“[Haiku] Non un grano di polvere | a turbare il chiarore | del crisantemo bianco”
Origine: In 106 haiku, traduzione di Elena Dal Pra, Mondadori, Milano, 1999. ISBN 8804448970, p. 32.
Matsuo Bashō:
65
frasi
25
Mi piace
Matsuo Bashō frasi celebri
“[Haiku] Un guscio | di cicala, svuotatasi | nel canto”
Origine: In 106 haiku, traduzione di Elena Dal Pra, Mondadori, Milano, 1999. ISBN 8804448970, p. 26.
Matsuo Bashō Frasi e Citazioni
“[Haiku] Erba estiva: | dei sogni di gloria dei grandi guerrieri, | ora, | rovine, | e null'altro”
Origine: In Cento haiku, scelti e tradotti da Irene Iarocci, presentazione di Andrea Zanzotto, tredici illustrazioni, Guanda, Parma, 1991, p. 92. ISBN 8877462671
Origine: Per riprodurre alcuni aspetti peculiari della lingua giapponese di difficile resa in italiano, la traduttrice non si attiene in maniera univoca alla classica disposizione su tre righe. Cento haiku, pp. 26-30.
“[Haiku] Si spegne l'eco della campana | persiste il profumo dei fiori: | è sera!”
Origine: In Haiku antichi e moderni, parte prima a cura di Mario Scalise e Atsuko Mizuguchi Folchi Vici, parte seconda a cura di Carla Vasio, traduzione dal giapponese di Araki Tadao e Ettore Corò, versione italiana di Carla Vasio, Garzanti Vallardi, 1996, parte prima, p. 41. ISBN 8811904633
“[Haiku] La primavera se ne va – | piangono gli uccelli, sono lacrime | gli occhi dei pesci.”
Origine: In Il muschio e la rugiada. Antologia di poesia giapponese, a cura di Mario Riccò e Paolo Lagazzi, traduzione di Mario Riccò, Fabbri Editori R.C.S. Libri & Grandi Opere S.p.a., Milano, 1997, p. 101.
“[Haiku] Tempio di Suma – Ascolto | un flauto che nessuno suona | nel bosco scuro d'ombre.”
Origine: In Il muschio e la rugiada. Antologia di poesia giapponese, a cura di Mario Riccò e Paolo Lagazzi, traduzione di Mario Riccò, Fabbri Editori R.C.S. Libri & Grandi Opere S.p.a., Milano, 1997, p. 102.
“[Haiku] Il canto | delle cicale | non dà segno | di loro vicino morire.”
Origine: In Bashô, Poesie, traduzione e nota di Giuseppe Rigacci, Sansoni, Firenze, 1944, p. 10.
“[Haiku] Mare selvaggio | e sopra l'isola di Sado | la Via Lattea”
Origine: In Shūiki Kato, Storia della letteratura giapponese, Marsilio, 1989; citato in Alfonso Berardinelli, 100 poeti, Itinerari di poesia, Mondadori, Milano, 1997, p. 31. ISBN 8804435003
Origine: Citato in AA.VV., Il libro della letteratura, traduzione di Daniele Ballarini, Gribaudo, 2019, p. 92. ISBN 9788858024416
Matsuo Bashō: Frasi in inglese
見るところ花にあらずと云ふことなし、
思ふところ月にあらずと云ふことなし。
Miru tokoro hana ni arazu to iu koto nashi,
omou tokoro tsuki ni arazu to iu koto nashi
Classical Japanese Database, Translation #172 http://carlsensei.com/classical/index.php/translation/view/172 (Translation: Reginald Horace Blyth)
Statements
Variante: There is nothing you can see that is not a flower;
There is nothing you can think that is not the moon.
Matsuo Bashō, Collected Haiku Theory, eds. T. Komiya & S. Yokozawa, Iwanami, 1951 (Unknown translator)
Statements
“How still it is!
Stinging into the stones,
The locusts' trill.”
Bashō Matsuo
libro
Oku no Hosomichi
静けさや
岩に滲み入る
蝉の声
shizukesaya
iwa ni shimiiru
semi no koe
Donald Keene, World Within Walls: Japanese Literature of the Pre-Modern Era, 1600-1867, New York, 1999, p. 89 (Translation: Donald Keene)
Oku no Hosomichi
“The summer grasses—
For many brave warriors
The aftermath of dreams.”
Bashō Matsuo
libro
Oku no Hosomichi
夏草や
兵どもが
夢の跡
natsukusa ya
tsuwamonodomo ga
yume no ato
Donald Keene, Travelers of a Hundred Ages, New York, 1999, p. 316 (Translation: Donald Keene)
The summer grasses—
Of brave soldiers' dreams
The aftermath.
Matsuo Bashō, The Narrow Road to Oku, Tokyo, 1996, p. 87 (Translation: Donald Keene)
Also: Classical Japanese Database, Translation #222 http://carlsensei.com/classical/index.php/translation/view/222
Oku no Hosomichi
“kojin no ato wo motomezu,
kojin no motometaru no tokoro wo motome yo”
Seek not the paths of the ancients;
Seek that which the ancients sought.
from 「柴門の辞」"Words by a Brushwood Gate" (also translated as "The Rustic Gate") (Unknown translator)
Statements
“Bird of time –
in Kyoto, pining
for Kyoto.”
Basho, On Love and Barley: Haiku of Basho, London, 1985, p. 43 (Translation: Lucien Stryk)
Even in Kyōto—
hearing the cuckoo's cry—
I long for Kyōto
Classical Japanese Database, Translation #55 http://carlsensei.com/classical/index.php/translation/view/55 (Translation: Robert Hass)
Individual poems
“I shall be unhappy without loneliness.”
Classical Japanese Database, Translation #41 http://carlsensei.com/classical/index.php/translation/view/41 of a Saga Diary excerpt (Translation: Robert Hass)
Statements
sabi wa ku no iro nari. kanjaku naru ku wo iu ni arazu. tatoeba, roujin no katchuu wo taishi senjou ni hataraki, kinshuu wo kazari goen ni haberitemo, oi no sugata aru ga gotoshi.
Classical Japanese Database, Translation #42 http://carlsensei.com/classical/index.php/translation/view/42 (Translation: Robert Hass)
Statements
“Spring passes
and the birds cry out—tears
in the eyes of fishes”
Bashō Matsuo
libro
Oku no Hosomichi
行く春や
鳥啼き魚の
目は泪
yuku haru ya
tori naki uo no
me wa namida
Matsuo Bashō, Narrow Road to the Interior and other writings, Boston, 2000, p. 4 (Translation: Sam Hamill)
Spring is passing by!
Birds are weeping and the eyes
Of fish fill with tears.
Matsuo Bashō, The Narrow Road to Oku, Tokyo, 1996, p. 23 (Translation: Donald Keene)
The passing of spring—
The birds weep and in the eyes
Of fish there are tears.
Donald Keene, Travelers of a Hundred Ages, New York, 1999, p. 310 (Translation: Donald Keene)
Oku no Hosomichi
“Soon to die
yet showing no sign
the cicada's voice”
やがてしぬ
けしきはみえず
蝉の声
https://haikutopics.blogspot.ca/2006/07/voice-of-animal-xx-no-koe.html https://www.tofugu.com/japan/japanese-poetry-crash-course/
Individual poems
Matsuo Bashō, Collected Haiku Theory, eds. T. Komiya & S. Yokozawa, Iwanami, 1951 (Unknown translator)
Statements
“The old pond:
A frog jumps in,—
The sound of the water.”
Bashō Matsuo
Frog Poem
古池や
蛙飛び込む
水の音
furu ike ya
kawazu tobikomu
mizu no oto
Classical Japanese Database, Translation #64 http://carlsensei.com/classical/index.php/translation/view/64 (Translation: Reginald Horace Blyth)
At the ancient pond
the frog plunges into
the sound of water
Translation: Sam Hamill
Old pond,
leap-splash –
a frog.
Basho, On Love and Barley: Haiku of Basho, London, 1985, p. 58 (Translation: Lucien Stryk)
Breaking the silence
Of an ancient pond,
A frog jumped into water –
A deep resonance.
Matsuo Bashō, The Narrow Road to the Deep North and Other Travel Sketches, London, 1966, p. 9 (Translation: Nobuyuki Yuasa)
Individual poems
“Sick on a journey,
my dreams wander
the withered fields.”
旅に病で
夢は枯野を
かけ廻る
tabi ni yande
yume wa kareno wo
kake-meguru
Bashō's last poem, written while he was dying of a stomach illness. (Translation: Robert Hass)
Sick on a journey –
over parched fields
dreams wander on.
Basho, On Love and Barley: Haiku of Basho, London, 1985, p. 81 (Translation: Lucien Stryk)
Travelling, sick
My dreams roam
On a withered moor.
Unknown translator
Individual poems
“I am that one person
Who eats his breakfast,
Gazing at morning nothing.”
Classical Japanese Database, Translation #174 http://carlsensei.com/classical/index.php/translation/view/174 (Translation: Reginald Horace Blyth)
Individual poems
Originale: (ja) 朝顔に
我は飯食ふ
男かな
Originale: (ja) asagao ni
ware wa meshi kû
otoko kana
