George Moore:
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George Moore Frasi e Citazioni
George Moore: Frasi in inglese
Origine: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 12.
Contesto: I will admit that an artist may be great and limited; by one word he may light up an abyss of soul; but there must be this one magical and unique word. Shakespeare gives us the word, Balzac, sometimes, after pages of vain striving, gives us the word, Tourgueneff gives it with miraculous certainty; but Henry James, no; a hundred times he flutters about it; his whole book is one long flutter near to the one magical and unique word, but the word is not spoken; and for want of the word his characters are never resolved out of the haze of nebulae. You are on a bowing acquaintance with them; they pass you in the street, they stop and speak to you, you know how they are dressed, you watch the colour of their eyes.
“The public will accept a masterpiece, but it will not accept an attempt to write a masterpiece.”
Vain Fortune http://www.gutenberg.org/files/11303/11303.txt, Chapter 1 (1891).
“Acting is therefore the lowest of the arts, if it is an art at all.”
Impressions and Opinions (1891): "Mummer-Worship".
“All reformers are bachelors.”
Act I http://books.google.com/books?id=HWs-AAAAYAAJ&q=%22All+reformers+are+bachelors%22&pg=PA14#v=onepage
The Bending of the Bough (1900)
Origine: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 16.
Origine: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 12.
Origine: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 1.
Origine: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 9.
“One must be in London to see the spring.”
Origine: Memoirs of My Dead Life http://www.gutenberg.org/dirs/etext05/8mmdl10.txt (1906), Ch. 1: Spring in London
Origine: Memoirs of My Dead Life http://www.gutenberg.org/dirs/etext05/8mmdl10.txt (1906), Ch. 12: Sunday Evening in London
“Ugliness is trivial, the monstrous is terrible.”
Origine: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 3.
“Humanity is a pigsty, where lions, hypocrites, and the obscene in spirit congregate.”
Origine: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 16.
Origine: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 1.
Apologia Pro Scriptis Meis.
Memoirs of My Dead Life http://www.gutenberg.org/dirs/etext05/8mmdl10.txt (1906)
“Faith goes out of the window when beauty comes in at the door.”
The Lake http://www.gutenberg.org/files/11304/11304-8.txt (1905) [Appleton, 2005, digitized edition], ch. IX (p. 169).
Hail and Farewell (1912), vol. 2: Salve, Kessinger Publishing, 2005, ISBN 1-417-93272-4, ch. XV (p. 36).
Origine: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 10.
“But if you want to be a painter you must go to France — France is the only school of Art.”
Origine: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 1.
Origine: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 7.
Origine: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 2.
“A man travels the world over in search of what he needs and returns home to find it.”
The Brook Kerith http://www.gutenberg.org/files/12821/12821-h/12821-h.htm, ch. 11 (1916).
“It does not matter how badly you paint so long as you don't paint badly like other people.”
Origine: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 6.
Origine: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 13.
Letter to Lady Emerald Cunard, quoted in The Everything Wedding Vows Book : Anything and Everything You Could Possibly Say at the Altar, and then Some. (2001) by Janet Anastasio and Michelle Bevilacqua, p. 97.
Apologia Pro Scriptis Meis.
Memoirs of My Dead Life http://www.gutenberg.org/dirs/etext05/8mmdl10.txt (1906)
“A great artist is always before his time or behind it.”
Origine: As quoted in Conversations with George Moore (1929) by Geraint Goodwin, p. 123
