Frasi di Letitia Elizabeth Landon (785 frasi, pagina 7)

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Letitia Elizabeth Landon: Frasi in inglese

“If you give an opinion in favour of one, you still offend both; for it is a physological quality in quarrels conjugal, that though each considers the other to blame, they will not allow you to think so too; moreover, the chances are, that, in your own private opinion, they are both wrong — a most unpopular verdict to pronounce.”

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Letitia Elizabeth Landon

Literary Remains

“He took his lute—his voice was low,
So lapsing waters softly flow
Amid the drooping flowers around,
As if they turned their sighs to sound.
Ah, magic! of a voice that seems
To haunt the soul with hopes and dreams;”

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Letitia Elizabeth Landon

The Vow of the Peacock (1835)

“They named him — ah! yet
Do I start at that name;”

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Letitia Elizabeth Landon

(1837 1) (Vol. 49) A Name
The Monthly Magazine

“I am spectator, not partaker, here.
To me it seems more like a pageant made
To represent mirth, than the mirth itself.”

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Letitia Elizabeth Landon

The Ancestress (Spoken by Bertha)
The Venetian Bracelet (1829)

“For when do friends not delight in the sorrow of the prosperous?”

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Letitia Elizabeth Landon

Heath's book of Beauty, 1833 (1832)

“Where are the flowers, the beautiful flowers,
That haunted your homes and your hearts in the spring?
Where is the sunshine of earlier hours?
Where is the music the birds used to bring?”

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Letitia Elizabeth Landon

(9th May 1829) Change
(20th June 1829) Fame : An Apologue See The Vow of the Peacock, as The Three Brothers
(29th August 1829) First Grave See The Vow of the Peacock as The Single Grave
The London Literary Gazette, 1829

“I held that Love
Which chooseth from a thousand only one,
To be the object of that tenderness
Natural to every heart; which can resign
Its own best happiness for one dear sake;
Can bear with absence; hath no part in Hope,—
For Hope is somewhat selfish, Love is not,—
And doth prefer another to itself.”

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Letitia Elizabeth Landon

A History of the Lyre
The Venetian Bracelet (1829)

“When civilization comes to a certain point, the changes in the higher classes are little more than those of fancies and of fashions; but those operating on the classes below are changes of character.”

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Letitia Elizabeth Landon

No.4. Guy Mannering — LUCY BERTRAM.
Literary Remains

“Cradle of Letters! Mistress of the World!
Soil of the Sun! Italia! I salute thee!
How oft the human race have worn thy yoke.
The vessels of thine arms, thine arts, thy sky!”

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Letitia Elizabeth Landon

Translations, From the French

“The huge dome of St. Paul's arose bathed in the moonlight, that giant fane of a giant city, a hundred spires were shining silvery in the soft gleam, and all meaner objects were touched with a picturesque obscurity: all around was silence and rest. The myriad voices of London were still, and nothing vexed the lulled ear of midnight.”

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Letitia Elizabeth Landon

The Monthly Magazine

“God! that this Earth should be so beautiful,
And yet so wretched!”

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Letitia Elizabeth Landon

(28th April 1824) Moonlight. T. C. Hofland.
The London Literary Gazette, 1824

“He enter'd now the garden, and a fall
Of singing, voice and lute, sank on his ear :
At first it seem'd thrice sweet and musical,
But it grew sadder as he came more near.”

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Letitia Elizabeth Landon

9th September 1826) Metrical Fragments No. IV. - The Redeemed Captive (under the pen name Iole
(16th September 1826) Metrical Fragments No. V. - The Frozen Ship (under the pen name Iole) see The Vow of the Peacock
The London Literary Gazette, 1826

“Many and opposite are the lots in life, and unequal are the portions which they measure out to the children of earth. We cannot agree with those who contend that the difference after all is but in outward seeming. Such an assertion is often the result of thoughtlessness — sometimes the result of selfishness. It is one of the good points of human nature, that it revolts against human suffering. Few there are who can witness pain, whether of mind or of body, without pity, and the desire to alleviate; but such is our infirmity of purpose, that a little suffices to turn us aside from assistance. Indolence, difficulties, and contrary interests come in the way of sympathy, and then we desire to excuse our apathy to ourselves. It is a comfortable doctrine to suppose that the evil is made up by some mysterious allotment of good; it is an excuse for non-interference, and we let conscience sleep over our own enjoyments, taking it for granted others have them also — though how we know not.”

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Letitia Elizabeth Landon

Literary Remains

“That day the youth was told the tale,
How she had pined beneath the veil
And died, and then they show'd her grave—
He knew that cypress's green wave. —
That night, alone, he watched his bride —
The next they laid him by her side.”

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Letitia Elizabeth Landon

(18th September 1824) The Phantom Bride
The London Literary Gazette, 1824

“The path was new, and there was thrown
A sweet veil over pleasure's ray;
But ignorance is happiness,
When young Hope is to show the way;”

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Letitia Elizabeth Landon

(12th January 1822) Ten Years Ago.
The London Literary Gazette, 1821-1822

“To use the established phrase, three months of uninterrupted happiness glided away—a phrase, though in frequent use, whose accuracy I greatly doubt; there being no such thing as uninterrupted happiness any how or any where.”

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Letitia Elizabeth Landon

Heath's book of Beauty, 1833 (1832)

“Nothing discourages a child so much as the impossibility of pleasing.”

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Letitia Elizabeth Landon

Traits and Trials of Early Life (1836)

“The same, yet not the same — her face
Has still that Grecian line;
The sculptured perfectness whose grace
Has long been held divine.”

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Letitia Elizabeth Landon

The Amulet, 1831 (1830), The Legacy
Other Gift Books

“To make our story shorter than the miniature groom's, he learnt that his own property in himself was in danger; and that, if the patriot’s definition of liberty be true —"it is like the air we breathe, without it we die"—his life was near its termination. A writ was issued against him; and, thanks to a douceur to his valet, two professional gentlemen, as he left his toilet, would deprive his friends at the Clarendon of his company.”

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Letitia Elizabeth Landon

Heath's book of Beauty, 1833 (1832)

“To love, to be beloved again, and know
A gulf between us:—aye, 'tis misery!
This agony of passion, this wild faith,
Whose constancy is fruitless, yet is kept
Inviolate:—to feel that all life's hope,
And light, and treasure, clings to one from whom
Our wayward doom divides us. Better far
To weep o'er treachery or broken vows,—
For time may teach their worthlessness:—or pine
With unrequited love;—there is a pride
In the fond sacrifice—the cheek may lose
Its summer crimson; but at least the rose
Has withered secretly—at least, the heart
That has been victim to its tenderness,
Has sighed unechoed by some one as true,
As wretched as itself.”

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Letitia Elizabeth Landon

The Lover’s Rock from The London Literary Gazette (5th October 1822) Poetical Sketches. 3rd series - Sketch the Fifth
The Vow of the Peacock (1835)

“Sweet Pauline, could I buy thee
With gold or its worth,
I would not deny thee
The wealth of the earth.
They talk of the pleasure
That riches bestow —
Without thee, my treasure,
What joy could I know?”

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Letitia Elizabeth Landon

The London Literary Gazette (10th January 1835) Versions from the German (Second Series.) 'Pauline's Price'— Goethe.
Translations, From the German

“Thou blessed season of our spring,
When hopes are angels on the wing;
Bound upwards to their heavenly shore,
Alas! to visit earth no more.”

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Letitia Elizabeth Landon

Poetical Portrait II
The Venetian Bracelet (1829)

“But not like this is Nature's face,
Though even she must bear the trace
Of the great curse that clings to all;
Her leaves, her flowers, must spring to fall :”

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Letitia Elizabeth Landon

The Golden Violet - title poem - introduction
The Golden Violet (1827)

“Always accustomed to wealth, she did not understand its value; we must want money to really know its worth, and money seemed to her the vilest consideration that could have influence.”

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Letitia Elizabeth Landon

The Monthly Magazine

“Egmont:
The Egmont of yon city — he is proud,
And cold, and stern, and sorrowful. He keeps
His counsel to himself. He wears a brow
That is a smiling shadow to his heart :
Perplexed with seeming mirth, that shroudeth care.
Exalted by a giddy populace,
That know not what they laud, or what they seek.
Moving 'mid those who understand him not;
Whom he has naught in common with : and worn
By furious guarding 'gainst familiar friends
Who seem, yet are not. Watched, suspected, feared;
Wearied with labour, which hath neither end
Nor yet reward; but only distant hope.
Such is the Egmont of the field and state.
But thine beloved : he is happy, frank,
Open, and known to that most dear of hearts —
Which he knows, too, and trusts it as his own.
Calm, deeply joyful; such is Egmont now.”

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Letitia Elizabeth Landon

The London Literary Gazette (28th February 1835)
Translations, From the German

“There was a grave just closed. Not one seemed near,
To pay the tribute of one long—last tear!
How very desolate must that one be,
Whose more than grave has not a memory!”

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Letitia Elizabeth Landon

Rosalie.
The Improvisatrice (1824)

“And there the lovely Lily grew,
The summer's purest flower,
And many a tiny fairy knew
The shelter of its bower”

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Letitia Elizabeth Landon

(7th June 1834) The History of the Lily
(25th October 1834) The Exile. See under Translations from the French
(1835) For Versions from the German, see under Translations from the German
The London Literary Gazette, 1833-1835

“Where had thy life been at this hour,
Had not my Love been more than my Power? —
Away, if thou fearest, — love never must,
Never can live with one shade of distrust.”

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Letitia Elizabeth Landon

(1825-2) Antony and Cleopatra. An Anecdote from Plutarch
The Monthly Magazine

“There is a steep and lofty wall,
Where my warders trembling stand,
He who at speed shall ride round its height,
For him shall be my hand.”

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Letitia Elizabeth Landon

Canto IV
The Troubadour (1825)

“It was a beautiful embodied thought,
A dream of the fine painter, one of those
That pass by moonlight o'er the soul, and flit
'Mid the dim shades of twilight, when the eye
Grows tearful with its ecstasy.”

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Letitia Elizabeth Landon

(1st June 1822) Poetic Sketches. Second Series - Sketch the Fifth. Mr. Martin’s Picture of Clytie
8th June 1822) The Deserter see The Improvisatrice (1824
The London Literary Gazette, 1821-1822