Frasi di Djuna Barnes

Djuna Barnes è stata una scrittrice statunitense.

Giocò un importante ruolo nello sviluppo del linguaggio modernista inglese del XX secolo e fu una delle figure chiave negli anni venti e trenta dell'ambiente bohèmienne parigino dopo esserlo stato nel primo decennio del secolo al Greenwich Village.

Il suo romanzo Nightwood è diventato un cult nella produzione letteraria moderna, grazie anche all'introduzione scritta da T.S. Eliot. Il romanzo è tutt'oggi conosciuto per la presenza di temi lesbici e il suo distintivo stile letterario. Sin dalla morte della Barnes, l'interesse per i suoi lavori è cresciuto e molti dei suoi libri sono in ristampa.

La prima antologia poetica della Barnes , che raccoglie i testi dell'autrice comparsi in giornali e riviste nonché diversi inediti, si deve alla cura di Maura Del Serra che anticipa la raccolta completa in inglese e offre al lettore un'introduzione puntuale al volume con cronologia e bibliografia essenziale.

✵ 12. Giugno 1892 – 18. Giugno 1982
Djuna Barnes photo

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Djuna Barnes frasi celebri

Questa traduzione è in attesa di revisione. È corretto?
Questa traduzione è in attesa di revisione. È corretto?

Djuna Barnes: Frasi in inglese

“What is a ruin but time easing itself of endurance? Corruption is the Age of Time.”

Djuna Barnes libro Nightwood

Origine: Nightwood (1936), Ch. 6 : Where the Tree Falls
Contesto: In the acceptance of depravity the sense of the past is most truly captured. What is a ruin but time easing itself of endurance? Corruption is the Age of Time.

“And friends and relatives disperse,
And are not stirred.”

From Third Avenue On
The Book of Repulsive Women (1915)
Contesto: Somewhere beneath her hurried curse,
A corpse lies bounding in a hearse;
And friends and relatives disperse,
And are not stirred.

“This life I write and draw and portray is life as it is, and therefore you call it morbid.”

When asked why she is "so dreadfully morbid", in an interview with Guido Bruno (December 1919) http://www.case.edu/artsci/engl/VSALM/mod/brandelmcdaniel/index/interviews.htm
Contesto: Morbid? You make me laugh. This life I write and draw and portray is life as it is, and therefore you call it morbid. Look at my life. Look at the life around me. Where is this beauty that I am supposed to miss? The nice episodes that others depict? Is not everything morbid? I mean the life of people stripped of their masks. Where are the relieving features? Often I sit down to work at my drawing board, at my typewriter. All of a sudden my joy is gone. I feel tired of it all because, I think, "What's the use?" Today we are, tomorrow dead. We are born and don't know why. We live and suffer and strive, envious or envied. We love, we hate, we work, we admire, we despise. … Why? And we die, and no one will ever know that we have been born.

“It is the thing you are found doing while the horde looks on that you shall be loved for — or ignored.”

What Do You See, Madam? (1932)
Contesto: If Helen of Troy could have been seen eating peppermints out of a paper bag, it is highly probable that her admirers would have been an entirely different class.
It is the thing you are found doing while the horde looks on that you shall be loved for — or ignored.

“The jests that lit our hours by night
And made them gay,
Soiled a sweet and ignorant soul
And fouled its play.”

To a Cabaret Dancer
The Book of Repulsive Women (1915)
Contesto: p>We watched her come with subtle fire
And learned feet,
Stumbling among the lustful drunk
Yet somehow sweet. We saw the crimson leave her cheeks
Flame in her eyes;
For when a woman lives in awful haste
A woman dies. The jests that lit our hours by night
And made them gay,
Soiled a sweet and ignorant soul
And fouled its play.</p

“We are adhering to life now with our last muscle — the heart.”

Quoted in "The Way of Transition : Embracing Life's Most Difficult Moments" (2002) by William Bridges, p. 204

“To think is to be sick…”

Djuna Barnes libro Nightwood

Origine: Nightwood

“New York is the meeting place of the peoples, the only city where you can hardly find a typical American.”

Greenwich Village as It Is, in Pearson’s Magazine (October 1916)

“I’m a fart in a gale of wind, a humble violet, under a cow pat.”

Djuna Barnes libro Nightwood

Origine: Nightwood (1936), Ch. 5 : Watchman, What of the Night?

“One's life is peculiar to one's own when one has invented it.”

Djuna Barnes libro Nightwood

Origine: Nightwood (1936), Ch. 6 : Where the Tree Falls

“Destiny and history are untidy.”

Djuna Barnes libro Nightwood

Origine: Nightwood (1936), Ch. 6 : Where the Tree Falls

“There is always more surface to a shattered object than a whole.”

In a letter to Emily Coleman, as quoted in The Book of Repulsive Women and Other Poems : Selected Poems (2003), edited by Rebecca Loncraine, p. xi

“Of course I think of the past and of Paris, what else is there to remember?”

In a 1960 letter to Natalie Barney, as quoted in Paris Was a Woman (1995) by Andrea Weiss, p. 173 http://www.case.edu/artsci/engl/VSALM/mod/brandelmcdaniel/index/library.htm

“Suffering for love is how I have learned practically everything I know, love of grandmother up and on.”

Letter to Emily Holmes Coleman (2 February 1934) http://www.case.edu/artsci/engl/VSALM/mod/brandelmcdaniel/index/library.htm

“The night is a skin pulled over the head of day that the day may be in torment.”

Djuna Barnes libro Nightwood

Origine: Nightwood (1936), Ch. 5 : Watchman, What of the Night?

“Well, isn’t Bohemia a place where everyone is as good as everyone else — and must not a waiter be a little less than a waiter to be a good Bohemian?”

Becoming Intimate with the Bohemians, New York Morning Telegraph Sunday Magazine (19 November 1916)

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