„Siracusa è il luogo più singolare della terra. Qui non potrei che nascere o morire – vivere mai.“
da Lettere ad Arthur Gerber, Taccuino e lettere
Frasi di Otto Weininger
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Otto Weininger
Data di nascita: 3. Aprile 1880
Data di morte: 4. Ottobre 1903
Otto Weininger è stato un filosofo austriaco.
Nel 1903 pubblicò Geschlecht und Charakter che divenne popolare dopo il suicidio di Weininger all'età di 23 anni. Tuttavia, continuò a essere apprezzato come lavoro geniale da molti altri, tra cui il filosofo Ludwig Wittgenstein.
Frasi Otto Weininger
„Malattia e solitudine sono affini. Alla minima malattia, l'uomo si sente ancora più solo di prima.“
da Letzte Aphorismen, in Über die letzten Dinge, Braumüller, Vienna 1907
„Qui a Siracusa sentii ier l'altro sera suonare dalla musica militare la Cavalleria rusticana, in un sito magico, sulla spiaggia del mar ionico illuminato dalla luna, fra la fonta Aretusa cinta di papiri, e le navi a vela del porto. Quando Mascagni la scrisse era «grande»…“
da Sesso e carattere. Un 'indagine sui principi
„Da una stazione non si partirà mai per la libertà.“
Origine: Citato in Focus n. 89, p. 150.
„Most of the time man does not do what he wills, but what he has willed. Through his decisions, he always gives himself only a certain direction, in which he then moves until the next moment of reflection. We do not will continuously, we only will intermittently“
Collected Aphorisms
Contesto: Most of the time man does not do what he wills, but what he has willed. Through his decisions, he always gives himself only a certain direction, in which he then moves until the next moment of reflection. We do not will continuously, we only will intermittently, piece by piece. We thus save ourselves from willing: principle of the economy of the will. But the higher man always experiences this as thoroughly immoral.
„So far as one understands a man, one is that man. The man of genius takes his place in the above argument as he who understands incomparably more other beings than the average man. Goethe is said to have said of himself that there was no vice or crime of which he could not trace the tendency in himself, and that at some period of his life he could not have understood fully. The genius, therefore, is a more complicated, more richly endowed, more varied man; and a man is the closer to being a genius the more men he has in his personality, and the more really and strongly he has these others within him.“
— Otto Weininger, libro Sex and Character
Einen Menschen verstehen heißt also: auch er sein. Der geniale Mensch aber offenbarte sich an jenen Beispielen eben als der Mensch, welcher ungleich mehr Wesen versteht als der mittelmäßige. Goethe soll von sich gesagt haben, es gebe kein Laster und kein Verbrechen, zu dem er nicht die Anlage in sich verspürt, das er nicht in irgend einem Zeitpunkte seines Lebens vollauf verstanden habe. Der geniale Mensch ist also komplizierter, zusammengesetzter, reicher; und ein Mensch ist um so genialer zu nennen, je mehr Menschen er in sich vereinigt, und zwar, wie hinzugefügt werden muß, je lebendiger, mit je größerer Intensität er die anderen Menschen in sich hat.
Origine: Sex and Character (1903), p. 106.
„Great men take themselves and the world too seriously to become what is called merely intellectual. Men who are merely intellectual are insincere; they are people who have never really been deeply engrossed by things and who do not feel an overpowering desire for production. All that they care about is that their work should glitter and sparkle like a well-cut stone, not that it should illuminate anything. They are more occupied with what will be said of what they think than by the thoughts themselves.“
— Otto Weininger, libro Sex and Character
Große Männer nehmen sich selbst und die Dinge zu ernst, um öfter als gelegentlich »geistreich« zu sein. Menschen, die nichts sind als eben »geistreich«, sind unfromme Menschen; es sind solche, die, von den Dingen nicht wirklich erfüllt, an ihnen nie ein aufrichtiges und tiefes Interesse nehmen, in denen nicht lang und schwer etwas der Geburt entgegenstrebt. Es ist ihnen nur daran gelegen, daß ihr Gedanke glitzere und funkle wie eine prächtig zugeschliffene Raute, nicht, daß er auch etwas beleuchte! Und das kommt daher, weil ihr Sinnen vor allem die Absicht auf das behält, was die anderen zu eben diesen Gedanken wohl »sagen« werden—eine Rücksicht, die durchaus nicht immer »rücksichtsvoll« ist.
Origine: Sex and Character (1903), p. 104.
„In men of genius, sterile years precede productive years, these again to be followed by sterility, the barren periods being marked by psychological self-depreciation, by the feeling that they are less than other men; times in which the remembrance of the creative periods is a torment, and when they envy those who go about undisturbed by such penalties. Just as his moments of ecstasy are more poignant, so are the periods of depression of a man of genius more intense than those of other men.“
— Otto Weininger, libro Sex and Character
Denn gerade die starke Periodizität des Genies bringt es mit sich, daß bei ihm immer erst auf sterile Jahre die fruchtbaren und auf sehr produktive Zeiten immer wieder sehr unfruchtbare folgen—Zeiten, in denen er von sich nichts hält, ja von sich psychologisch (nicht logisch) weniger hält als von jedem anderen Menschen: quält ihn doch die Erinnerung an die Schaffensperiode, und vor allem—wie frei sieht er sie, die von solchen Erinnerungen nicht Belästigten, herumgehen! Wie seine Ekstasen gewaltiger sind als die der anderen, so sind auch seine Depressionen fürchterlicher.
Origine: Sex and Character (1903), p. 107.
„There are men who are willing to marry a woman they do not care about merely because she is admired by other men. Such a relation exists between many men and their thoughts.“
— Otto Weininger, libro Sex and Character
Es gibt Männer, die imstande sind, eine Frau, die sie in keiner Weise anzieht, zu heiraten—bloß weil sie den anderen gefällt. Und solche Ehen gibt es auch zwischen so manchen Menschen und ihren Gedanken.
Origine: Sex and Character (1903), p. 104.
„Zola, who has so faithfully described the impulse to commit murder, did not himself commit a murder, because there were so many other characters in him. The actual murderer is in the grasp of his own disposition: the author describing the murder is swayed by a whole kingdom of impulses. Zola would know the desire for murder much better than the actual murderer would know it, he would recognise it in himself, if it really came to the surface in him, and he would be prepared for it. In such ways the criminal instincts in great men are intellectualised and turned to artistic purposes as in the case of Zola, or to philosophic purposes as with Kant, but not to actual crime.“
— Otto Weininger, libro Sex and Character
Origine: Sex and Character (1903), p. 109.
„The psychical condition of men’s minds may be compared with a set of bells close together, and so arranged that in the ordinary man a bell rings only when one beside it sounds, and the vibration lasts only a moment. In the genius, when a bell sounds it vibrates so strongly that it sets in action the whole series, and remains in action throughout life. The latter kind of movement often gives rise to extraordinary conditions and absurd impulses, that may last for weeks together and that form the basis of the supposed kinship of genius with insanity.“
— Otto Weininger, libro Sex and Character
Origine: Sex and Character (1903), pp. 122-123.
„The logical axioms are the principle of all truth. These posit an existence towards which all cognition serves. Logic is a law which must be obeyed, and man realises himself only in so far as he is logical. He finds himself in cognition. All error must be felt to be crime. And so man must not err. He must find the truth.“
— Otto Weininger, libro Sex and Character
Origine: Sex and Character (1903), p. 158.
„The deepest, the intelligible, part of the nature of man is that part which does not take refuge in causality, but which chooses in freedom the good or the bad.“
— Otto Weininger, libro Sex and Character
Origine: Sex and Character (1903), p. 158.
„In order to depict a man one must understand him, and to understand him one must be like him; in order to portray his psychological activities one must be able to reproduce them in oneself. To understand a man one must have his nature in oneself.“
— Otto Weininger, libro Sex and Character
Origine: Sex and Character (1903), p. 105.
„That which enables man to have a real relation to truth and which removes his temptation to lie, must be something independent of all time, something absolutely unchangeable, which as faithfully reproduces the old as if it were new, because it is permanent itself; it can only be that source in which all discrete experiences unite and which creates from the first a continuous existence. It is what produces the feeling of responsibility which oppresses all men, young and old, as to their actions, which makes them know that they are responsible, which leads to the phenomena of repentance and consciousness of sin, which calls to account before an eternal and ever present self things that are long past, its judgment being subtler and more comprehensive than that of any court of law or of the laws of society, and which is exerted by the individual himself quite independently of all social codes“
— Otto Weininger, libro Sex and Character
so condemning the moral psychology which would derive morality from the social life of man
Origine: Sex and Character (1903), p. 151.
„Universality is the distinguishing mark of genius. There is no such thing as a special genius, a genius for mathematics, or for music, or even for chess, but only a universal genius. … The theory of special genius, according to which for instance, it is supposed that a musical genius should be a fool at other subjects, confuses genius with talent. … There are many kinds of talent, but only one kind of genius, and that is able to choose any kind of talent and master it.“
— Otto Weininger, libro Sex and Character
Origine: Sex and Character (1903), p. 112.
„If it really were the case, as popular opinion has tried to establish, that the genius were separated from ordinary men by a thick wall through which no sound could penetrate, then all understanding of the efforts of genius would be denied to ordinary men, and their works would fail to make any impression on them. All hopes of progress depend on this being untrue. And it is untrue. The difference between men of genius and the others is quantitative not qualitative, of degree not of kind.“
— Otto Weininger, libro Sex and Character
Origine: Sex and Character (1903), p. 121.
„The number of different aspects that the face of a man has assumed may be taken almost as a physiognomical measure of his … genius.“
— Otto Weininger, libro Sex and Character
Origine: Sex and Character (1903), p. 108.
„No two moments in the life of an individual are exactly alike; there is between the later and the earlier periods only the similarity of the higher and lower parts of a spiral ascent.“
— Otto Weininger, libro Sex and Character
Es gibt nicht zwei Momente des individuellen Lebens, die einander ganz gleichen; und es existiert zwischen den späteren und den früheren Perioden nur die Ähnlichkeit der Punkte der höheren mit den homologen der niederen Spiralwindung.
Origine: Sex and Character (1903), p. 107.
