“The Dreamers. | That is us. | In the city that made us love.”

“«Michelangelo once said, “The greatest danger for most of us is not that our aim is too high and we miss it, but that it is too low and we reach it.”»
Ken Robinson::
Tʜᴇ Eʟᴇᴍᴇɴᴛ: Hᴏᴡ Fɪɴᴅɪɴɢ Yᴏᴜʀ Pᴀssɪᴏɴ Cʜᴀɴɢᴇs Eᴠᴇʀʏᴛʜɪɴɢ
§ Aғᴛᴇʀᴡᴏʀᴅ: §§ Aɪᴍɪɴɢ Hɪɢʜ
.”

Sir Ken Robinson (1950) educatore e scrittore britannico

“There's no reason for you to love me | after all of the heartaches we've been through. | But I love you, I just can't help it. | You're so beautiful, what else shall I do? | You say you didn't make me love you | and you tell me that you're not to blame. | But it still hurt me the same. | Darling, love is not a game. | 'Cause it hurts, oh. | It hurts, yeah. (da It Hurts, n. 3)”

Greg Lake (1947–2016) chitarrista, bassista e cantante britannico

“A mio modo di vedere le vette più alte raggiunte dei Pink Floyd sono quelle in cui lui [Richard Wright] era al massimo. Dopotutto, senza Us and Them e The Great Gig in the Sky, che scrisse entrambe lui, cosa sarebbe stato "The Dark Side of the Moon"? E senza il suo tocco delicato l'album "Wish You Were Here" semplicemente non avrebbe funzionato.”

David Gilmour (1946) musicista e compositore britannico

“L train love train, l train please take me to the end of the line.”

Chiara Civello (1975) cantautrice italiana

“Deus est filius dei. | Tutte le macchine al potere | gli uomini a pane ed acqua. | And what is cosmos? | What is the meaning of the world? | History is bunk.”

Franco Battiato (1945) musicista, cantautore e regista italiano

“[Sul film The Lost City] Ho scelto questo soggetto perché sono un prodotto di questa storia.”

Andy García (1956) attore cubano

“Nota: 1960s, "Specific Objects," 1965, Context: A work needs only to be interesting. Most works finally have one quality. In earlier art the complexity was displayed and built the quality. In recent painting the complexity was in the format and the few main shapes, which had been made according to various interests and problems. A painting by Newman is finally no simpler than one by Cezanne. In the three-dimensional work the whole thing is made according to complex purposes, and these are not scattered but asserted by one form. It isn't necessary for a work to have a lot of things to look at, to compare, to analyze one by one, to contemplate. The thing as a whole, its quality as a whole, is what is interesting. The main things are alone and are more intense, clear and powerful. p. 77. Partly quoted in: Washington Gallery of Modern Art (Washington, D.C.), ‎Barbara Rose (1967) New aesthetic: Exhibition May 6-June 25, 1967. p. 45

Origine: https://le-citazioni.it/community/translations/188146/”

Donald Judd (1928–1994) artista statunitense

“To ask the mind to kill the mind | is like making the thief, | when I reach the selfish stage | I enjoy a certain pleasure, | but sometimes a vague fear | which I cannot describe.”

Franco Battiato (1945) musicista, cantautore e regista italiano

“The stage is set, the moment is now. Il palcoscenico è pronto, il momento è ora. Gara #4, NBA Finals 2012. Oklahoma City Thunder spalle al muro, Miami Heat con il match point sulla racchetta, anche se vincere significherebbe portarsi sul 3-1 e non chiudere la serie. Ma nessuno nella storia della serie finale ha rimontato da 1-3. LeBron James, questi i numeri e dietro i numeri c'è tutto un mondo. Lui e Dwyane Wade contro Kevin Durant, Russell Westbrook, James Harden e il resto dei Thunder nella partita che ti fa davvero davvero dire: the moment is now, il momento è adesso.”

Flavio Tranquillo (1962) giornalista e scrittore italiano