Frasi di Anthony Burgess
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Anthony Burgess, pseudonimo di John Burgess Wilson , è stato uno scrittore, critico letterario e glottoteta britannico, attivo anche come compositore, librettista, poeta, drammaturgo, sceneggiatore, giornalista, saggista, traduttore ed educatore.

È considerato uno dei più grandi autori inglesi del Novecento. Wikipedia  

✵ 25. Febbraio 1917 – 22. Novembre 1993
Anthony Burgess photo
Anthony Burgess: 308   frasi 5   Mi piace

Anthony Burgess frasi celebri

“Devo forse essere soltanto un’arancia meccanica?”

Arancia Meccanica

“Non si chiedono mica quale è la causa della bontà. e allora perché il contrario?”

A Clockwork Orange
Arancia Meccanica
Variante: Non si chiedono mica qual è la causa della bontà, e allora perchè il contrario?

“Se Arancia meccanica, così come 1984, rientra nel novero dei salutari moniti letterari – o cinematografici – contro l'indifferenza, la sensibilità morbosa e l'eccessiva fiducia nello Stato, allora quest'opera avrà qualche valore.”

Origine: Lettera al Los Angeles Times http://www.archiviokubrick.it/opere/film/am/burgess.html, 13 febbraio 1972. Traduzione dall'inglese come in Arancia Meccanica, Einaudi Tascabili 351

Anthony Burgess Frasi e Citazioni

Questa traduzione è in attesa di revisione. È corretto?

Anthony Burgess: Frasi in inglese

“An Egyptian priest…. plays up the mystery of language to enhance his own power.”

Non-Fiction, A Mouthful of Air: Language and Languages, Especially English (1992)

“In a sense [Lawrence] is the patron saint of all writers who have never had an Oxford or Cambridge education who are somewhat despised by those who have.”

Anthony Burgess libro 1985

'The Rage of D.H. Lawrence', The South Bank Show (TV), 1985
People, Joseph Conrad, D.H. Lawrence

“…You know what they call you expatriates? White leeches.”

Fiction, The Enemy in the Blanket (1958)

“…Australian English may be thought of as a kind of fossilised Cockney of the Dickensian era.”

Non-Fiction, A Mouthful of Air: Language and Languages, Especially English (1992)

“Defiling their shadows, infidels, accursed of Allah, with fingernails that are foot-long daggers, with mouths agape like cauldrons full of teeth on the boil, with eyes all fire, shaitans possessed of Iblis, clanking into their wars all linked, like slaves, with iron chains. Murad Bey, the huge, the single-blowed ox-beheader, saw without too much surprise mild-looking pale men dressed in blue, holding guns, drawn up in squares six deep as though in some massed dance depictive of orchard walls. At the corners of the squares were heavy giins and gunners. There did not seem to be many horsemen. Murad said a prayer within, raised his scimitar to heaven and yelled a fierce and holy word. The word was taken up, many thousandfold, and in a kind of gloved thunder the Mamelukes threw themselves on to the infidel right and nearly broke it. But the squares healed themselves at once, and the cavalry of the faithful crashed in three avenging prongs along the fire-spitting avenues between the walls. A great gun uttered earthquake language at them from within a square, and, rearing and cursing the curses of the archangels of Islam on to the uncircumcized, they wheeled and swung towards their protective village of Embabeh. There they encountered certain of the blue-clad infidel horde on the flat roofs of the houses, coughing musket-fire at them. But then disaster sang along their lines from the rear as shell after shell crunched and the Mamelukes roared in panic and burden to the screams of their terrified mounts, to whose ears these noises were new. Their rear dissolving, their retreat cut off, most sought the only way, that of the river. They plunged in, horseless, seeking to swim across to join the inactive horde of Ibrahim, waiting for. action that could now never come. Murad Bey, with such of his horsemen as were left, yelped off inland to Gizeh.”

Fiction, Napoleon Symphony (1974)

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