Frasi di Madeleine L'Engle

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Madeleine L'Engle

Data di nascita: 29. Novembre 1918
Data di morte: 6. Settembre 2007
Altri nomi: مادلین لانقل

Madeleine L'Engle è stata una scrittrice statunitense.

È conosciuta per i suoi libri per bambini, in particolare per Nelle pieghe del tempo e per i suoi sequel : A Wind in the Door , A Swiftly Tilting Planet, Many Waters e An Acceptable Time. Le sue opere riflettono la sua fede cristiana e il suo forte interesse per la scienza moderna: il tesseratto, per esempio, è trattato in Nelle pieghe del tempo, il DNA mitocondriale in A Wind in the Door, la rigenerazione degli organi in Arm of the Starfish, e così via. Wikipedia

Frasi Madeleine L'Engle

„Alike and Equal are not the same.“

—  Madeleine L'Engle, libro A Wrinkle in Time

A Wrinkle in Time (1962)

„The problem is not that it's too difficult for children, but that it's too difficult for grown ups. Much of the world view of Einstein's thinking wasn't being taught when the grown ups were in school, but the children were comfortably familiar with it.“

—  Madeleine L'Engle

Acceptance Speech for the Margaret Edwards Award (1998)
Contesto: I've always believed that there is no subject that is taboo for the writer. It is how it is written that makes a book acceptable, as a work of art, or unacceptable and pornographic. There are many books circulating today, for the teen-ager as well as the grown up, which would not have been printed in the fifties. It is still amazing to me that A Wrinkle In Time was considered too difficult for children. My children were seven, ten, and twelve while I was writing it, and they understood it. The problem is not that it's too difficult for children, but that it's too difficult for grown ups. Much of the world view of Einstein's thinking wasn't being taught when the grown ups were in school, but the children were comfortably familiar with it.

„A self is not something static, tied up in a pretty parcel and handed to the child, finished and complete. A self is always becoming.“

—  Madeleine L'Engle

Section 1.10 <!-- p. 32 -->
Origine: The Crosswicks Journal, A Circle of Quiet (1972)
Contesto: We do have to use our minds as far as they will take us, yet acknowledging that they cannot take us all the way.
We can give a child a self-image. But is this a good idea? Hitler did a devastating job at that kind of thing. So does Chairman Mao. … I haven't defined a self, nor do I want to. A self is not something static, tied up in a pretty parcel and handed to the child, finished and complete. A self is always becoming.

„Believing takes practice.“

—  Madeleine L'Engle

Origine: A Wrinkle in Time: With Related Readings

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„Often the only way to look clearly at this extraordinary universe is through fantasy, fairy tale, myth.“

—  Madeleine L'Engle

Acceptance Speech for the Margaret Edwards Award (1998)
Contesto: Wrinkle, when it was finally published in 1962, after two years of rejections, broke several current taboos. The protagonist was female, and one of the unwritten rules of science fiction was that the protagonist should be male. I'm a female. Why would I give all the best ideas to a male?
Another assumption was that science and fantasy don't mix. Why not? We live in a fantastic universe, and subatomic particles and quantum mechanics are even more fantastic than the macrocosm. Often the only way to look clearly at this extraordinary universe is through fantasy, fairy tale, myth. During the fifties Erich Fromm published a book called The Forgotten Language, in which he said that the only universal language which breaks across barriers of race, culture, time, is the language of fairy tale, fantasy, myth, parable, and that is why the same stories have been around in one form or another for hundreds of years.
Someone said, "It's all been done before."
Yes, I agreed, but we all have to say it in our own voice.

„I endeavor
To hold the I as one only for the cloud
Of which I am a fragment, yet to which I'm vowed
To be responsible.“

—  Madeleine L'Engle

"Instruments" in The Weather of the Heart (1978)
Contesto: I endeavor
To hold the I as one only for the cloud
Of which I am a fragment, yet to which I'm vowed
To be responsible. Its light against my face
Reveals the witness of the stars, each in its place
Singing, each compassed by the rest,
The many joined to one, the mightiest to the least.
It is so great a thing to be an infinitesimal part
of this immeasurable orchestra the music bursts the heart,
And from this tiny plosion all the fragments join:
Joy orders the disunity until the song is one.

„I wish that we worried more about asking the right questions instead of being so hung up on finding answers.“

—  Madeleine L'Engle

Section 4.8 <!-- p. 208 -->
The Crosswicks Journal, A Circle of Quiet (1972)
Contesto: I wish that we worried more about asking the right questions instead of being so hung up on finding answers. I don't need to know the difference between a children's book and an adult one; it's the questions that have come from thinking about it that are important. I wish we'd stop finding answers for everything. One of the reasons my generation has mucked up the world to such an extent is our loss of the sense of the mysterious.

„In kairos that part of us which is not consumed in the burning is wholly awake.“

—  Madeleine L'Engle

Section 4.21 <!-- p. 244 - 245 -->
The Crosswicks Journal, A Circle of Quiet (1972)
Contesto: Chronology, the time which changes things, makes them grow older, wears them out, and manages to dispose of them, chronologically, forever.
Thank God there is kairos too: again the Greeks were wiser than we are. They had two words for time: chronos and kairos.
Kairos is not measurable. Kairos is ontological. In kairos we are, we are fully in isness, not negatively, as Sartre saw the isness of the oak tree, but fully, wholly, positively. Kairos can sometimes enter, penetrate, break through chronos: the child at play, the painter at his easel, Serkin playing the Appassionata are in kairos. The saint in prayer, friends around the dinner table, the mother reaching out her arms for her newborn baby are in kairos. The bush, the burning bush, is in kairos, not any burning bush, but the particular burning bush before which Moses removed his shoes; the bush I pass by on my way to the brook. In kairos that part of us which is not consumed in the burning is wholly awake.

„After the glory which could be seen with human eyes, he began to see the glory which is beyond and after light.
The shadows are deepening all around us. Now is the time when we must begin to see our world and ourselves in a different way.“

—  Madeleine L'Engle

Section 4.22 <!-- p. 246 -->
The Crosswicks Journal, A Circle of Quiet (1972)
Contesto: Gregory of Nyssa points out that Moses's vision of God began with the light, with the visible burning bush, the bush which was bright with fire and was not consumed; but afterwards, God spoke to him in a cloud. After the glory which could be seen with human eyes, he began to see the glory which is beyond and after light.
The shadows are deepening all around us. Now is the time when we must begin to see our world and ourselves in a different way.

„The changes are not going to stop. They are going to continue and accelerate. Like it or not.“

—  Madeleine L'Engle

Acceptance Speech for the Margaret Edwards Award (1998)
Contesto: I don't want to dump on TV, but there's no doubt that our language has been changed by television, especially by the media, which tries to manipulate us into being consumers. Most of the time nowadays we human beings are referred to as consumers. What does the consumer think? What does the consumer want? How ugly. Forest fires consume. Cancer consumes. I want us to be nourishers. To be a librarian, particularly a librarian for young adults, is to be a nourisher, to share stories, offer books full of new ideas. We live in a world which has changed radically in the last half century, and story helps us to understand and live creatively with change.
The changes are not going to stop. They are going to continue and accelerate. Like it or not.

„I'm a female. Why would I give all the best ideas to a male?“

—  Madeleine L'Engle

Acceptance Speech for the Margaret Edwards Award (1998)
Contesto: Wrinkle, when it was finally published in 1962, after two years of rejections, broke several current taboos. The protagonist was female, and one of the unwritten rules of science fiction was that the protagonist should be male. I'm a female. Why would I give all the best ideas to a male?
Another assumption was that science and fantasy don't mix. Why not? We live in a fantastic universe, and subatomic particles and quantum mechanics are even more fantastic than the macrocosm. Often the only way to look clearly at this extraordinary universe is through fantasy, fairy tale, myth. During the fifties Erich Fromm published a book called The Forgotten Language, in which he said that the only universal language which breaks across barriers of race, culture, time, is the language of fairy tale, fantasy, myth, parable, and that is why the same stories have been around in one form or another for hundreds of years.
Someone said, "It's all been done before."
Yes, I agreed, but we all have to say it in our own voice.

„What a child doesn’t realize until he is grown is that in responding to fantasy, fairly tale, and myth he is responding to what Erich Fromm calls the one universal language, the one and only language in the world that cuts across all barriers of time, place, race, and culture.“

—  Madeleine L'Engle

The Expanding Universe (1963)
Contesto: What a child doesn’t realize until he is grown is that in responding to fantasy, fairly tale, and myth he is responding to what Erich Fromm calls the one universal language, the one and only language in the world that cuts across all barriers of time, place, race, and culture. Many … books are from this realm… books on Hindu myth, Chinese folklore, the life of Buddha, tales of American Indians, books that lead our children beyond all boundaries and into the one language of all mankind.
In the beginning God created the heaven and the earth... The extraordinary, the marvelous thing about Genesis is not how unscientific it is, but how amazingly accurate it is. How could the ancient Israelites have known the exact order of an evolution that wasn’t to be formulated for thousands of years? Here is a truth that cuts across barriers of time and space.

„Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Etiam egestas wisi a erat. Morbi imperdiet, mauris ac auctor dictum.“

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