Frasi di Eugène Fromentin (9 frasi) | Citazioni e frasi celebri

Eugène Fromentin: 9 citazioni0 Mi piace

Eugène Fromentin: Frasi in inglese

“What we've lost - 'I said in more or less these terms' - is the proper interest in and taste for detail. We've been noting that for a long time yet the loss is irremediable. In the old days man was everything. A human face was worth a poem. When nature appeared behind a human being it was a kind of backdrop taking the place of the dark background of portrait painters or the gold of the Italian primitives… The day when a separation took place art was diminished. It was transformed the day that the 'subject' and the 'genre' destroyed great painting, denaturing even landscapes.”

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Eugène Fromentin

Quote of Fromentin, as cited by Sarah Anderson in Between Sea and Sahara: An Orientalist Adventure, 'Chapter IV', Eugène Fromentin, (1859); transl. Blake Robinson; publisher I.B. Tauris 2004, p. 4

“.. Africa: it's a magic word that lends itselfs to suppositions and sets amateur explorers to dreaming. I want to try to be 'at home' on this bit of foreign [Arab] soil.”

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Eugène Fromentin

as quoted by Sarah Anderson, in Between Sea and Sahara: An Orientalist Adventure, Eugène Fromentin, (1859) - in 'Preface'; transl. Blake Robinson; publisher I.B. Tauris 2004, p. 4

“.. that zone of consciousness through which all artists travel mentally, before ever approaching the easel.”

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Eugène Fromentin

Quote from Eugène Fromentin: a Life in art and Letters, ed. Barbara Wright; Peter Lang, Bern 2000, p. 276

“The art of painting is only the art of expressing the invisible by the visible. Whether its roads be great or small, they are sown with problems which it is permitted to sound for one's self as truth, but which it is well to leave in their darkness as mysteries.”

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Eugène Fromentin

Quote from The Old Masters of Belgium and Holland - Les Maitres d’Autrefois, 'Preface', Eugène Fromentin; ed. Mary Caroline Robbins, publisher: J. R. Osgood and company, Boston 1882, p. iv

“The things I haven't seen with my own eyes are for me unknown.”

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Eugène Fromentin

Quote of Fromentin, as cited by Sarah Anderson in Between Sea and Sahara: An Orientalist Adventure, Eugène Fromentin, (1859) - in 'Preface'; transl. Blake Robinson; publisher I.B. Tauris 2004, p. 21

“.. an entirely original painter [ Francois Millet ], high-minded and genuinely rustic in nature, who has expressed things about the country and its inhabitants, about their toil, their melancholy, and the nobleness of their labour. He has represented them in a somewhat barbaric fashion, in a manner to which his ideas gave a more expressive force than his hand possessed. The world has been grateful for his intentions; it has recognised in his methods something of the sensibility of a Burns who was a little awkward in expression.... He stands out as a deep thinker.”

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Eugène Fromentin

Quote from Maitres d'Autrefois; Belgique – Hollande, Eugène Fromentin; Librairie Plon-Nourrit et Cie, Paris, 1877; as quoted by Arthur Hoebert, in The Barbizon Painters – being the story of the Men of thirty – associate of the National Academy of Design; publishers, Frederick A. Stokes Company, New York 1915, p. 73-74

“What motive had a Dutch painter in painting a picture? None. And notice that he never asked for one. A peasant with a drunken red nose looks at you with his heavy eye and laughs with open mouth showing his teeth, raising a jug; if it is well painted, it has its value.”

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Eugène Fromentin

Quote from Les Maitres d'Autrefois / The Old Masters, 1876; 1948, p. 115; as cited in 'Dutch Painting of the Golden Age', http://www.open.edu/openlearn/history-the-arts/dutch-painting-the-golden-age/content-section-2 OpenLearn

“Interpreting the Orient through the arts would destroy it, the artistic exploitation might eventually prove as harmful as military or political adventurism.”

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Eugène Fromentin

Quote from Three Nineteenth-Century French Writer/Artists & the Maghreb; Günther Narr, Verlag Tübingen, 1994, p. 51

“.. the great Dutch school seemed to think of nothing but painting well [characterised by] the total absence of what today we call 'a subject.”

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Eugène Fromentin

Quote from Les Maitres d'Autrefois / The Old Masters, Eugène Fromentin; 1948, p. 108; as cited in 'Dutch Painting of the Golden Age', http://www.open.edu/openlearn/history-the-arts/dutch-painting-the-golden-age/content-section-2 OpenLearn