„L'arte non deve riprodurre il visibile, ma renderlo visibile.“
Origine: Citato in Focus, n. 60, p. 185
Frasi di Paul Klee
5 1
Paul Klee
Data di nascita: 18. Dicembre 1879
Data di morte: 29. Giugno 1940
Ernst Paul Klee è stato un pittore svizzero di padre tedesco e madre svizzera, il primo musicista e la seconda cantante.
Figura eminente dell'arte del XX secolo, nel periodo della sua formazione Paul Klee si occupò di musica, poesia, pittura, scegliendo infine quest'ultima forma di espressione come ambito privilegiato e dando così inizio ad una tra le più alte e feconde esperienze artistiche del Novecento. Si mantenne comunque anche con i proventi derivati dalla sua attività di strumentista presso l'Orchestra di Berna.
Esponente dell'astrattismo, considerava l'arte un discorso sulla realtà e non una sua semplice riproduzione. Nelle sue opere la realtà è quindi rarefatta, resa essenziale, talvolta ridotta a semplici linee o campiture colorate. La sua inesausta ricerca si manifesta anche attraverso la scelta dei supporti, che vanno dalla tradizionale tela alla carta di giornale, alla juta, a cartoncini di ogni qualità e spessore. Wikipedia
Frasi Paul Klee
„Nessuno si riconosce in noi e noi siamo avulsi da tutti.“
Origine: Da Sull'arte moderna, Laqueur, p. 218
„In questo mondo io sono del tutto incomprensibile. Perché vivo in uguale misura con i morti e con quelli che non sono ancora nati.“
Origine: Da Diari, Laqueur, pp. 217-218
„L'occhio segue le vie che nell'opera gli sono state disposte.“
Origine: Da Pädagogisches skizzenbuch
„His [ Van Gogh's] pathos is alien to me, especially in my current phase, but he is certainly a genius. Pathetic to the point of being pathological, this endangered man can endanger one who does not see through him. Here a brain is consumed by the fire of a star. It frees itself in its work just before the catastrophe. Deepest tragedy takes place here, real tragedy, natural tragedy, exemplary tragedy. Permit me to be terrified.“
Quote (1908), # 816, in The Diaries of Paul Klee; University of California Press, 1964; as quoted by Francesco Mazzaferro, in 'The Diaries of Paul Klee - Part Three' : Klee as a Secessionist and a Neo-Impressionist Artist http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev.html
1903 - 1910
„My mirror probes down to the heart. I write words on the forehead and around the corners of the mouth. My human faces are truer than the real ones.“
Diary entry (Munich, 1901), # 136, in The Diaries of Paul Klee, 1898-1918; University of California Press, 1968, p. 48
1895 - 1902
„Things appear to assume a broader and more diversified meaning, often seemingly contradicting the rational experience of yesterday. There is a striving to emphasize the essential character of the accidental.“
Section V
1916 - 1920, Creative Credo (1920)
Contesto: Formerly we used to represent things visible on earth, things we either liked to look at or would have liked to see. Today we reveal the reality that is behind visible things, thus expressing the belief that the visible world is merely an isolated case in relation to the universe and that there are many more other, latent realities. Things appear to assume a broader and more diversified meaning, often seemingly contradicting the rational experience of yesterday. There is a striving to emphasize the essential character of the accidental.
„Nature can afford to be prodigal in everything, the artist must be frugal down to the last detail.“
Diary entry (Munich, 1909), # 857, in The Diaries of Paul Klee, 1898-1918; University of California Press, 1968, p. 236
1903 - 1910
Contesto: Nature can afford to be prodigal in everything, the artist must be frugal down to the last detail.
Nature is garrulous to the point of confusion, let the artist be truly taciturn.
„The main thing now is not to paint precociously but to be, or at least become, an individual.“
Diary entry (3 June 1902), # 411, in The Diaries of Paul Klee, 1898-1918; University of California Press, 1968
1895 - 1902
Contesto: The main thing now is not to paint precociously but to be, or at least become, an individual. The art of mastering life is the prerequisite for all further forms of expression, whether they are paintings, sculptures, tragedies, or musical compositions.
„Art does not reproduce what we see. It makes us see.“
Section I
(de) Kunst gibt nicht das Sichtbare wieder, sondern macht sichtbar.
1916 - 1920, Creative Credo (1920)
Variante: Art does not reproduce the visible; rather, it makes visible.
„The conviction that painting is the right profession grows stronger and stronger in me. Writing is the only other thing I still feel attracted to. Perhaps when I am mature I shall go back to it.“
Quote (1899), # 93, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1895 - 1902
„Music, for me, is a love bewitched. / Fame as a painter? / Writer, modern poet? Bad joke. / So I have no calling, and loaf.“
Quote (1899), # 67, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1895 - 1902
„Everything vanishes around me, and works are born as if out of the void. Ripe, graphic fruits fall off. My hand has become the obedient instrument of a remote will.“
Diary entry (January/February 1918), # 1104, The Diaries of Paul Klee, 1898-1918 (p. 387)
1916 - 1920
„These are primitive beginnings in art, such as one usually finds in ethnographic collections or at home in one's nursery. Do not laugh, reader! Children also have artistic ability, and there is wisdom in their having it! The more helpless they are, the more instructive are the examples they furnish us; and they must be preserved from corruption at an early age. Parallel phenomena are provided by the works of the mentally diseased; neither childish behaviour nor madness are insulting words here, as they commonly are. All this is to be taken very seriously, more seriously than all the public galleries, when it comes to reforming today's art.“
Diary entry (January 1912), # 905, quoting his "Munich Art Letter" in the journal Die Alpen
1911 - 1914
„The shaping of form is weak in energy in comparison with the determining of form. The final consequence of both ways of forming is form. From the ways to the end. From activity to the accomplished. From the genuinely living thing to the objective thing. In the beginning the male speciality, the energetic stimulus. Then the fleshly growth of the egg. Or: first the bright flash of lightning, then the raining cloud. When is the spirit at its purest? In the beginning. Here, work that becomes (dual). There, work that is.“
Diary entry (1913), # 944; as quoted by Francesco Mazzaferro, in 'The Diaries of Paul Klee - Part Four', : Klee as an Expressionist and Constructivist Painter http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev27.html
1911 - 1914
„The pictorial work was born of movement, is itself recorded movement, and is assimilated through movement (eye muscles).“
Section IV
1916 - 1920, Creative Credo (1920)
