Frasi di Tiziano

 Tiziano foto
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Tiziano

Data di nascita: 1477
Data di morte: 6. Settembre 1576

Pubblicità

Tiziano Vecellio è stato un pittore italiano, cittadino della Repubblica di Venezia.

Artista innovatore e poliedrico, maestro con Giorgione del colore tonale, Tiziano Vecellio fu uno dei pochi pittori italiani titolari di una vera e propria azienda, accorto imprenditore della bottega oltre che della sua personale produzione, direttamente a contatto con i potenti dell'epoca, suoi maggiori committenti. Il rinnovamento della pittura di cui fu autore si basò, in alternativa al michelangiolesco «primato del disegno», sull'uso personalissimo del colore.

Tiziano usò la forza espressiva del colore materico e poi, entrando nella piena maturità, abbandonò la spazialità bilanciata, il carattere solare e fastoso del colore del Rinascimento, assumendo il dinamismo proprio del manierismo e giocando con libertà nelle variazioni cromatiche in cui il colore era reso "più duttile, più sensibile agli effetti della luce".

Frasi Tiziano

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„[I] purposely avoided the styles of Raphael and Michaelangelo because I was ambitious of higher distinction than that of a clever imitator.“

—  Titian
Titian's remark to Francesco Vargas, the Spanish envoy, c. 1545; in Vicus, De studiorum ratione, u. s. p. 109; as quoted by J.A.Y. Crowe & G.B. Cavalcaselle in Titian his life and times - With some account..., publisher John Murray, London, 1877, p. 115

„He who improvises can never make a perfect line of poetry.“

—  Titian
As quoted in A Dictionary of Art and Artists (1959) by Peter Murray and Linda Murray, p. 321.

„Not every painter has a gift for painting, in fact, many painters are disappointed when they meet with difficulties in art. Painting done under pressure by artists without the necessary talent can only give rise to formlessness, as painting is a profession that requires peace of mind. The painter must always seek the essence of things, always represent the essential characteristics and emotions of the person he is painting..“

—  Titian
As quoted in The Quotable Artist (2002) by Peggy Hadden, p. 71. Variant: They who are compelled to paint by force, without being in the necessary mood, can produce only ungainly works, because this profession requires an unruffled temper. As quoted in The Quotable Artist (2002) by Peggy Hadden, p. 72.

„Most serene and Powerful King [Ferdinand], most Clement Lord,... The portraits of the serene daughters of your Majesty will be done in two days, and I shall take them to Venice, whence – having finished them with all diligence – I shall send them quickly to your Majesty. As soon as your Majesty has seen them, I am convinced I shall receive much greater favours than those which have been previously done me, and so I recommend myself humbly to your Majesty. – Your Majesty's faithful servant, Titiano.“

—  Titian
In a letter to King Ferdinand, from Innsbruck, 20th Oct 1548; original in the 'Appendix' in Titian: his life and times - With some account of his family... Vol. 2., J. A. Crowe & G.B. Cavalcaselle, Publisher London, John Murray, 1877, p. 189 The king's daughters were nine and five years old, and a young baby in long clothes; the preparatory work of the paintings was probably done by Cesare Vecelli. Titian's share in these portraits was very slight; he added only a very little to the heads

„Illustrious Lord, hearing that your Excellency has gone to the court of his Imperial Majesty [Charles V], I abstain from coming to Mantua, sighing at my bad fortune in not having left Bologna soon enough to meet your Grace. At Venice I shall prepare the copy of the portrait of his Majesty, which I take home with me at your Excellency's bidding.“

—  Titian
In a letter to the Duke of Mantua, from Bologna, 10 March 1533; as quoted by J.A.Y. Crowe & G.B. Cavalcaselle in Titian his life and times - With some account..., publisher John Murray, London, 1877, p. 370 The portrait which Titian took home and repeated a second time he doubtless sent to Charles V. The replica was not sent to Mantua till after 1536, but there it appears to have remained. Another example besides that of the Madrid Museum came into the hands of Charles the First of England.

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„It is not bright colors but good drawing that makes figures beautiful.“

—  Titian
As quoted in The Quotable Artist (2002) by Peggy Hadden, p. 32.

„I have been expecting the bull of the benefice of Medole which your Excellency gave me for my son Pomponio last year, and seeing that the matter is delayed beyond measure, and what is worse, that I have not received the income of the benefice — I find myself in a state of great discontent. It would be greatly to my dishonour and infamy, if my boy should be forced to change the priest's dress, which he wears with so much pleasure, after all Venice has been made acquainted with the gift made to him of this benefice by your Excellency.“

—  Titian
In a letter of Titian to the Marquess Gonzaga of Mantua, from Venice, 12 July, 1531; published by Pungileoni in the 'Giornale Arcadico' in 1831 and reprinted in Cadorin, 'Dello Amore', p. 37; transl. J.A.Y. Crowe & G.B. Cavalcaselle The gift made it possible that his son Pomponio could start a career in the catholic church. A fortnight later Titian's note has become humble and thankful, for the Duke has written him, to say that the benefice and its income are his

Pubblicità

„I, Titian of Cadore, having studied painting from childhood upwards, and desirous of fame rather than profit, wish to serve the Doge and Signori, rather than his Highness the Pope and other Signori, who in past days, and even now, have urgently asked to employ me: I am therefore anxious, if it should appear feasible, to paint in the Hall of Council, beginning, if it please their sublimity, with the canvas of 'The Battle' on the side towards the Piazza, which is so difficult that no one as yet has had courage to attempt it...“

—  Titian
Quote from a petition presented by Titian, and read on the 31st of May, 1513, before the Council of ten of Venice; as quoted by J.A.Y. Crowe & G.B. Cavalcaselle in Titian his life and times - With some account..., publisher John Murray, London, 1877, p. 153-154 The chiefs of the Council on the day in question accepted Titian's offer. Sharp monitions reminded him in 1518, 1522 and 1537 that he should complete 'The Battle', he did not until 1539

„.. I also send the picture of the 'Trinity' [also called La Gloria].... in my wish to satisfy your C. M. [Caesarean Majesty] I have not spared myself the pains of striking out two or three times the work of many days to bring it to perfection and satisfy myself, whereby more time was wasted than I usually take to do such things.... the portrait of Signor Vargas [agent of Charles V, who was paying Titian for his works] introduced into the work [very probably in the 'La Gloria' / 'Trinity'] was done at his request. If it should not please your C. M. any painter can, with a couple of [brush] strokes, convert it into another person.“

—  Titian
In a letter from Venice to the Spanish emperor Charles V in Bruxelles, 10 Sept. 1554; original in the 'Appendix' of Titian: his life and times - With some account of his family... Vol. 2., J. A. Crowe & G.B. Cavalcaselle, Publisher London, John Murray, 1877, p. 231-232 Titian is announcing in his letter the completion and the delivery of the paintings 'Trinity' and 'Addolorata' and probably a third painting 'Christ appearing to the Magdalen', for Mary of Hungary

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