Frasi di Phil Ochs

Philip David Ochs noto come Phil Ochs, è stato un cantautore di protesta statunitense; preferiva però definirsi un topical singer.

È stato anche musicista, interprete e giornalista , famoso per il sarcasmo tagliente, l'umorismo e l'attivismo politico. Tra le sue caratteristiche anche la voce e la tecnica poetica, consistente spesso in versi allitteranti. Scrisse centinaia di brani negli anni sessanta e settanta, pubblicando in vita otto LP. La sua canzone più nota è probabilmente I Ain't Marching Anymore .Si esibì in numerosi eventi politici, partecipando attivamente sia alla campagna contro la Guerra nel Vietnam sia al Civil Rights Movement; durante la sua carriera non mancò a manifestazioni studentesche e sindacali, oltre a numerosi concerti in luoghi prestigiosi come la Town Hall e la Carnegie Hall di New York. Politicamente, Ochs si definiva un "socialdemocratico di sinistra", trasformatosi in "protorivoluzionario" dopo la Convention nazionale Democratica del 1968 a Chicago, che ebbe profondi effetti sul suo stato d'animo. È stato spesso considerato un radicale animato da un autentico e profondo patriottismo, sebbene fosse interessato anche a diverse filosofie politiche ed al giornalismo, e fosse un grande appassionato di musica e di cinema.

Tra gli artisti e le personalità che lo hanno maggiormente influenzato si possono enumerare Woody Guthrie, Pete Seeger, Buddy Holly, Elvis Presley, Bob Gibson, Faron Young e Merle Haggard.

Dopo un periodo assai prolifico negli anni sessanta, la salute mentale di Ochs declinò nel decennio successivo, facendolo soccombere a diversi problemi compresi la psicosi maniaco-depressiva e l'alcolismo. Si suicidò nel 1976. Wikipedia  

✵ 19. Dicembre 1940 – 9. Aprile 1976
Phil Ochs photo
Phil Ochs: 48   frasi 0   Mi piace

Phil Ochs: Frasi in inglese

“I for one don't even believe that he's president.”

Speech about Richard Nixon before playing "Ten Cents A Coup" on the Greatest Hits album (February 1970)
Contesto: I for one don't even believe that he's president. In order to have a president you need to have an election, in order to have an election you have to have a choice, and if you remember back to the primaries there were people running against the war, Kennedy and McCarthy. They often got 85 to 90% of the votes, but when it came time for the parties, that was totally ignored, so in point of fact, there really was no election. For a man who's always wanted to be president, and now that he's president, he's not even president.

“I know you're set for fighting, but what are you fighting for?”

Are You Fighting For" http://web.cecs.pdx.edu/~trent/ochs/lyrics/what-are-you-fighting-for.html"What from Songs for Broadside (1976)
Lyrics
Contesto: Oh you tell me that there's danger to the land you call your own
And you watch them build the war machine right beside your home
And you tell me that you're ready to go marchin' to the war
I know you're set for fighting, but what are you fighting for?

“Show me a prison, show me a jail
Show me a pris'ner whose face has grown pale
And I'll show you a young man
With many reasons why
There but for fortune, go you or I.”

"There but for Fortune" (1963); Ochs here paraphrases a proverbial expression "There, but for the grace of God, go I", which was itself a paraphrase of John Bradford's expression on seeing other prisoners being led to their execution as heretics to be burned at the stake: There, but for the grace of God, goes John Bradford. (as quoted in Problems in the Relations of God and Man (1911) by Clement Charles Julian Webb, p. 107)
Lyrics
Variante: There but for fortune, go you or I
You or I.

“I must be home again soon.
To face the unspoken unguarded thoughts of habitual hearts
A vanguard of electricians a village full of tarts
Who say you must protest you must protest
It is your diamond duty…
Ah but in such an ugly time the true protest is beauty”

Origine: Pleasures of the Harbor (1967), Liner notes; part of this statement is often paraphrased "In such ugly times, the only true protest is beauty."
Contesto: I watched my life fade-away in a flash
A quarter of a century dash through closets full of candles with never a room
For rapture through a kingdom had been captured.
And so I turn away from my drizzling furniture and pass old ladies
Sniffling by movie stars' tombs, yes I must be home again soon.
To face the unspoken unguarded thoughts of habitual hearts
A vanguard of electricians a village full of tarts
Who say you must protest you must protest
It is your diamond duty…
Ah but in such an ugly time the true protest is beauty
And the bleeding seer crawled from the ruins of the empire
And stood bleeding, bleeding on the border
He said, passion has led to chaos and now chaos will lead to order.
Oh I have been away for a while and I hope to be back again soon.

“Before the days of television and mass media, the folksinger was often a traveling newspaper spreading tales through music.”

Introduction to "(The Marines Have Landed on the Shores of) Santo Domingo," Phil Ochs in Concert (1966)
Contesto: Before the days of television and mass media, the folksinger was often a traveling newspaper spreading tales through music. There is an urgent need for Americans to look deeply into themselves and their actions, and musical poetry is perhaps the most effective mirror available. Every newspaper headline is a potential song.

“Leave the old and dying America and use your creative energies to help form a new America, which would be de-militarized, more humanistic, where the police are less hostile and closer to the community, where the wealthy are not given unleashed power for the exploitation of the people.”

Broadside magazine interview (1968; published 1976)
Contesto: Leave the old and dying America and use your creative energies to help form a new America, which would be de-militarized, more humanistic, where the police are less hostile and closer to the community, where the wealthy are not given unleashed power for the exploitation of the people. And, mostly because it's now a matter of life and death, reassert an ecological balance with the environment, which means the people in the oil companies and the car companies and the space industry and all the other industries will have to be brought into account, so that there will be a new definition of government which has to be closer to the people and less close to special interests which are far more harmful than any revolutionaries.

“Show me a prison, show me a jail
Show me a pris'ner whose face has grown pale”

"There but for Fortune" (1963); Ochs here paraphrases a proverbial expression "There, but for the grace of God, go I", which was itself a paraphrase of John Bradford's expression on seeing other prisoners being led to their execution as heretics to be burned at the stake: There, but for the grace of God, goes John Bradford. (as quoted in Problems in the Relations of God and Man (1911) by Clement Charles Julian Webb, p. 107)
Lyrics
Contesto: Show me a prison, show me a jail
Show me a pris'ner whose face has grown pale
And I'll show you a young man
With many reasons why
There but for fortune, go you or I.

“Now they sing out his praises on every distant shore
But so few remember what he was fightin' for”

"Bound For Glory" http://web.cecs.pdx.edu/~trent/ochs/lyrics/bound-for-glory.html from All the News That's Fit to Sing (1964)
Lyrics
Contesto: Now they sing out his praises on every distant shore
But so few remember what he was fightin' for
Oh why sing the songs and forget about the aim?
He wrote them for a reason, why not sing them for the same?

“Images of innocence charge him go on
But the decadence of destiny is looking for a pawn”

"Crucifixion"
Pleasures of the Harbor (1967)
Contesto: Images of innocence charge him go on
But the decadence of destiny is looking for a pawn
To a nightmare of knowledge he opens up the gate
And a blinding revelation is laid upon his plate
That beneath the greatest love is a hurricane of hate
And God help the critic of the dawn.

“In every American community there are varying shades of political opinion.”

Introduction to "Love Me, I'm a Liberal" on Phil Ochs in Concert (1966)
Contesto: In every American community there are varying shades of political opinion. One of the shadiest of these is the liberals. An outspoken group on many subjects. Ten degrees to the left of center in good times. Ten degrees to the right of center if it affects them personally. Here, then, is a lesson in safe logic.

“And I'm sure it wouldn't interest anybody
Outside of a small circle of friends.”

"Outside Of A Small Circle Of Friends" http://web.cecs.pdx.edu/~trent/ochs/lyrics/small-circle-of-friends.html
Pleasures of the Harbor (1967)
Contesto: Look outside the window, there's a woman being grabbed
They've dragged her to the bushes and now she's being stabbed
Maybe we should call the cops and try to stop the pain
But Monopoly is so much fun, I'd hate to blow the game
And I'm sure it wouldn't interest anybody
Outside of a small circle of friends.

“Chosen for a challenge that is hopelessly hard
And the only single sound is the sighing of the stars
But to the silence and distance they are sworn.”

"Crucifixion" http://web.cecs.pdx.edu/~trent/ochs/lyrics/crucifixion.html
Pleasures of the Harbor (1967)
Contesto: In the green fields a turnin', a baby is born
His cries crease the wind and mingle with the morn
An assault upon the order, the changing of the guard
Chosen for a challenge that is hopelessly hard
And the only single sound is the sighing of the stars
But to the silence and distance they are sworn.

“Step outside the guidelines of the official umpires and make your own rules and your own reality.”

As quoted in An American Ordeal: The Antiwar Movement of the Vietnam Period (1990) by Charles DeBenedetti, p. 223
Contesto: [The Yippie demonstrations] were merely an attack of mental disobedience on an obediently insane society... and if you feel you have been living in an unreal world for the last couple of years, it is particularly because this power structure has refused to listen to reason... Step outside the guidelines of the official umpires and make your own rules and your own reality.

“I watched my life fade-away in a flash
A quarter of a century dash through closets full of candles with never a room
For rapture through a kingdom had been captured.”

Origine: Pleasures of the Harbor (1967), Liner notes; part of this statement is often paraphrased "In such ugly times, the only true protest is beauty."
Contesto: I watched my life fade-away in a flash
A quarter of a century dash through closets full of candles with never a room
For rapture through a kingdom had been captured.
And so I turn away from my drizzling furniture and pass old ladies
Sniffling by movie stars' tombs, yes I must be home again soon.
To face the unspoken unguarded thoughts of habitual hearts
A vanguard of electricians a village full of tarts
Who say you must protest you must protest
It is your diamond duty…
Ah but in such an ugly time the true protest is beauty
And the bleeding seer crawled from the ruins of the empire
And stood bleeding, bleeding on the border
He said, passion has led to chaos and now chaos will lead to order.
Oh I have been away for a while and I hope to be back again soon.

“Look outside the window, there's a woman being grabbed
They've dragged her to the bushes and now she's being stabbed”

"Outside Of A Small Circle Of Friends" http://web.cecs.pdx.edu/~trent/ochs/lyrics/small-circle-of-friends.html
Pleasures of the Harbor (1967)
Contesto: Look outside the window, there's a woman being grabbed
They've dragged her to the bushes and now she's being stabbed
Maybe we should call the cops and try to stop the pain
But Monopoly is so much fun, I'd hate to blow the game
And I'm sure it wouldn't interest anybody
Outside of a small circle of friends.

“Show me a country where the bombs had to fall
Show me the ruins of buildings so tall”

"There but for Fortune" (1963)
Lyrics
Contesto: Show me a country where the bombs had to fall
Show me the ruins of buildings so tall
And I'll show you a young land
With many reasons why
There but for fortune, go you or I
You or I.

“And God help the critic of the dawn.”

"Crucifixion"
Pleasures of the Harbor (1967)
Contesto: Images of innocence charge him go on
But the decadence of destiny is looking for a pawn
To a nightmare of knowledge he opens up the gate
And a blinding revelation is laid upon his plate
That beneath the greatest love is a hurricane of hate
And God help the critic of the dawn.

“The idea of Yippie was to be a form of theater politics”

Testimony at the Chicago Seven trial (11 December 1969)
Contesto: MR. KUNSTLER: Now, Mr. Ochs, have you ever been associated with what is called the Youth International Party, or, as we will say, the Yippies?
THE WITNESS: Yes. I helped design the party, formulate the idea of what Yippie was going to be, in the early part of 1968.
MR. KUNSTLER: Can you indicate to the Court and jury what Yippie was going to be, what its purpose was for its formation?
THE WITNESS: The idea of Yippie was to be a form of theater politics, theatrically dealing with what seemed to be an increasingly absurd world and trying to deal with it in other than just on a straight moral level. They wanted to be able to act out fantasies in the street to communicate their feelings to the public.

“The American Politician has developed into the gutless master of procrastination with a maximum of non-committal statement and the barest minimum of action. This moral vacuum is exceeded only by the apathetic public who allows him to stay in power.”

As quoted off the blurb for the song "Days of Decision" on the back of the album https://en.wikipedia.org/wiki/I_Ain%27t_Marching_Anymore I Ain't Marching Anymore.

“When they show the destruction of society on color TV, I want to be able to look out over Los Angeles and make sure they get it right.”

Origine: The Broadside Tapes 1 (made in the 1960s; published c. 1980), Liner notes

“Leaving America is like losing twenty pounds and finding a new girlfriend.”

Origine: The Broadside Tapes 1 (made in the 1960s; published c. 1980), Liner notes

“God isn't dead — he's just missing in action.”

Origine: The Broadside Tapes 1 (made in the 1960s; published c. 1980), Liner notes

“One good song with a message can bring a point more deeply to more people than a thousand rallies.”

Statement in Broadside magazine (1962), quoted in Songs of the Vietnam Conflict (2001) by James E. Perone, p. 19

“Smoking marijuana is more fun than drinking beer,
But a friend of ours was captured and they gave him thirty years
Maybe we should raise our voices, ask somebody why
But demonstrations are a drag, besides we're much too high.”

"Outside Of A Small Circle Of Friends" http://web.cecs.pdx.edu/~trent/ochs/lyrics/small-circle-of-friends.html
Pleasures of the Harbor (1967)

“A protest song is a song that's so specific that you cannot mistake it for bullshit.”

Origine: The Broadside Tapes 1 (made in the 1960s; published c. 1980), Liner notes

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