Origine: Citato in Lorenza Trucchi, Art brut, ERI – Edizioni Rai Radiotelevisione Italiana, Torino 1964.
Jean Dubuffet Frasi e Citazioni
Jean Dubuffet: Frasi in inglese
Origine: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 97
Origine: posthumous, Jean Dubuffet, Works, writings Interviews, 2006, p. 81; Comment of Dubuffet on the occasion of his 1984 exhibition at the Venice Biennale
on his series 'Corps de Dame'
As quoted in Jean Dubuffet, Works, writings Interviews, ed. Valerie da Costa and Fabrice Hergott; Ediciones Polígrafa, Barcelona 2006
1960-70's, Prospectus et tous écrits suivants, 1967
Dubuffet once explained to Jacques Berne; as cited in 'Dubuffet, Lévi-Strauss, and the Idea of Art Brut', Kent Minturn, from RES: Anthropology and Aesthetics, No. 46, Polemical Objects (Autumn, 2004), pp. 247-258 http://www.columbia.edu/cu/arthistory/faculty/Minturn/Dubuffet-Levi-Strauss.pdf, p. 256
undated
Origine: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 105
Origine: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 116
As quoted in Jean Dubuffet, Works, writings Interviews, ed. Valerie da Costa and Fabrice Hergott; Ediciones Polígrafa, Barcelona 2006, p. 14
1960-70's, Prospectus et tous écrits suivants, 1967
Quote in Dubuffet's 1947 Entry on an anonymous sculptor, associated with the Swiss collector O.J. Müller; from: Jean Dubuffet, Les Barbus Müller et Autres Pièces de la Statuaire Provinciale(1947), in Prospectus I, pp. 498-49 (transl. Kent Minturn)
remark about the publication of biographically based texts on individual art brut artists; according to Dubuffet: veritable history of art without 'names,' 'dates,' or 'histories'.
1940's
Origine: posthumous, Batons rompus, 1986, pp. 7-8
Note of 7 mai 1968, as quoted in the catalogue of the exhibition La Fiast invita all'incontro con Jean Dubuffet, Turin 1978
posthumous
Origine: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 63-73
Origine: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 206
Origine: posthumous, Batons rompus, 1986, pp. 17, 18
“.. the wind of 'art brut' blows on writing as well as on other avenues of artistic creation.”
Quote in the text of Jean Dubuffet, 'Project pour un petit texte liminaire introduisant les publications de 'L'art brut dans l'écrire', 1969 (1969), published in Le Langage de la rupture', Paris: Presses Universitaires de France, 1978
1960-70's
Quote in a letter to Max Loreau, 29 June, 1963, reprinted in Prospectus II, Jean Dubuffet; Gallimard, Paris, 1967, pp. 374–375
1960-70's
Quote of Jean Dubuffet, from 'L'auteur répond à quelques objections', (1946); as cited in Prospectus aux amateurs de tout genre, Jean Dubuffet; Paris: Gallimard, 1946, p. 115
1940's
Origine: 1960-70's, Prospectus et tous écrits suivants, 1967, pp. 203-204
Two quotes, Jean Dubuffet placed on the poster announcing his painting-show 'Les gens sont plus beaux qu'ils croient, in Galerie René Drouin, Paris (October 7–31, 1947)
1940's
Origine: posthumous, Jean Dubuffet, Works, writings Interviews, 2006, pp. 23,28: quote in Dubuffet's letter to Jean Paulhan (letter 108)
critical quote in Dubuffet's letter to Jacques Berne, 22October 1970, p. 190; as cited in 'Dubuffet, Lévi-Strauss, and the Idea of Art Brut', Kent Minturn http://www.columbia.edu/cu/arthistory/faculty/Minturn/Dubuffet-Levi-Strauss.pdf, from RES: Anthropology and Aesthetics, No. 46, Polemical Objects (Autumn, 2004), p. 256
Dubuffet complains that Levi-Strauss had become too theoretical
1960-70's
Origine: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 430
Origine: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 75
Jean Dubuffet, letter to Raymond Queneau, 30 October 1950; as cited in Prospectus Vol. I, Jean Dubuffet; Gallimard, Paris, 1967, pp. 481-483
1950's
Origine: posthumous, Batons rompus, 1986, pp. 34-35
Origine: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 94
Quoted by Alan Magee, in Paintings, Sculpture, Graphics., Forum Gallery, New York, 2004
posthumous
In an interview with John M. MacGregor, later published in 'Raw Vision 7' (Summer 1993)
posthumous
quote by Dubuffet on his technique, he used in his series Hautes Pâtes, exhibited in 1946
Origine: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 428
Quote in Dubuffet's letter to American art-promoter Gould, dated 4 August 1946; as cited in Physiognomic Illegibility, by Kent Mitchell Minturn - JEAN DUBUFFET'S POSTWAR PORTRAITS https://www.nyu.edu/gsas/dept/fineart/people/faculty/minturnPDFs/Minturn%20Final%20(low%20res).pdf
1940's