Frasi di Stephen Spender
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Stephen Spender è stato un poeta e saggista inglese.

Condivise per un certo periodo le posizioni ideologiche e culturali di Auden e di Day Lewis; durante la guerra civile si recò in Spagna ove lavorò a favore della causa repubblicana.

Con la raccolta Poems acquistò una posizione di primo piano nel panorama della poesia inglese contemporanea e nella corrente di rinnovamento del linguaggio poetico fiorita nel decennio 1930-1940. Dalla iniziale tematica politica e sociale, cui si mescolavano motivi di individualismo anarchico, Spender si è poi rivolto verso temi di più intima riflessione che trovano riscontro in toni di pacata meditazione.

Ha diretto la rivista Encounter dal 1953 al 1967. Wikipedia  

✵ 28. Febbraio 1909 – 16. Luglio 1995
Stephen Spender: 77 citazioni0 Mi piace

Stephen Spender Frasi e Citazioni

Stephen Spender: Frasi in inglese

“History has tongues
Has angels has guns — has saved has praised —
Today proclaims
Achievements of her exiles long returned”

Stephen Spender

"Exiles From Their Land, History Their Domicile"
The Still Centre (1939)
Contesto: History has tongues
Has angels has guns — has saved has praised —
Today proclaims
Achievements of her exiles long returned
Now no more rootless, for whom her printed page
Glazes their bruised waste years in one
Balancing present sky.

“Consider. One bullet in ten thousand kills a man.
Ask. Was so much expenditure justified
On the death of one so young and so silly
Lying under the olive tree, O world, O death?”

Stephen Spender

"Ultima Ratio Regum"
The Still Centre (1939)
Contesto: Consider his life which was valueless
In terms of employment, hotel ledgers, news files.
Consider. One bullet in ten thousand kills a man.
Ask. Was so much expenditure justified
On the death of one so young and so silly
Lying under the olive tree, O world, O death?

“I regard my life as rather a failure in the only thing in which I wanted it to succeed. I have not written the books I ought to have written and I have written a lot of books I should not have written.”

Stephen Spender

Response to a would be biographer in 1980, as quoted in &quot;When Stephen met Sylvia&quot; in The Guardian (24 April 2004) http://books.guardian.co.uk/review/story/0,12084,1201328,00.html <br class="br">Contesto: I am very honoured by your wanting to write a life of me. But the fact is I regard my life as rather a failure in the only thing in which I wanted it to succeed. I have not written the books I ought to have written and I have written a lot of books I should not have written. My life as lived by me has been interesting to me but to write truthfully about it would probably cause much pain to people close to me — and I always feel that the feelings of the living are more important than the monuments of the dead.

“Far far from gusty waves these children's faces.
Like rootless weeds the torn hair round their paleness.”

Stephen Spender

"An Elementary School Classroom In A Slum" in Modern British Poetry (1962) edited by Louis Untermeyer (1962) variant : Like rootless weeds, the hair torn around their pallor.
Ruins and Visions (1942)

“There is a certain justice in criticism. The critic is like a midwife — a tyrannical midwife.”

Stephen Spender

Lecture at Brooklyn College, as quoted in The New York Times (20 November 1984)

“History is the ship carrying living memories to the future.”

Stephen Spender

As quoted in Peter's Quotations : Ideas for Our Times (1993) by Laurence J. Peter, p. 247

“I simply had to get there.”

Stephen Spender

Remark in 1980, after riding in a taxi for 287 miles, after his plane was grounded because of bad weather, to attend a dinner date with Jacqueline Onassis; as quoted in &quot;Stephen Spender, Toady: Was there any substance to his politics and art?&quot; by Stephen Metcalf at Slate.com (7 February 2005) http://www.slate.com/id/2113164/

“After the first powerful plain manifesto
The black statement of pistons, without more fuss
But gliding like a queen, she leaves the station.”

Stephen Spender

"The Express" (l. 1–3) in Norton Anthology of Modern Poetry (1988) edited by Richard Ellmann and Robert O’Clair

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