Frasi di Madeleine L'Engle

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Madeleine L'Engle

Data di nascita: 29. Novembre 1918
Data di morte: 6. Settembre 2007
Altri nomi: مادلین لانقل

Madeleine L'Engle è stata una scrittrice statunitense.

È conosciuta per i suoi libri per bambini, in particolare per Nelle pieghe del tempo e per i suoi sequel : A Wind in the Door , A Swiftly Tilting Planet, Many Waters e An Acceptable Time. Le sue opere riflettono la sua fede cristiana e il suo forte interesse per la scienza moderna: il tesseratto, per esempio, è trattato in Nelle pieghe del tempo, il DNA mitocondriale in A Wind in the Door, la rigenerazione degli organi in Arm of the Starfish, e così via.

Frasi Madeleine L'Engle

„Alike and Equal are not the same.“

—  Madeleine L'Engle, libro A Wrinkle in Time

A Wrinkle in Time (1962)

„The problem is not that it's too difficult for children, but that it's too difficult for grown ups. Much of the world view of Einstein's thinking wasn't being taught when the grown ups were in school, but the children were comfortably familiar with it.“

—  Madeleine L'Engle

Acceptance Speech for the Margaret Edwards Award (1998)
Contesto: I've always believed that there is no subject that is taboo for the writer. It is how it is written that makes a book acceptable, as a work of art, or unacceptable and pornographic. There are many books circulating today, for the teen-ager as well as the grown up, which would not have been printed in the fifties. It is still amazing to me that A Wrinkle In Time was considered too difficult for children. My children were seven, ten, and twelve while I was writing it, and they understood it. The problem is not that it's too difficult for children, but that it's too difficult for grown ups. Much of the world view of Einstein's thinking wasn't being taught when the grown ups were in school, but the children were comfortably familiar with it.

„A self is not something static, tied up in a pretty parcel and handed to the child, finished and complete. A self is always becoming.“

—  Madeleine L'Engle

Section 1.10 <!-- p. 32 -->
Origine: The Crosswicks Journal, A Circle of Quiet (1972)
Contesto: We do have to use our minds as far as they will take us, yet acknowledging that they cannot take us all the way.
We can give a child a self-image. But is this a good idea? Hitler did a devastating job at that kind of thing. So does Chairman Mao. … I haven't defined a self, nor do I want to. A self is not something static, tied up in a pretty parcel and handed to the child, finished and complete. A self is always becoming.

„Believing takes practice.“

—  Madeleine L'Engle

Origine: A Wrinkle in Time: With Related Readings

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„I wish that we worried more about asking the right questions instead of being so hung up on finding answers.“

—  Madeleine L'Engle

Section 4.8 <!-- p. 208 -->
The Crosswicks Journal, A Circle of Quiet (1972)
Contesto: I wish that we worried more about asking the right questions instead of being so hung up on finding answers. I don't need to know the difference between a children's book and an adult one; it's the questions that have come from thinking about it that are important. I wish we'd stop finding answers for everything. One of the reasons my generation has mucked up the world to such an extent is our loss of the sense of the mysterious.

„In kairos that part of us which is not consumed in the burning is wholly awake.“

—  Madeleine L'Engle

Section 4.21 <!-- p. 244 - 245 -->
The Crosswicks Journal, A Circle of Quiet (1972)
Contesto: Chronology, the time which changes things, makes them grow older, wears them out, and manages to dispose of them, chronologically, forever.
Thank God there is kairos too: again the Greeks were wiser than we are. They had two words for time: chronos and kairos.
Kairos is not measurable. Kairos is ontological. In kairos we are, we are fully in isness, not negatively, as Sartre saw the isness of the oak tree, but fully, wholly, positively. Kairos can sometimes enter, penetrate, break through chronos: the child at play, the painter at his easel, Serkin playing the Appassionata are in kairos. The saint in prayer, friends around the dinner table, the mother reaching out her arms for her newborn baby are in kairos. The bush, the burning bush, is in kairos, not any burning bush, but the particular burning bush before which Moses removed his shoes; the bush I pass by on my way to the brook. In kairos that part of us which is not consumed in the burning is wholly awake.

„I endeavor
To hold the I as one only for the cloud
Of which I am a fragment, yet to which I'm vowed
To be responsible.“

—  Madeleine L'Engle

"Instruments" in The Weather of the Heart (1978)
Contesto: I endeavor
To hold the I as one only for the cloud
Of which I am a fragment, yet to which I'm vowed
To be responsible. Its light against my face
Reveals the witness of the stars, each in its place
Singing, each compassed by the rest,
The many joined to one, the mightiest to the least.
It is so great a thing to be an infinitesimal part
of this immeasurable orchestra the music bursts the heart,
And from this tiny plosion all the fragments join:
Joy orders the disunity until the song is one.

„Kairos can sometimes enter, penetrate, break through chronos: the child at play, the painter at his easel, Serkin playing the Appassionata are in kairos. The saint in prayer, friends around the dinner table, the mother reaching out her arms for her newborn baby are in kairos.“

—  Madeleine L'Engle

Section 4.21 <!-- p. 244 - 245 -->
The Crosswicks Journal, A Circle of Quiet (1972)
Contesto: Chronology, the time which changes things, makes them grow older, wears them out, and manages to dispose of them, chronologically, forever.
Thank God there is kairos too: again the Greeks were wiser than we are. They had two words for time: chronos and kairos.
Kairos is not measurable. Kairos is ontological. In kairos we are, we are fully in isness, not negatively, as Sartre saw the isness of the oak tree, but fully, wholly, positively. Kairos can sometimes enter, penetrate, break through chronos: the child at play, the painter at his easel, Serkin playing the Appassionata are in kairos. The saint in prayer, friends around the dinner table, the mother reaching out her arms for her newborn baby are in kairos. The bush, the burning bush, is in kairos, not any burning bush, but the particular burning bush before which Moses removed his shoes; the bush I pass by on my way to the brook. In kairos that part of us which is not consumed in the burning is wholly awake.

„The best I can ask for is that this love, which has been built on countless failures, will continue to grow. I can say no more than that this is mystery, and gift, and that somehow or other, through grace, our failures can be redeemed and blessed.“

—  Madeleine L'Engle

The Crosswicks Journal, The Irrational Season (1977)
Contesto: No long-term marriage is made easily, and there have been times when I've been so angry or so hurt that I thought my love would never recover. And then, in the midst of near despair, something has happened beneath the surface. A bright little flashing fish of hope has flicked silver fins and the water is bright and suddenly I am returned to a state of love again — till next time. I've learned that there will always be a next time, and that I will submerge in darkness and misery, but that I won't stay submerged. And each time something has been learned under the waters; something has been gained; and a new kind of love has grown. The best I can ask for is that this love, which has been built on countless failures, will continue to grow. I can say no more than that this is mystery, and gift, and that somehow or other, through grace, our failures can be redeemed and blessed.

„Sometimes I answer that if I have something I want to say that is too difficult for adults to swallow, then I will write it in a book for children. This is usually good for a slightly startled laugh, but it's perfectly true.“

—  Madeleine L'Engle

Section 4.4 <!-- p. 198 - 199-->
The Crosswicks Journal, A Circle of Quiet (1972)
Contesto: "Why do you write for children?" My immediate response to this question is, "I don't."... If it's not good enough for adults, it's not good enough for children. If a book that is going to be marketed for children does not interest me, a grownup, then I am dishonoring the children for whom the book is intended, and I am dishonoring books. And words.
Sometimes I answer that if I have something I want to say that is too difficult for adults to swallow, then I will write it in a book for children. This is usually good for a slightly startled laugh, but it's perfectly true. Children still haven't closed themselves off with fear of the unknown, fear of revolution, or the scramble for security. They are still familiar with the inborn vocabulary of myth. It was adults who thought that children would be afraid of the Dark Thing in Wrinkle, not children, who understand the need to see thingness, non-ness, and to fight it.

„We do have to use our minds as far as they will take us, yet acknowledging that they cannot take us all the way.“

—  Madeleine L'Engle

Section 1.10 <!-- p. 32 -->
The Crosswicks Journal, A Circle of Quiet (1972)
Contesto: We do have to use our minds as far as they will take us, yet acknowledging that they cannot take us all the way.
We can give a child a self-image. But is this a good idea? Hitler did a devastating job at that kind of thing. So does Chairman Mao. … I haven't defined a self, nor do I want to. A self is not something static, tied up in a pretty parcel and handed to the child, finished and complete. A self is always becoming.

„I have advice for people who want to write.“

—  Madeleine L'Engle

Penguins and Golden Calves (2003)
Contesto: I have advice for people who want to write. I don't care whether they're 5 or 500. There are three things that are important: First, if you want to write, you need to keep an honest, unpublishable journal that nobody reads, nobody but you. Where you just put down what you think about life, what you think about things, what you think is fair and what you think is unfair. And second, you need to read. You can't be a writer if you're not a reader. It's the great writers who teach us how to write. The third thing is to write. Just write a little bit every day. Even if it's for only half an hour — write, write, write.

„Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Etiam egestas wisi a erat. Morbi imperdiet, mauris ac auctor dictum.“

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