Frasi di Camille Pissarro
Camille Pissarro
Data di nascita: 10. Luglio 1830
Data di morte: 13. Novembre 1903
Jacob Abraham Camille Pissarro /ʒa'kɔb abra'am kam'ij pisa'ʁo/ è stato un pittore francese, tra i maggiori esponenti dell'Impressionismo.
Autori simili
Pierre-Auguste Renoir7
pittore francese
Claude Monet6
pittore francese
Jean Auguste Dominique Ingres12
pittore francese
Henri Matisse11
pittore, incisore, illustratore e scultore francese
Théodore Géricault1
pittore francese
Alexandre Marius Jacob5
anarchico francese
Edgar Degas6
pittore e scultore francese
Simone Veil4
politica francese
Roland Barthes41
saggista, critico letterario e linguista francese
Pierre Reverdy8
poeta e aforista franceseFrasi Camille Pissarro
„The next day he [uncle Alfred] took me to hear the 'Concert Colonne' at the Chatelet. First we lunched and then went to the hall. There was a fine program! Schumann, Bizet (new to me), Berlioz (ditto). - I can scarcely express how I marveled at the Hamlet and Romeo et Juliette of Berlioz. - He belongs with Delacroix, with Shakespeare, he is of the same family, he has the mark of these men of genius. He is prodigious in movement, imagination, strangeness, vigor, delicacy, sense of contrast, he is terrible and suave.“
— Camille Pissarro
Quote of Camille Pissarro, Paris, 2 April 1883, in a letter to his son Lucien; from Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 26
„I will have to leave for Paris as soon as you return. I did two drawings [black on paper] with pen and in little dots - a 'Little Market' and a 'St. Martin (Pig dealers)'. It would be a good thing if I could sell them to some newspaper, that would bring us a few pennies... I still don't know what I am going to do, for Heymann seems completely indifferent. He probably knows my position and naturally is waiting for me to reduce my prices, just as Durand did last time... If we could place these we could get a few cents while waiting for this terrible month of January to pass... These drawings matted look very well.“
— Camille Pissarro
Quote of Pissarro, in a letter, Paris, 5 December 1886, to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 86
„What I dislike is that he [= Paul Gauguin ] copied these elements from the Japanese, the Byzantine painters and others. I criticize him for not applying his synthesis to our modern philosophy which is absolutely social, anti-authoritarian and anti-mystical. - There is where the problem becomes serious. This is a step backwards; Gauguin is not a seer, he is a schemer... The symbolists also take this line! What do you think? They must be fought like the pest!“
— Camille Pissarro
Quote of Camille Pissarro, in a letter to his son, 20 April 1891, in Camille Pissarro - Letters to His Son Lucien, ed. John Rewald, with assistance of Lucien Pissarro – (translated from the unpublished French letters by Lionel Abel); Pantheon Books Inc. New York, second edition, 1943, p. 163
„Work is a wonderful regulator of mind and body. I forget all sorrow, grief, bitterness, and I even ignore them altogether in the joy of working.“
— Camille Pissarro
In a letter to his son, Lucien; as quoted in: Brother Thomas (O.S.B.), Rosemary Williams (1999) Creation Out of Clay: The Ceramic Art and Writings of Brother Thomas. p. 45
„Yesterday I had a violent run-in with M. Eugene Manet on the subject of Seurat and Paul Signac. The latter was present, as was Guillaumin. You may be sure I rated Manet roundly. - Which will not please Renoir. - But anyhow, this is the point, I explained to M. Manet, who probably didn't understand anything I said, that Seurat has something new to contribute which these gentlemen, despite their talent, are unable to appreciate, that I am personally convinced of the progressive character of his art and certain that in time it will yield extraordinary results. Besides I am not concerned with the appreciation of artists, no matter whom. I do not accept the snobbish judgments of "romantic impressionists" to whose interest it is to combat new tendencies. I accept the challenge, that's all..“
— Camille Pissarro
Quote of Camille Pissarro, in a letter, Paris March 1886, to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, pp. 73-74
„I brought Durand eight pictures, among them my 'Sunset' and the motif done from my window. They have been praised, but I find them poor, - tame, grey, monotonous, - I am not at all satisfied. - I am working with fury and I have finally discovered the right execution, the search for which has tormented me for a year. I am pretty sure I have it now, all I need is to spend this coming autumn in Rouen or in some other place where I can find striking motifs.“
— Camille Pissarro
Quote of Pissarro, from Osny, February 1884, in a letter to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 61
„The day after your departure I started a new painting at Le Cours-la-Reine, in the afternoon in a glow of sun, and another in the morning by the water below St. Paul's Church. These two canvases are fairly well advanced, but I still need one session in fine weather without too much mist to give them a little firmness. Until now I have not been able to find the effect I want, I have even been forced to change the effect a bit, which is always dangerous. I have also an effect of fog... Until now I have not been able to find the effect I want, I have even been forced to change the effect a bit, which is always dangerous. I have also an effect of fog, another, same effect, from my window, the same motif in the rain, several sketches in oils, done on the quays near the boats; the next day it was impossible to go on, everything was confused, the motifs no longer existed; one has to realize them in a single session.“
— Camille Pissarro
Quote in a letter from Rouen 11 October 1883, to his son Lucien; from Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 42
„I recognize fully that you do not draw well, my dear Lucien [his son, also painter]. I told you any number of times that it is essential to have known forms in the eye and in the hand. It is only by drawing often, drawing everything, drawing incessantly, that one fine day you discover to your surprise that you have rendered something in its true character.“
— Camille Pissarro
In a letter, 1883, to his son Lucien; as quoted by C., & Rewald, in Camille Pissarro: Letters to his son Lucien, New York: Pantheon Books, 1943 p. 32
„I began to understand my sensations, to know what I wanted, at around the age of forty.... but only vaguely. At fifty, that is in 1880, I formulated the idea of unity, without being able to render it. At sixty, I am beginning to see the possibility of rendering it.“
— Camille Pissarro
(c. 1890); as quoted in Painting Outside the lines, Patterns of Creativity in Modern Art, David W. Galenson, Harvard University Press, 30 Jun 2009, p. 84
„I don't know what to write Feneon about the theory of 'passages'. I will write him what seems to me to be the truth of the matter, that I am at this moment looking for some substitute for the dot [which was the 'heart of [w:Neo-Impressionism|Neo-Impressionist]] painting]; so far I have not found what I want, the actual execution does not seem to me to be rapid enough and does not follow sensation with enough inevitability, but it would be best not to speak of this. The fact is I would be hard put to express my meaning clearly, although I am completely aware of what I lack.“
— Camille Pissarro
Quote of Camille Pissarro, in a letter, Paris, 20 February 1889, to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 134-135
Rewald: 'This data was doubtless for an article in preparation. While the question of the 'passage', which was going to separate Camille Pissarro from pointillism and thus from Divisionism, was then the main preoccupation of the artist, Pissarro was still unable to express himself with precision on it.'
„I wish it to be thoroughly under stood that it is Mr. Seurat, an artist of great worth, who has been the first to conceive the idea of applying the scientific theory after making a profound study of it. I have only followed, like my confreres, the example set by Seurat.“
— Camille Pissarro
Quote in an autograph letter 6 Nov. 1886, to Mr. Durand; as quoted in Brush and Pencil, Vol. XIII, no. 6 , article: 'Camille Pissarro' Impressionist'; by Henry G Stephens, March, 1904, pp. 412-13
„I well remember that around 1874, Duret, who is above reproach, Duret himself said to me with all sorts of circumlocutions that I was on the wrong track, that everyone thought so, including my best friends... I admit that when alone, with nobody to prompt me, I reproached myself similarly, - I plumbed myself, - decision was terribly hard. - Should I, yes or no, persevere [or seek] another way? I concluded in the affirmative, I took into account the risks of the unknown, and I was right to stick.“
— Camille Pissarro
Quote of Camille Pissarro, Paris, 9 May 1883, in a letter to his son Lucien; from Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, pp. 30-31
Duret in letters urged Pissarro to abandon the impressionist group and to try to be admitted to the official Salon where his work would be seen by forty thousand people. Duret advises him to make 'paintings which have a subject, something resembling composition, pictures not too freshly painted' (from note 1. John Rewald)
