Frasi di Vincent Van Gogh: 33 frasi di saggezza e ispirazione sull'arte, il successo e la scoperta di sé

Vincent Van Gogh: 271 frasi 279 Mi piace

Vincent Van Gogh frasi celebri

“Prima sogno i miei dipinti, poi dipingo i miei sogni.”

Vincent Van Gogh

“I pescatori sanno che il mare è pericoloso e la tempesta terribile, ma non hanno mai trovato questi pericoli, una ragione sufficiente per restare a riva.”

Vincent Van Gogh

“La tristezza durerà per sempre.”

Vincent Van Gogh

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“Sii chiaramente consapevole delle stelle e dell'infinito in alto. Dopotutto, la vita sembra quasi incantata.”

Vincent Van Gogh

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“Cerco, mi sforzo, ci sono con tutto il cuore.”

Vincent Van Gogh

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“… e poi, ho natura, arte e poesia, e se ciò non bastasse, cosa basta?”

Vincent Van Gogh

Frasi sulla vita di Vincent Van Gogh

“C'è fannullone e fannullone. C'è chi è fannullone per pigrizia o per mollezza di carattere, per la bassezza della sua natura, e tu puoi prendermi per uno di quelli. Poi c'è l'altro tipo di fannullone, il fannullone per forza, che è roso intimamente da un grande desiderio di azione, che non fa nulla perché è nell'impossibilità di fare qualcosa, perché gli manca ciò che gli è necessario per produrre, perché è come in una prigione, chiuso in qualche cosa, perché la fatalità delle circostanze lo ha ridotto a tal punto; non sempre uno sa quello che potrebbe fare, ma lo sente d'istinto: eppure sono buono a qualcosa, sento in me una ragione d'essere! So che potrei essere un uomo completamente diverso! A cosa potrei essere utile, a cosa potrei servire? C'è qualcosa in me, che è dunque? Questo è un tipo tutto diverso di fannullone, se vuoi puoi considerarmi tale. Un uccello chiuso in gabbia in primavera sa perfettamente che c'è qualcosa per cui egli è adatto, sa benissimo che c'è qualcosa da fare, ma che non può fare: che cosa è? Non se lo ricorda bene, ha delle idee vaghe e dice a se stesso: "gli altri fanno il nido e i loro piccoli e allevano la covata", e batte la testa contro le sbarre della gabbia. E la gabbia rimane chiusa e lui è pazzo di dolore. "Ecco un fannullone" dice un altro uccello che passa di là, "quello è come uno che vive di rendita". Intanto il prigioniero continua a vivere e non muore, nulla traspare di quello che prova, sta bene e il raggio di sole riesce a rallegrarlo. Ma arriva il tempo della migrazione. Accessi di malinconia – ma i ragazzi che lo curano nella sua gabbia si dicono che ha tutto ciò che può desiderare – ma lui sta a guardare fuori il cielo turgido carico di tempesta, e sente in sé la rivolta contro la propria fatalità. "Io sono in gabbia, sono in prigione, e non mi manca dunque niente imbecilli? Ho tutto ciò che mi serve! Ah, di grazia, la libertà, essere un uccello come tutti gli altri!". Quel tipo di fannullone è come quell'uccello fannullone. E gli uomini si trovano spesso nell'impossibilità di fare qualcosa, prigionieri di non so quale gabbia orribile, orribile, spaventosamente orribile… Non si sa sempre riconoscere che cosa è che ti rinchiude, che ti mura vivo, che sembra sotterrarti, eppure si sentono non so quali sbarre, quali muri. Tutto ciò è fantasia, immaginazione? Non credo, e poi uno si chiede "Mio Dio, durerà molto, durerà sempre, durerà per l'eternità?"”

Vincent Van Gogh

Sai tu ciò che fa sparire questa prigione? È un affetto profondo, serio. Essere amici, essere fratelli, amare spalanca la prigione per potere sovrano, per grazia potente. Ma chi non riesce ad avere questo rimane chiuso nella morte. Ma dove rinasce la simpatia, lì rinasce anche la vita.
Origine: Da Lettere a Theo, Guanda, Parma 1984, pp. 87-88.

“Bisogna aver sempre presente la meta da raggiungere e che la vittoria ottenuta dopo un'intera vita di laboriosa fatica vale più di un facile successo. Chiunque viva sinceramente e affronti senza piegarsi dolori e delusioni è assai più degno di chi ha sempre avuto il vento favorevole, non conoscendo altro che una relativa prosperità.”

Vincent Van Gogh

Origine: Da una lettera al fratello Theo, 3 aprile 1878.

“Siamo tanto attaccati a questa vecchia vita perché accanto ai momenti di tristezza, abbiamo anche momenti di gioia in cui anima e cuore esultano – come l'allodola che non può fare a meno di cantare al mattino, anche se l'anima talvolta trema in noi, piena di timori.”

Vincent Van Gogh

Origine: Da una lettera al fratello Theo, 30 maggio 1877.

“Soffrire senza lamentarci è l'unica lezione che dobbiamo imparare in questa vita.”

Vincent Van Gogh

“Più divento dissipato, malato, vaso rotto, più io divento artista, creatore… con quanta minor fatica si sarebbe potuto vivere la vita, invece di fare dell'arte.”

Vincent Van Gogh

Origine: Da una lettera al fratello Theo, 29 luglio 1888; citato in Serena Zoli, Giovanni B. Cassano, E liberaci dal male oscuro, TEA, Milano, 2009, p. 478. ISBN 978-88-502-0209-6

“Una cosa resta – la fede – si sente istintivamente, ché moltissimo si cambia e che tutto si cambierà: siamo nell'ultimo quarto di un secolo che nuovamente finirà con una grandiosa rivoluzione. Ma anche supponendo che alla fine della nostra vita noi ne vedremo l'inizio, sicuramente non vedremo i tempi migliori dell'aria pura e del rinnovamento di tutta la società dopo questa grande tempesta.”

Vincent Van Gogh

Vincent Van Gogh Frasi e Citazioni

“Faccio sempre ciò che non so fare, per imparare come va fatto.”

Vincent Van Gogh

“Uno può avere un focolare ardente nell'anima e tuttavia nessuno viene mai a sedervisi accanto. I passanti vedono solo un filo di fumo che si alza dal camino e continuano per la loro strada.”

Vincent Van Gogh

Anima

“Aspiro alle stelle che non posso raggiungere.”

Vincent Van Gogh libro Lettere a Theo

Lettere a Theo

Stella

“Così come in algebra due affermazioni false ne danno una vera, così spero che il prodotto dei miei insuccessi si concluda con un successo.”

Vincent Van Gogh

Successo

“Se senti una voce dentro di te che dice 'non puoi dipingere', allora a tutti i costi dipingi e quella voce verrà messa a tacere.”

Vincent Van Gogh

motivazionale

“Io penso di vedere qualcosa di più profondo, più infinito, più eterno dell'oceano nell'espressione degli occhi di un bambino piccolo quando si sveglia alla mattina e mormora o ride perché vede il sole splendere sulla sua culla.”

Vincent Van Gogh

Sole , Sui bambini

“Così il pennello sta alle mie dita come l'archetto al violino, e assolutamente per mio piacere.”

Vincent Van Gogh

Sul piacere

“Non c'è blu senza il giallo e senza l'arancione.”

Vincent Van Gogh

“Io penso spesso che la notte sia più viva e più riccamente colorata del giorno.”

Vincent Van Gogh

Notte

“Non posso cambiare il fatto che i miei quadri non vendono. Ma verrà il giorno in cui la gente riconoscerà che valgono più del valore dei colori usati nel quadro.”

Vincent Van Gogh

“Non bisogna giudicare il buon Dio da questo mondo, perché è uno schizzo che gli è venuto male.”

Vincent Van Gogh

Origine: Citato in Guido Almansi, Il filosofo portatile, TEA, Milano, 1991.

Su Dio , Sul mondo , il male

“Volevo uccidermi, ma ho fatto cilecca. Nel caso dovessi sopravvivere ci riproverò.”

Vincent Van Gogh

“Non c'è bisogno che un artista sia un prete o un fabbriciere, ma certo egli deve avere un cuore affettuoso per gli altri uomini.”

Vincent Van Gogh

Cuore , Sugli uomini

“Non è tanto il linguaggio del pittore che si deve sentire, quanto quello della natura.”

Vincent Van Gogh

Natura

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“Ho messo il cuore e l'anima nel mio lavoro, e ho perso la testa nel processo.”

Vincent Van Gogh

Anima , Cuore

“Ho dunque schizzato i dieci "Travaux des champs" di Millet e ne ho eseguito uno a fondo. Inoltre ho disegnato dall'incisione l'"Angelus" che mi hai mandato.”

Vincent Van Gogh

Origine: Da una lettera al fratello Theo, 7 settembre 1880; citato in Fischer 1975.

“E' nostro dovere cercare di ammirare e conoscere le cose per noi stessi piuttosto che insegnarle agli altri. Eppure le due cose possono coesistere.”

Vincent Van Gogh libro Lettere a Theo

libro Lettere a Theo

“Vedi, l’uomo non ha amico più fedele del suo dovere e benché a volte possa essere un rude e severo docente, finché si lavora a servizio del dovere non si diventa facilmente dei falliti.”

Vincent Van Gogh

Origine: Da Lettere a Theo (L’ Aia, giugno 1883) - Guanda, 2016.

“Se torni nello studio ti accorgerai subito, credo, che ho sempre avuto in mente il piano riguardante le figure di lavoratori in litografia, anche se non ne parlo tanto. Ho un seminatore, un mietitore, una lavandaia, una operaia di miniera, una sarta, uno che scava, una donna con la pala, l'orfana, un ragazzo con una carriola di letame e altro ancora.”

Vincent Van Gogh

Origine: Da una lettera al fratello Theo; citato in Fischer 1975.

Su Dio , Ragazza , Studia

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“Se senti una voce dentro di te che dice: "Non sei un pittore", allora con ogni mezzo dipingi, ragazzo, e quella voce sarà messa a tacere, ma solo lavorando. Colui che va alle tendenze e racconta i suoi problemi quando sente che perde parte della sua virilità, parte del meglio che c'è in lui; i tuoi amici possono essere solo quelli che lottano contro di loro, che aumentano la tua attività con il loro esempio di azione.”

Vincent Van Gogh

Problema , Ragazza

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“Cerco sempre di più di essere me stesso, preoccupandomi relativamente poco se le persone approvano o disapprovano.”

Vincent Van Gogh

Sulle persone

Vincent Van Gogh: Frasi in inglese

“And the memories of all we have loved stay and come back to us in the evening of our life. They are not dead but sleep, and it is well to gather a treasure of them.”

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Vincent Van Gogh libro Lettere a Theo

Origine: The Letters of Vincent van Gogh

“.. by going on drawing those types of working people, etc., I hope to arrive at the point of being able to do illustration work for papers and books.”

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Vincent Van Gogh

In his letter to brother Theo, from Brussels, Belgium (January 1881, letter 140); as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 19
being art student in Brussels
1880s, 1881

“And my aim in my life is to make picture and drawings, as many and as well as I can, then, at the end of my life, I hope to pass away, looking back with love and tender regret, and thinking: "Oh, pictures I might have made!" Theo, I declare I prefer to think how arms, legs, head are attached to the trunk, rather than whether I myself am or am not more or less an artist.”

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Vincent Van Gogh

Quote in his letter to brother Theo, from Drenthe, The Netherlands, Autumn 1883; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 338) p. 21
1880s, 1883

“I repeat, let us paint as much as we can and be productive, and be ourselves with all our faults and qualities; I say us, because the money from you [Theo], which I know costs you trouble enough to procure me, gives you the right, when there is some good in my work, to consider half of it your creation.”

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Vincent Van Gogh

Quote in his letter to brother Theo, from Nuenen, The Netherlands, Spring 1885; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 7 (letter 399)
1880s, 1885

“All my work is in a way founded on Japanese art... Japanese art, in decadence in its own country, takes root again among the French impressionist artists.”

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Vincent Van Gogh

Quote in his letter to brother Theo, from Arles, Summer 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 510) p. 32
1880s, 1888

“We walked along Buitenkant and there by the sand works at the Oosterspoor [former train-station in Amsterdam], I can' tell you how beautiful it was there in the twilight. Rembrandt, Michel, [French Barbizon painter] and others have painted it, the ground dark, the sky still lit by the glow of the sun, already gone down, the row of houses and towers standing out above, the lights in the windows everywhere, everything reflected in the water. And the people and carriages like small black figures everywhere. Like one sometimes sees in a Rembrandt. And it put us in such a mood that we began talking about all sorts of things.”

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Vincent Van Gogh

1870s

“You will say that I am not a success - vaincre or être vaincu, [to conquer or to be conquered], it doesn't matter to me, one has feeling and movement in any event, and they are more akin than they may seem to be or than can be put into words.”

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Vincent Van Gogh

1880s, 1884, Letter to Theo (Nuenen, Oct. 1884)

“I said to Mauve: Do you approve of my coming here for a month or so and troubling you for some advice now and then, after that time I will have over come the first 'petites miseres' of painting... Well, Mauve at once set me down before a still life of a pair of old wooden shoes and some other objects, and so I could set to work.”

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Vincent Van Gogh

In his letter to brother Theo, from The Hague, The Netherlands in December 1881; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 29 (letter 162)
1880s, 1881

“What a queer thing touch is, the stroke of the brush. In the open air, exposed to wind, to sun, to the curiosity of the people, you work as you can, you feel your canvas anyhow... But when after a time you take up again this study and arrange your brush strokes in the direction of the objects - certainly it is more harmonious and pleasant to look at, and you add whatever you have of serenity and cheerfulness.”

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Vincent Van Gogh

Quote in his letter to brother Theo, from Saint-Rémy-de-Provence, 10 Sept. 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 605), pp. 33-34
1880s, 1889

“Your description of Troyon and Rousseau, for instance, is lively enough to give me some idea of which of their manners they are done in. There were other paintings from the time of Troyon's municipal pasture that had a certain 'mood' that one would have to call 'dramatic', even though they aren't figure paintings.”

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Vincent Van Gogh

In his letter to Theo, from the Hague, c. 11 July 1883 - original manuscript at Van Gogh Museum, location Amsterdam - inv. nos. b322 a-c V/1962, http://vangoghletters.org/vg/letters/let361/letter.html
At the exhibition 'Les cent chefs d'oeuvre' at Galerie Georges Petit - in Paris, 1883 there were 9 paintings of Troyon. Vincent had asked Theo in Paris to give him a description of the works at this exhibition. Vincent already appreciated Troyon's painting style, which he knew from his Paris' years at art-gallery Goupil where he worked
1880s, 1883

“This one thing remains: faith; one feels instinctively that many things are changing and that everything will change. We are living in the last quarter of a century which will end again in an enormous revolution.... we shall certainly not live to see the better times of pure air and the refreshing of the old society after those big storms. We are still in the closeness but the following generations will be able to breathe in freely.”

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Vincent Van Gogh

Quote in his letter to brother Theo, from Antwerp Belgium, Winter 1886; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 451), p. 38
1880s, 1886

“When I am writing I instinctively make a little drawing now and then like the one I sent you lately, and for instance, this morning, 'Elijah in the Desert.”

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Vincent Van Gogh

Quote in his letter to brother Theo, from Amsterdam 12 June, 1877; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 29 (letter 101)
while studying in Amsterdam at the theological school, to become clergyman
1870s

“There are things which we feel to be good and true, though in the cold light of reason and calculation many things remain incomprehensible and dark. And though the society in which we live considers such actions thoughtless, or reckless, or I don't know what else, what can we say if once the hidden forces of sympathy and love have been roused in us? And though it may be that we cannot argue against the reasoning sentiment and to act from impulse, one would almost conclude that some people have cauterized certain sensitive nerves within them, especially those which, combined, are called conscience. Well, I pity those people; they travel through life without compass, in my opinion.”

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Vincent Van Gogh

Letter from Vincent van Gogh to Theo, from The Hague, c. 11 January 1883; as cited in Dear Theo: the Autobiography of Vincent Van Gogh; ed. Irving Stone and Jean Stone (1995), ISBN 0452275040
1880s, 1883

“Now I as a painter shall never stand for anything of importance. I feel it utterly... I sometimes regret I did not simply keep to the Dutch palette [of Dutch impressionism ] with its grey tones, and have brushed away at landscapes of Montmartre [in 1886-87] with no ado.”

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Vincent Van Gogh

Quote in his letter to brother Theo, from Arles, France, 3 May 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 590), p. 33
1880s, 1889

“When I was…. in the surroundings of pictures and things of art… I then had a violent passion for them… And I do not repent it, for even now, far from that land, I am often homesick for the land of pictures. Now for more than five years already, I do not know exactly how long, I'm more or less without employment, wandering here and there… But you will ask what is your definite aim? That aim becomes more definite, will stand out slowly and surely, as the rough draft becomes a sketch and the sketch becomes a picture…. my only anxiety is: how can I be of use in the world, cannot I serve some purpose and be of any good, how can I learn more and study profoundly certain subjects?”

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Vincent Van Gogh

In his letter to brother Theo, from Cuesmes, Belgium July 1880; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 133) p. 19
1880s, 1880

“But tell me, black and white, may they be used or not, are they forbidden fruit? You... think that when the shadows are dark, ay, black, that it is all wrong then, don't you? I don't think so... Rembrandt and Hals, didn't they use black? And Velasquez???”

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Vincent Van Gogh

Quote in his letter to brother Theo, from Nuenen, The Netherlands, Autumn 1885; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 428) p. 31
1880s, 1885

“Do you know what makes the prison disappear? Every deep, genuine affection. Being friends, being brothers, loving, that is what opens the prison, with supreme power, by some magic force. Without these one stays dead. But whenever affection is revived, there life revives.”

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Vincent Van Gogh

1880s, 1880, Letter to Theo (Cuesmes, July 1880)

“Now, such an enterprise as would be the drawing and printing [by lithography ] of a series of, for instance, thirty pages of types of workmen, a sower, a digger, a woodcutter, a plowman, a wash-woman, then also a child's cradle or a man from the almshouse - well, the whole immeasurable field lies open, there are plenty of beautiful subjects - I should think the following would be the best way: as it is useful and necessary that Dutch drawings are made, printed, and spread, destined for the houses of workmen, a few persons should unite in order to use their full strength for this end.”

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Vincent Van Gogh

quote in his letter to brother Theo, from The Hague, The Netherlands in Autumn 1882; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 249), p. 20
1880s, 1882

“You know what I want. If I may become a clergyman, if I fulfill that position so that my work is equal to that of our Father [who was a clergy-man], then I shall thank God. I have good hope that I shall succeed, it was once said to me by someone who was further on in life than I, and who was no stranger in Jerusalem:… I believe that you are a Christian, you see, it was so good for me to hear those words… It is good to believe that there is a God who knows what we need, better than we know it ourselves, and who helps us when we need help. It is also good to believe that, just as in the olden days, now, too, an angel is not far from those who feel godly sorrow… I've carefully read the story of Elijah so often, and so often has it given me strength up to now:”

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Vincent Van Gogh

Vincent then quotes 1 Kings 19:3-15, leaving out all but the beginning of verses 14 and 15
quote from his letter to Theo, from Amsterdam, 31 May 1877 letter 118 http://vangoghletters.org/vg/letters/let118/letter.html
1870s

“.. You know that I think a society of impressionists would be a good thing of the same nature as the Society of the Twelve English Pre-Raphaelites, and I think that it could come into existence. Then I incline to think that the artists would guarantee mutually among themselves a livelihood, each consenting to give a considerable number of pictures to the Society, and that the gains as well as the losses should be taken in common.”

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Vincent Van Gogh

Quote in his letter to brother Theo, from Arles, France, Spring 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 498), p 37
1880s, 1888

“. You would also be mistaken if you [Theo] thought that I would do well to follow your advice literally, of becoming an engraver of bill-headings and visiting cards, or a bookkeeper or a carpenter's apprentice, - or else to devote myself to the baker's trade, - or many similar things.... that other people advise me.”

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Vincent Van Gogh

In his letter to brother Theo, from Wasmes, Belgium, 15 October 1879; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 132), p. 19
1870s

“Theo, your brother has preached for the first time last Sunday in God's dwelling.... it is a delightful thought that in the future wherever I shall come I shall preach the gospel; to do that well, one must have the gospel in one's heart, may the Lord give it to me.”

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Vincent Van Gogh

In a letter to Theo, from Isleworth England, Autumn 1876, (letter 79); as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 18
1870s

“At the moment I quite often go to draw with Breitner [in the streets of The Hague], a young painter who's acquainted with Rochussen as I am with Mauve. He draws very skilfully and very differently from me, and we often draw types together in the soup kitchen or the waiting room &c. He sometimes comes to my studio to look at woodcuts, and I go to see the ones he has as well.”

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Vincent Van Gogh

In his letter to his brother Theo, from The Hague, Monday, 13 February 1882, http://vangoghletters.org/vg/letters/let204/letter.html, from the original letter; location and translation: Van Gogh museum, Amsterdam]]
1880s, 1882

“Let me stop there, but my God, how beautiful Shakespeare is, who else is as mysterious as he is; his language and method are like a brush trembling with excitement and ecstasy. But one must learn to read, just as one must learn to see and learn to live.”

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Vincent Van Gogh

1880s, 1880, Letter to Theo (Cuesmes, July 1880)

“Well, right now it seems that things are going very badly for me, have been doing so for some considerable time, and may continue to do so well into the future. But it is possible that everything will get better after it has all seemed to go wrong. I am not counting on it, it may never happen, but if there should be a change for the better I should regard that as a gain, I should rejoice, I should say, at last! So there was something after all!”

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Vincent Van Gogh

1880s, 1880, Letter to Theo (Cuesmes, July 1880)

“Like me, for instance, who can count so many years in my life when I completely lost all inclination to laugh, leaving aside whether or not this was my own fault, I for one need above all just to have a good laugh. I found that in Guy de Maupassant and there are others here, Rabelais among the old writers, Henri Rochefort among today's, where one can find that — Voltaire in 'Candide'. On the contrary, if one wants truth, life as it is, De Goncourt, for example, in 'Germinie Lacerteux', 'La fille Elisa', Zola in 'La joie de vivre' and 'L'assommoir' and so many other masterpieces paint life as we feel it ourselves and thus satisfy that need which we have, that people tell us the truth. The work of the French naturalists Zola, Flaubert, Guy de Maupassant, De Goncourt, Richepin, Daudet, Huysmans is magnificent and one can scarcely be said to belong to one's time if one isn't familiar with them.”

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Vincent Van Gogh

Quote of Vincent, in his letter to sister Willemien van Gogh, from Paris, late October 1887; from letter 574 - original text on vangoghletters online http://vangoghletters.org/vg/letters/let574/letter.html
1880s, 1887

“Of all the colors I ordered: the three chromes, the Prussian blue, the emerald, the crimson lakes, the malachite green, all the orange lead, hardly one of them is to be found on the Dutch palette, in Maris, in Mauve or Israels - [all contemporaries of Vincent, Dutch painters of the Hague School. ]”

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Vincent Van Gogh

“My dear Theo, Thanks for your letter of this morning. Yesterday I saw the Corot exhibition. It included a painting of the 'Mount of Olives'; I'm glad he painted that. On the right, a group of olive trees, dark against the darkening blue sky; in the background hills covered with shrubs and a couple of tall trees, above them the evening star.... I've also seen the Louvre and the Luxembourg, as you can imagine. The Ruisdaels in the Louvre are magnificent, especially 'The bush', 'The breakwater' and 'The ray of sunlight.”

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Vincent Van Gogh

I wish you could see the small Rembrandts there, the 'Supper at Emmaus', and two pendants, 'The philosophers'.
quote from his Letter #034 to Theo (Paris, 31 May 1875) http://vangoghletters.org/vg/letters/let034/letter.html
1870s

“The love between brothers is a strong support through life, that is an old truth, let us look for that support, may experience strengthen the bond between us, and let us be true and outspoken toward each other, let there he no secrets — as it is now.”

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Vincent Van Gogh

Quote in a letter of Vincent to brother Theo van Gogh, from Etten (Netherlands), Spring, 1877; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 90), p. 7
1870s

“I tell you, brother, I am not good from a clergyman's point of view. I know full well that, frankly speaking, prostitutes are bad, but I feel something human in them which makes me feel not the least scruple to associate with them; I see nothing very wrong in them... And now, as in other periods of decline of civilization, the corruption of society has turned upside down all relations of good and evil, and one falls back logically on the old saying: "The first shall be last and the last shall be first."”

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Vincent Van Gogh

Quote in his letter to brother Theo, from Drenthe, The Netherlands, Sept. 1883; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 326) p. 38
Vincent is referring to his former relation with Sien, in The Hague
1880s, 1883