Frasi di Wyndham Lewis

Percy Wyndham Lewis è stato un pittore e scrittore britannico.

Nato in Canada e cofondatore del movimento vorticista, viene ricordato per i suoi dipinti a soggetto bellico e per il suo stile feroce e disumanizzante.



Wikipedia  

✵ 18. Novembre 1882 – 7. Marzo 1957
Wyndham Lewis photo
Wyndham Lewis: 15   frasi 0   Mi piace

Wyndham Lewis: Frasi in inglese

“Certainly Mr Eliot in the twenties was responsible for a great vogue for verse-satire.”

Notes to Kenneth Allott, as quoted in Contemporary Verse (1948) edited by Kenneth Allott<!-- Penguin, London -->
Contesto: Certainly Mr Eliot in the twenties was responsible for a great vogue for verse-satire. An ideal formula of ironic, gently "satiric", self-expression was provided by that master for the undergraduate underworld, tired and thirsty for poetic fame in a small way. The results of Mr Eliot are not Mr Eliot himself: but satire with him has been the painted smile of the clown. Habits of expression ensuing from mannerism are, as a fact, remote from the central function of satire. In its essence the purpose of satire — whether verse or prose — is aggression. (When whimsical, sentimental, or "poetic" it is a sort of bastard humour.) Satire has a great big glaring target. If successful, it blasts a great big hole in the center. Directness there must be and singleness of aim: it is all aim, all trajectory.

“Satire has a great big glaring target. If successful, it blasts a great big hole in the center. Directness there must be and singleness of aim: it is all aim, all trajectory.”

Notes to Kenneth Allott, as quoted in Contemporary Verse (1948) edited by Kenneth Allott<!-- Penguin, London -->
Contesto: Certainly Mr Eliot in the twenties was responsible for a great vogue for verse-satire. An ideal formula of ironic, gently "satiric", self-expression was provided by that master for the undergraduate underworld, tired and thirsty for poetic fame in a small way. The results of Mr Eliot are not Mr Eliot himself: but satire with him has been the painted smile of the clown. Habits of expression ensuing from mannerism are, as a fact, remote from the central function of satire. In its essence the purpose of satire — whether verse or prose — is aggression. (When whimsical, sentimental, or "poetic" it is a sort of bastard humour.) Satire has a great big glaring target. If successful, it blasts a great big hole in the center. Directness there must be and singleness of aim: it is all aim, all trajectory.

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