Frasi di André Breton (82 frasi, pagina 3)

Origine: Tratto da L'azzurro del cielo di Georges Bataille, Einaudi, 2008, p. 148 e ripreso a sua volta da Manifestes du Surréalisme di André Breton, trad. it. L. Magrini Manifesti del Surrealismo, Einaudi, 1966 e 1987.

“[A proposito di I Canti di Maldoror] Quest'opera è apocalisse definitiva: tutto ciò che, nel corso dei secoli, si penserà e s'intraprenderà di più audace è qui formulato in anticipo, nella sua magica legge.”

André Breton

Origine: Dall'introduzione di Lautréamont/Ducasse Opere Complete, Corti, 1953.

“È forse con Dalí che per la prima volta sono state spalancate le finestre della mente.”

André Breton

Origine: Citato in AA.VV., Il libro dell'arte, traduzione di Martina Dominici, Gribaudo, 2018, p. 312. ISBN 9788858018330

André Breton: Frasi in inglese

“Love is always before you. Love it.”

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André Breton

L'amour est toujours devant vous. Aimez.
Le Surréalisme et la Peinture, (1926) Andre Breton

“Let me come back again to the waking state. I have no choice but to consider it a phenomenon of interference. Not only does the mind display, in this state, a strange tendency to lose its bearings (as evidenced by the slips and mistakes the secrets of which are just beginning to be revealed to us), but, what is more, it does not appear that, when the mind is functioning normally, it really responds to anything but the suggestions which come to it from the depths of that dark night to which I commend it.”

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André Breton

Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

“In short it is my concern to emphasize that Gorky is, of all the surrealist artists, the only one who maintains direct contact with nature – sit down to paint before her. Furthermore, it is out of the question that he would take the expression of this nature as an end in itself – rightly he demands of her that she provide sensations that can serve as springboards for both knowledge and pleasure in fathoming certain profound states of mind... Here for the first time nature is treated as a cryptogram. The artist has a code by reason of his own sensitive anterior impressions, and can decode nature to reveal the very rhythm of life, in the discovery of the very rhythm of life.”

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André Breton

Quote of Breton, from Introduction to the exhibition of Gorky's first show', Julien Levy Gallery', March 1945; as quoted in Arshile Gorky, – Goats on the roof, ed. by Matthew Spender, Ridinghouse, London, 2009, p. 258
after 1930

“In homage to Guillaume Apollinaire [famous French poet, art-critic, writer and defender of Cubism], who had just died and who, on several occasions, seemed to us to have followed a discipline of this kind, without however having sacrificed to it any mediocre literary means, Soupault and I baptized the new mode of pure expression which we had at our disposal and which we wished to pass on to our friends, by the name of SURREALISM. I believe that there is no point today in dwelling any further on this word and that the meaning we gave it initially has generally prevailed over its Apollinarian sense.”

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André Breton

Breton's quote refers to the start of the term Surrealism, together with Philippe Soupault
Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

“In those days, a man at least as boring as I, Pierre Reverdy, was writing: 'The image is a pure creation of the mind. It cannot be born from a comparison but from a juxtaposition of two more or less distant realities. The more the relationship between the two juxtaposed realities is distant and true, the stronger the image will be – the greater its emotional power and poetic reality..' (in the 'Nord-Sud', March 1918). These words, however sibylline for the uninitiated, were extremely revealing, and I pondered them for a long time.”

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André Breton

Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

“Children set off each day without a worry in the world. Everything is near at hand; the worst material conditions are fine. The woods are white or black, one will never sleep.”

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André Breton

Quote of Breton, from the Introduction of his 'Manifesto du Surréalisme', Andre Breton, 1924
Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

“Apollinaire asserted that Chirico's first paintings were done under the influence of kinesthetic disorders (migraines, colic, etc.)”

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André Breton

Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

“After you have settled yourself in a place as favorable as possible to the concentration of your mind upon itself, have writing materials brought to you. Put yourself in as passive, or receptive, a state of mind as you can. Forget about your genius, your talents, and the talents of everyone else. Keep reminding yourself that literature is one of the saddest roads that lead to everything. Write quickly, without any preconceived subject, fast enough so that you will not remember what you're writing and be tempted to reread what you have written. The first sentence will come spontaneously, so compelling is the truth that with every passing second there is a sentence unknown to our consciousness which is only crying out to be heard.”

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André Breton

Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

“Surrealism is only trying to rejoin the most durable traditions of mankind. Among the primitive peoples art always goes beyond what is conventionally and arbitrarily called the 'real.”

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André Breton

The natives of the Northwest Pacific coast, the Pueblos, New Guinea, New Ireland, the Marquesas, among others, have made 'objets' [in the Collections of Max Ernst, C. Levy-Strauss, Andre Breton, Pierre Matisse, Carlbach, Segredakis] which Surrealists particularly appreciate.
Quote of 1942, in the introduction of the Catalog 'First papers of surrealism: hanging by André Breton, his twine Marcel Duchamp'; exhibition at the Coordinating Council of French Relief Societies, Inc., New York, Oct. 14-Nov. 7, 1942
after 1930

“Truly the eye was made to cast a lineament, a conducting wire between the most heterogeneous things. Such a wire, of maximum ductility, should allow us to understand, in a minimum of time, the relationship which connect, without possible discharge of continuity, innumerable physical and mental structures.... the key (of the mental prison, ed.) lies in a free unlimited pay of analogies....”

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André Breton