Frasi di Mickey Spillane
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Mickey Spillane, pseudonimo di Frank Michael Morrison Spillane , è stato un fumettista, scrittore e sceneggiatore statunitense.

È considerato uno dei padri, assieme a Dashiell Hammett e Raymond Chandler, del genere hard-boiled.

Il suo personaggio più conosciuto, protagonista di molte avventure seriali, è stato l'investigatore privato Mike Hammer, caratterizzato da un'indole maschilista e violenta. Un altro personaggio di suoi racconti, sia pure di minore successo, fu Tiger Mann.

L'autorevole organizzazione dei Mystery Writers of America lo insignì nel 1995 del titolo di Gran Maestro. Molti dei suoi romanzi ebbero vita proprio fuori dalle pagine del libro, per essere o portati sullo schermo del cinema , oppure letti alla radio o ridotti per la televisione o, infine, da lui sceneggiati per serie a fumetti.

Si vantava di essere l'autore più tradotto al mondo dopo Lenin, Tolstoj, Gor'kij e Verne , e di non avere ammiratori ma solo clienti. Non fece della sua arte un titolo di merito ma ammise sempre di scrivere unicamente per guadagnare denaro.

Non fu molto stimato da alcuni suoi colleghi e la stessa critica non sempre fu benevola con la sua opera. Wikipedia  

✵ 9. Marzo 1918 – 17. Luglio 2006
Mickey Spillane photo
Mickey Spillane: 60   frasi 1   Mi piace

Mickey Spillane Frasi e Citazioni

Mickey Spillane: Frasi in inglese

“Nobody ever walked across the bridge, not on a night like this. The rain was misty enough to be almost fog-like, a cold gray curtain that separated me from the pale ovals of white that were faces locked behind the steamed-up windows of the cars that hissed by. Even the brilliance that was Manhattan by night was reduced to a few sleepy, yellow lights off in the distance.
Some place over there I had left my car and started walking, burying my head in the collar of my raincoat, with the night pulled in around me like a blanket. I walked and I smoked and I flipped the spent butts ahead of me and watched them arch to the pavement and fizzle out with one last wink. If there was life behind the windows of the buildings on either side of me, I didn't notice it. The street was mine, all mine. They gave it to me gladly and wondered why I wanted it so nice and all alone.
There were others like me, sharing the dark and the solitude, but they were huddled in the recessions of the doorways not wanting to share the wet and the cold. I could feel their eyes follow me briefly before they turned inward to their thoughts again.
So I followed the hard concrete footpaths of the city through the towering canyons of the buildings and never noticed when the sheer cliffs of brick and masonry diminished and disappeared altogether, and the footpath led into a ramp then on to the spidery steel skeleton that was the bridge linking two states.
I climbed to the hump in the middle and stood there leaning on the handrail with a butt in my fingers, watching the red and green lights of the boats in the river below. They winked at me and called in low, throaty notes before disappearing into the night.
Like eyes and faces. And voices.
I buried my face in my hands until everything straightened itself out again, wondering what the judge would say if he could see me now. Maybe he'd laugh because I was supposed to be so damn tough, and here I was with hands that wouldn't stand still and an empty feeling inside my chest.”

Mickey Spillane libro One Lonely Night

One Lonely Night (1951)

“I was thinking too damn much to be careful. When I stabbed my key in the lock and turned it there was a momentary catch in the tumblers before it went all the way around and I swore out loud as I rammed the door with my shoulder and hit the floor. Something swished through the air over my head and I caught an arm and pulled a squirming, fighting bundle of muscle down on top of me.
If I could have reached my rod I would have blown his guts out. His breath was in my face and I brought my knee up, but he jerked out of the way bringing his hand down again and my shoulder went numb after a split second of blinding pain. He tried again with one hand going for my throat, but I got one foot loose and kicked out and up and felt my toe smash onto his groin. The cramp of the pain doubled him over on top of me, his breath sucking in like a leaky tire.
Then I got cocky. I thought I had him. I went to get up and he moved. Just once. That thing in his hand smashed against the side of my head and I started to crumple up piece by piece until there wasn't anything left except the sense to see and hear enough to know that he had crawled out of the room and was falling down the stairs outside. Then I thought about the lock on my door and how I had a guy fix it so that I could tell if it had been jimmied open so I wouldn't step into any blind alleys without a gun in my hand, but because of a dame who lay naked and smiling on a bed I wouldn't share, I had forgotten all about it.”

Mickey Spillane libro The Big Kill

The Big Kill (1951)

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