—some contacted via fairly tenuous connections—who would discuss my trifling tales and other matters with me; but I was merely amusing myself with fictions, finding solace for my idleness in foolish words. Aware of my own insignificance, I had at least managed for the time being to avoid anything that might have been considered shameful or unbecoming; yet here I was, tasting the bitterness of life to the very full.”

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Murasaki Shikibu libro The Diary of Lady Murasaki

trans. Richard Bowring (Penguin Books, 1996)
The Diary of Lady Murasaki

“To be pleasant, gentle, calm and self-possessed: this is the basis of good taste and charm in a woman. No matter how amorous or passionate you may be, as long as you are straightforward and refrain from causing others embarrassment, no one will mind. But women who are too vain and act pretentiously, to the extent that they make others feel uncomfortable, will themselves become the object of attention; and once that happens, people will find fault with whatever they say or do: whether it be how they enter a room, how they sit down, how they stand up or how they take their leave. Those who end up contradicting themselves and those who disparage their companions are also carefully watched and listened to all the more. As long as you are free from such faults, people will surely refrain from listening to tittle-tattle and will want to show you sympathy, if only for the sake of politeness. I am of the opinion that when you intentionally cause hurt to another, or indeed if you do ill through mere thoughtless behavior, you fully deserve to be censured in public. Some people are so good-natured that they can still care for those who despise them, but I myself find it very difficult. Did the Buddha himself in all his compassion ever preach that one should simply ignore those who slander the Three Treasures? How in this sullied world of ours can those who are hard done by be expected to reciprocate in kind?”

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Murasaki Shikibu libro The Diary of Lady Murasaki

trans. Richard Bowring
The Diary of Lady Murasaki

“Unforgettably horrible is the naked body. It really does not have the slightest charm.”

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Murasaki Shikibu libro The Diary of Lady Murasaki

The Diary of Lady Murasaki

“I have finally realized how rarely you will find a flawless woman, one who is simply perfect. No doubt there are many who seem quite promising, write a flowing hand, give you back a perfectly acceptable poem, and all in all do credit enough to the rank they have to uphold, but you know, if you insist on any particular quality, you seldom find one who will do. Each one is all too pleased with her own accomplishments, runs others down, and so on. While a girl is under the eye of her adoring parents and living a sheltered life bright with future promise, it seems men have only to hear of some little talent of hers to be attracted. As long as she is pretty and innocent, and young enough to have nothing else on her mind, she may well put her heart into learning a pastime that she has seen others enjoy, and in fact she may become quite good at it. And when those who know her disguise her weaknesses and advertise whatever passable qualities she may have so as to present them in the best light, how could anyone think ill of her, having no reason to suspect her of being other than she seems? But when you look further to see whether it is all true, I am sure you can only end up disappointed.”

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Murasaki Shikibu libro Genji monogatari

Spoken by Tō no Chūjō in Ch. 2: The Broom Tree (trans. Royall Tyler)
Tale of Genji

“[The art of the novel] does not simply consist in the author's telling a story about the adventures of some other person. On the contrary, it happens because the storyteller's own experience of men and things, whether for good or ill—not only what he has passed through himself, but even events which he has only witnessed or been told of—has moved him to an emotion so passionate that he can no longer keep it shut up in his heart.”

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Murasaki Shikibu libro Genji monogatari

Origine: Tale of Genji, The Tale of Genji, trans. Arthur Waley, Ch. 25: The Glow-Worm

“Though the snow-drifts of Yoshino were heaped across his path, doubt not that whither his heart is set, his footsteps shall tread out their way.”

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Murasaki Shikibu libro Genji monogatari

Origine: Tale of Genji, The Tale of Genji, trans. Arthur Waley, Ch. 19: A Wreath of Cloud

“Anything whatsoever may become the subject of a novel, provided only that it happens in this mundane life and not in some fairyland beyond our human ken.”

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Murasaki Shikibu libro Genji monogatari

Origine: Tale of Genji, The Tale of Genji, trans. Arthur Waley, Ch. 25

“So all they see of me is a façade. There are times when I am forced to sit with them and on such occasions I simply ignore their petty criticisms, not because I am particularly shy but because I consider it pointless. As a result, they now look upon me as a dullard.
"Well, we never expected this!" they all say. "No one liked her. They all said she was pretentious, awkward, difficult to approach, prickly, too fond of her tales, haughty, prone to versifying, disdainful, cantankerous and scornful; but when you meet her, she is strangely meek, a completely different person altogether!"
How embarrassing! Do they really look upon me as such a dull thing, I wonder? But I am what I am. Her Majesty has also remarked more than once that she had thought I was not the kind of person with whom she could ever relax, but that I have now become closer to her than any of the others. I am so perverse and standoffish. If only I can avoid putting off those for whom I have a genuine regard.”

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Murasaki Shikibu libro The Diary of Lady Murasaki

trans. Richard Bowring
The Diary of Lady Murasaki

“Does it not move you strangely, the love-bird's cry, tonight when, like the drifting snow, memory piles up on memory?”

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Murasaki Shikibu libro Genji monogatari

Origine: Tale of Genji, The Tale of Genji, trans. Arthur Waley, Ch. 20: Asagao

“When my brother… was a young boy learning the Chinese classics, I was in the habit of listening with him and I became unusually proficient at understanding those passages that he found too difficult to grasp and memorize. Father, a most learned man, was always regretting the fact: "Just my luck!" he would say. "What a pity she was not born a man!" But then I gradually realized that people were saying "It's bad enough when a man flaunts his Chinese learning; she will come to no good," and since then I have avoided writing the simplest [Chinese] character. My handwriting is appalling.”

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Murasaki Shikibu libro The Diary of Lady Murasaki

trans. Richard Bowring
The Diary of Lady Murasaki

“One ought not to be unkind to a woman merely on account of her plainness, any more than one had a right to take liberties with her merely because she was handsome.”

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Murasaki Shikibu libro Genji monogatari

Origine: Tale of Genji, The Tale of Genji, trans. Arthur Waley, Ch. 36: Kashiwagi

“Think not that I have come in quest of common flowers; but rather to bemoan the loss of one whose scent has vanished from the air.”

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Murasaki Shikibu libro Genji monogatari

Origine: Tale of Genji, The Tale of Genji, trans. Arthur Waley, Ch. 41: Mirage

“You that in far-off countries of the sky can dwell secure, look back upon me here; for I am weary of this frail world's decay.”

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Murasaki Shikibu libro Genji monogatari

Origine: Tale of Genji, The Tale of Genji, trans. Arthur Waley, Ch. 40: The Law

“It is useless to talk with those who do not understand one and troublesome to talk with those who criticize from a feeling of superiority. Especially one-sided persons are troublesome. Few are accomplished in many arts and most cling narrowly to their own opinion.”

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Murasaki Shikibu libro The Diary of Lady Murasaki

In Diaries of Court Ladies of Old Japan
The Diary of Lady Murasaki

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